Off-NIME: NIME papers, chapters and books published outside of the NIME Conference Proceedings

How to use this resource

A table of Off-NIME materials has been provided below. The URL column links to a stable host of the material, and the BibTeX column allows you to copy the citation as a BibTeX .bib file.

You can search for specific items using the search box, and you can also sort the table by clicking on any of the headers.

Datasets:

Year Journal Author(s) Title Pages URL BibTeX
Computer Music Journal Alexandraki, C. and Akoumanakis, D. Sum 2010. “Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework 66–83 No link
Proceedings of the International Conference on Human-computer Interaction, 5, 91993) Barfield, W. and Weghorst, S. The sense of presence within virtual environment: A conceptual framework 699–704 No link
Biocca, F. Presence of mind in virtual environments. Unpublished book manuscript: Media Interface and Network Design Lab, Michigan State University, East Lansing, MI No pages No link
Nigel Stewart and Gabriella Giannachi Birringer, J. New Environments for Interactive Dance No pages No link
/Networked Environments for Interactive Dance.“Maska Birringer, J. Spletna Okolja za Interaktivni Ples 68–78 No link
Bromberg, E. J. and Birringer, J. and Miklavcic, D. and Zemmels, J. Facelli TelemediatedArt: The Utah experience with the ADaPT (Association for Dance and PerformanceTelematics) Collaboration No pages No link
Buchla, D. Lightning II MIDI Controller No pages Link
Journal of Pediatric Psychology Davidson, P. W. Haptic Perception 21–25 Link
Designing the Immaterial Society. Design Issues special issue Forest, F. Communication Esthetics, Interactive Participation and Artistic Systems of Communication and Expression 97–115 Link
Grumwald, M. Human Haptic Perception: Basics and Applications No pages No link
Hurney, M. Synthophone. The MIDI sax No pages Link
Liu, F. and Picard, R. Detecting and Segmenting Periodic Motion No pages No link
Loveless, Richard and Goodman, Lizbeth Live and Media Performance: The Next Frontier.“ Performance Research 4(2): 74-79 No pages No link
Leonardo Politis, G. Computers and dance : A bibliography 87–90 Link
Putnam, W. and Knapp, B. Input/Data Acquisition System Design for Human Computer Interfacing.“ No pages No link
Artintact Rogala, Miroslaw Lovers Leap No pages No link
Rondon, Y. ℡E-EVENTO-PENSAMENTO: a imagem mediada na videoconferência e na telepresença No pages No link
Smith, Julius O An allpass approach to digital phasing and flanging No pages No link
Smith, Julius O. Physical Audio Signal Processing No pages Link
Tanzi, D. Time, Proximity And Meaning On The Net No pages No link
1969 Proceedings of the 4th Annual Conference of the American Society of University Composers, New York Mathews, M. V. and Moore, R. GROOVE, a Program for Realtime Control of a Sound Synthesizer by a Computer 22–31 No link
1969 Communications of the ACM Mathews, M. V. and Moore, R. A Program to Compose, Store, and Edit Functions of Time 715–721 Link
1970 Communications of the ACM Mathews, M. and Moore, F. R. d GROOVE - a Program to Compose, Store, and Edit Functions of Time 715–721 Link
1974 Science Mathews, M. and Moore, F. R. and Risset, J.-C. Computers and Future music 263–268 Link
1975 Proceedings of the Second Annual Music Computation Conference Chadabe, Joel System Composing 7–10 Link
1975 Proceedings of the Second Annual Music Computation Conference Rosenboom, David A Model for Detection and Analysis of Information Processing Modalities in the Nervous System Through an Adaptive, Interactive, Computerized, Electronic Music Instrument 54–78 Link
1975 The American Journal of Medical Technology Schwabbauer, M. L. Use of the latent image technique to develop and evaluate problem-solving skills 457–462 No link
1976 Paris, Como (Italy): I quaderni dell’autunno musicale Arveiller, Jacques and Battier, Marc and Englert, Giuseppe A computer Music Repertory 23–24 No link
1977 Computer Music Journal Lawson, James and Mathews, Max Computer Program to Control a Digital Real-Time Sound Synthesizer 16–21 Link
1977 Computer Music Journal Alles, H. G. A 256-Channel Performer Input Device 14–15 Link
1977 Computer Music Journal Laske, Otto E. Toward a Theory of Interfaces for Computer Music Systems 53–60 Link
1977 Proceedings of the International Computer Music Conference Dworak, Paul E. and Parker, Alice C. Envelope Control with an Optical Keyboard 1–17 Link
1977 Proceedings of the International Computer Music Conference Yantis, Michael A. A Microprocessor Based Live-Performance Instrument 193–196 Link
1977 Buxton, W. Computer Music 1976/77: a Directory to Current Work No pages No link
1977 Computer Music Journal Chadabe, J. Some reflections on the Nature of the Landscape within which Computer Music Systems are Designed 5–11 Link
1978 Computer Music Journal Andersen, Kurt H. A Digital Sound Synthesizer Keyboard 16–23 Link
1978 Proceedings of the International Computer Music Conference Alles, H.G. An Inexpensive Digital Sound Synthesizer 5–25 Link
1978 Proceedings of the International Computer Music Conference Buxton, William and Fogels, E.A. and Fedorkow, Guy and Sasaki, Lawrence and Smith, K.C. An Introduction to the SSSP Digital Synthesizer 46–56 Link
1978 Proceedings of the International Computer Music Conference Bridwell, Nelson J. Interactive Synthesis Without Obscure Diagnostics 108–118 Link
1978 Proceedings of the International Computer Music Conference Buxton, W. and Fedorkow, G. and Baecker, R. and Reeves, W. and Smith, K.C. and Ciamaga, G. and Mezei, L. An Overview of the Structured Sound Synthesis Project 471–485 Link
1978 Proceedings of the International Computer Music Conference Boody, Charles G. The Micro-computer as an Input Device for Music Analysis or Composition by Computer 637–644 Link
1978 Ergonomics, 21, 8, pp. 601-613. Reprinted in R. Baecker and W. A. S. Buxton Card, S. K. and English, W. K. and Burr, B. J. Evaluation of Mouse, Rate-controlled Isometric Joystick, Step keys, and Text keys for Text Selection on a CRT 386–392 Link
1978 Florens, J.-L. Coupleur gestuel rétroactif pour la commande et le contrôle de sons de synthèse No pages No link
1978 Mathews, M. V. and Bennet, G. Real-Time Synthesizer Control No pages No link
1979 Computer Music Journal Holtzman, S. R. An Automated Digital Sound Synthesis Instrument 53–61 Link
1979 Proceedings of the 64th Annual Audio Engineering Society Convention Buxton, W. and others A Computer-Based System for the Performance of Electroacoustic Music No pages No link
1979 Computer Music Journal Buxton, W. A. S. and Sniderman, R. and Reeves, W. and Patel, S. and Baecker, R. The Evolution of the SSSP Score-Editing Tools 14–25 No link
1979 Computer Music Journal Wessel, D. Timbre Space as a Musical Control Structure 45–52 Link
1980 Computer Music Journal Buxton, W. and Reeves, W. and Fedorkow, G. and Smith, K. C. and Baecker, R. A Microcomputer-Based Conducting System 8–21 Link
1980 Computer Music Journal Haynes, Stanley The Musician-Machine Interface in Digital Sound Synthesis 23–44 Link
1980 Computer Music Journal Mathews, Max V. and Abbott, Curtis The Sequential Drum 45–59 Link
1980 Proceedings of the International Computer Music Conference Federkow, G. and Buxton, W. and Patel, S. and Smith, K. C. A microprocessor controlled clavier 96-99 Link
1980 Proceedings of the International Computer Music Conference Reeves, W. and Buxton, W. and Federkow, G. and Smith, K. C. and Baecker, R. A microprocessor- based conducting system 100. Link
1980 Proceedings of the International Computer Music Conference Moore, F. Richard Computer audio research laboratory report 159-177 Link
1980 Proceedings of the International Computer Music Conference Levine, Steve and Mauchly, J. William THE Fairlight computer musical instrument 565-573 Link
1980 Proceedings of the International Computer Music Conference Yantis, Michael SBASS-1 features 574-576 Link
1980 Proceedings of the International Computer Music Conference McKay, Blair D. and Wills, Barry L. and Carr, David W. Polyphonic velocity-sensitive keyboard interface 583-594 Link
1980 Proceedings of the International Computer Music Conference Steele, Douglas J. and Wills, Barry L. A microcomputer-based keyboard music system 595-606 Link
1980 : a Specific Example of Realtime Performance Chadabe, J. Solo 87–94 No link
1980 Paris: Sorbonne, juin Englert, G. G. Ç Musique: composition automatique - automation composée È, Mathématiques et Sciences Humaines (45) 37–50 No link
1981 Proceedings of the International Computer Music Conference Banger, Colin and Pennycook, Bruce GCOMP : graphic control of mixing and processing 196-212 Link
1981 Proceedings of the International Computer Music Conference Snell, John Real-time console for live performance of computer music and for recording studios 246-263 Link
1981 Proceedings of the International Computer Music Conference McLean, Barton The Fairlight CMI and its uses in advanced laser graphics 283. Link
1981 Proceedings of the International Computer Music Conference Risberg, Jeffrey S. Evolution of interactive control and rel-time synthesis in a digital music system 285. Link
1981 Proceedings of the International Computer Music Conference Sasaki, L. and Fedorkow, G. and Buxton, W. and Retterath, C. and Smith, K. C. A touch- sensitive input device 293-297 Link
1981 Battier, M. Les musiques électroacoustiques et l’environnement informatique No pages No link
1981 étude du jeu instrumental.” Revue d”Acoustique Cadoz, C. and Luciani, A. and Florens, J. L. Synthèse musicale par simulation des mécanismes instrumentaux. Transducteurs Gestuels Rétroactifs pour l 279–292 No link
1982 Proceedings of the International Computer Music Conference Sapir, S. and Kronland-Martinet, R. Use of microprocessor in real-time synthesis of sounds 66-72 Link
1982 Proceedings of the International Computer Music Conference Cadoz, C. and Luciani, A.L and Florens, J. L. and Berberyan, T. The control channels of instrumental playing in computer music – real time in computer music incidence on the choice of the basic models 73-91 Link
1982 Proceedings of the International Computer Music Conference Abbott, C. Remembering performance gestures 188-193 Link
1982 Proceedings of the International Computer Music Conference Allouis, J. F. and Bernier, J. Y. The SYTER project : sound processor design and software overview 232-240 Link
1982 Proceedings of the International Computer Music Conference Loye, M. De Real-time control system for digital synthesizer 241-244 Link
1982 Proceedings of the International Computer Music Conference Swift, G. W. and Yunik, M. A microprocessor based keyboard instrument for microtonal music 588-600 Link
1982 Proceedings of the International Computer Music Conference Moog, R. A multiply touch-sensitive clavier for computer music 601-605 Link
1983 Proceedings of the International Computer Music Conference Nelson, Gary and Talbert, John The alles machine revisited 104-110 Link
1983 Proceedings of the International Computer Music Conference Snell, John Sensor for playing compute music with expression 114-127 Link
1983 Proceedings of the International Computer Music Conference Yunik, M. and Borys, M. and SWift, G. W. A microprocessor based digital flute 128-137 Link
1983 Proceedings of the International Computer Music Conference Kaegi, Werner The MIDIM system 253-261 Link
1983 Proceedings of the International Computer Music Conference Chadabe, Joel Interactive composing 299-306 Link
1983 Gidney, E. The Artist’s use of telecommunications: a review No pages No link
1983 Proceedings of the 1983 International Computer Music Conference Haflich, S. and Burns, M. Following a Conductor: the Engineering of an Input Device No pages No link
1984 Computer Music Journal Cadoz, C. and Luciani, A. and Florens, J. Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System 60–73 Link
1984 Proceedings of the International Computer Music Conference Dannenberg, R. B. and Avinney, P. A functional approach to real-time control 5-16 Link
1984 Proceedings of the International Computer Music Conference Azzolini, F. and Sapir, S. Score and/or gesture : The system RTI4I for real-time contyrol of the processor 4I 25-34 Link
1984 Proceedings of the International Computer Music Conference Vercoe, B. The synthetic performer in the context o live performance 199-200 Link
1984 Proceedings of the International Computer Music Conference Jaffrennou, P. and Jaubert, P. and Champenois, L. SINFONIE : numerical process command with gestural input control 201-202 Link
1984 Proceedings of the International Computer Music Conference Young, G. Hugh Le Caine’s 1948 sackbut syntheziser : performance mode of electronic instruments 203-212 Link
1984 Proceedings of the International Computer Music Conference Teitelbaum, R. The digital piano and the patch control language system 213-216 Link
1984 Ascott, R. Art and Telematics No pages No link
1984 Davies, H. Electronic musical instruments. Various entries in The New Grove Dictionary of Musical Instruments, Stanly Sadie No pages No link
1985 Computer Music Journal Yunik, M. and Borys, M. and Swift, G. W. A Digital Flute 49–52 Link
1985 Computer Music Journal Lohner, Henning and Moog, Robert Interview with Robert Moog 62–65 Link
1985 Proceedings of the International Computer Music Conference Vercoe, Barry and Puckette, Miller Synthetic Rehearsal : Training the Synthetic Performer 275-278 Link
1985 Proceedings of the International Computer Music Conference Bloch, Joshua J. and Dannenberg, Roger B. Real-Time Computer Accompaniment of Keyboard Performances 279-289 Link
1985 Proceedings of the International Computer Music Conference Johnstone, Eric The ROLKY : A Poly-Touch Controller For Electronic Music 291-295 Link
1985 Proceedings of the International Computer Music Conference Waisvisz, Michel The HANDS, a Set of Remote MIDI-Controllers 313-318 Link
1985 Proceedings of the International Computer Music Conference Arfib, Daniel Man-Machine Dialog Using MIDI Files 325-328 Link
1985 Proceedings of the International Computer Music Conference Gillett, Ross and Smith, Kenneth C. and Pritchard, Bob MADDM 329-330 No link
1985 Proceedings of the International Computer Music Conference Debiasi, Giovanni B. M.I.N.I. (Musical Instruments Numerical Interface) 331-335 Link
1985 Proceedings of the International Computer Music Conference Kuivila, Ron Untitled : An Interactive Installation 337-339 Link
1985 Proceedings of the 1985 International Computer Music Conference Gillett, K. and Pritchard, R. Maddm - Dance Directed Music 329–330 No link
1985 ACM Computing Surveys Pennycook, B. W. Computer-Music Interfaces: A Survey 267–289 Link
1985 ACM Computing Survey, Association for Computing Machinery, Special Pennycook, B. Computer Music Intrerfaces: A Survey 267–289 No link
1985 Wechsler, R. Symmetry in Dance No pages No link
1986 Computer Music Journal Roads, Curtis The Second STEIM Symposium on Interactive Composition in Live Electronic Music 44–50 Link
1986 Computer Music Journal Gualtieri, D. M. MIDI Output Interface to a Parallel Printer Port 79–82 Link
1986 Computer Music Journal Lohner, Henning The UPIC System: A User’s Report 42–49 Link
1986 Proceedings of the International Computer Music Conference Florens, Jean-Loup and Razafindrakoto, Aime and Luciani, Annie and Cadoz, Claude Optimized Real Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis 65-70 Link
1986 Proceedings of the International Computer Music Conference Prevot, Philippe Tele-detection and Large Dimension Gestual Control 95-97 Link
1986 Proceedings of the International Computer Music Conference Radier, J. C. and Deforeit, Ch. and Provost, D. A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display 99-100 Link
1986 Proceedings of the International Computer Music Conference Baisnee, P.-F. and Barriere, J.B. and Koechlin, O. and Rowe, R. Real-Time Interaction between Musicians and Computer : Live Performance Utilisations of the 4X Musical Workstation 237 239 Link
1986 Proceedings of the International Computer Music Conference Starkier, Michel and Prevot, Philippe Real-Time Gestural Control 423-426 Link
1986 Information Processing ‘86, Proceedings of the IFIP 10th World Computer Congress, North Holland, pp. 475-480. Reprinted in R. Baecker, J. Grudin, W. A. S. Buxton, and S. Greenberg, eds. Human-Computer Interaction Buxton, W. A. S. Chuncking and Phrasing and the Design of Human-Computer Dialogues 494–499 No link
1986 User Centered System Design Buxton, W. A. S. There’s More Interaction than Meets the Eye: Some Issues in Manual Input 366–375 Link
1986 Human Movement Understanding Camurri, A. P. and Morasso, V. and Tagliasco, R.Zaccaria Dance and Movement Notation 85–124 No link
1986 Maxwell, D. and Ginsberg, C. Graphical marionette.“ in Motion:Representation and Perception, Proceedings ACM SIGGRAPH/SIGART Interdisciplinary Workshop on Motion, pp. 303-310 No pages No link
1987 Computer Music Journal Logemann, G. W. Report on the Last STEIM Symposium on Interactive Composing in Live Electronic Music 44–47 Link
1987 Proceedings of the International Computer Music Conference Wessel, David and Bristow, David and Settel, Zack Control of Phrasing and Articulation in Synthesis 108-116 Link
1987 Proceedings of the International Computer Music Conference Grossman, Gary Instruments, Cybernetics, and Computer Music 212-219 Link
1987 Baecker, R. M. and Buxton, W. A. S. Readings in Human-Computer Interaction: A Multidisciplinary Approach No pages No link
1987 Baecker and Buxton Buxton, W. A. S. The Haptic Channel 357–365 No link
1987 Proceedings of the 4th international conference on event perception and action, Trieste Camurri, A. and others Interactions between music and movement: A system for music generation from 3D animations No pages No link
1987 Proceedings of the 5th Audio Engineering Society Conference Downes, P. Motion Sensing in Music and Dance Performance 165–172 No link
1987 AES 5 th International Conference. New York, NY Moog, R. Position and Force Sensors and their Application to Keyboards and Related Controllers No pages No link
1987 Proceedings of the 1987 International Computer Music Conference Moore, F. R. The Disfunctions of MIDI 256–262 No link
1988 Proceedings of the International Computer Music Conference Cadoz, Claude Instrumental gesture and musical composition 1-12 Link
1988 Proceedings of the International Computer Music Conference Collinge, D. J. and Parkinson, S. M. The Oculus Ranae 15-19 Link
1988 Proceedings of the International Computer Music Conference Gibet, Sylvie and Florens, Jean-Loup Machine Recognition of Music Information Composition Systems and Techniques Instrumental Gesture Modeling by Identification with Time-Varying Mechanical Models 28-40 No link
1988 Proceedings of the International Computer Music Conference Dean, Rubine and McAvinney, Paul The VideoHarp 49-55 Link
1988 Proceedings of the International Computer Music Conference Raczinski, Jean-Michel and Marino, Gerard A Real-Time Synthesis Unit 90-99 Link
1988 Scientific American Boulez, P. and Gerzso, A. Computers in music 26–32 Link
1988 Castine, P. An Evaluation of the User Interface in Digital Audio Systems No pages No link
1988 Leonardo Herbison-Evans, D. Dance, Video, Notation and Computers 45–50 Link
1989 Proceedings of the International Computer Music Conference Allik, Kristi The Interactive Arts System: Introduction to a Real-Time Performance Tool 1-4 Link
1989 Proceedings of the International Computer Music Conference Chabot, Xavier Performance with Electronics: Gesture Interfaces and Software Toolkit 65-68 Link
1989 Proceedings of the International Computer Music Conference Eigenfeldt, Arnie Contour: A Real-Time MIDI System Based on Gestural Input 101-104 Link
1989 Proceedings of the International Computer Music Conference Keane, David and Gross, Peter The Midi Baton 151-154 Link
1989 Proceedings of the International Computer Music Conference Kramer, Gregory and Moog, Robert and Peevers, Alan The Hybrid: A Music Performance System 155-159 Link
1989 Proceedings of the International Computer Music Conference Logemman, George W. Experiments with a Gestural Controller 184-185 Link
1989 Proceedings of the International Computer Music Conference Machover, Tod Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems 186-190 Link
1989 Proceedings of the International Computer Music Conference Matsushima, Toshiaki and andShuji Hashimoto, Sadamu Ohteru An Integrated Music Information Processing System: PSB-er 191-198 Link
1989 Proceedings of the International Computer Music Conference Morita, H. and Ohteru, S. and Hashimoto, S. Computer Music System which Follows a Human Conductor 207-210 Link
1989 Proceedings of the International Computer Music Conference Morrill, Dexter and Cook, Perry R. Hardware, Software, and Compositional Tools for Real Time Improvised Solo Trumpet Work 211-214 Link
1989 Appleton, J. 21st-Century Musical Instruments: Hardware and Software No pages No link
1989 Proceedings of the 1989 International Computer Music Conference Boie, R. and Mathews, M. and Schloss, A. The Radio Drum as a Synthesizer Controller 42–45 No link
1989 Current Directions in Computer Music Research. , Mass.:The Chafe, C. Simulating Performance on a Bowed Instrument 185–198 No link
1989 Dance Technology: Current Applications and Future Trends No pages No link
1989 Dance Technology Gray, J. The Evolution of Dance Technology 1–5 No link
1989 Machover, T. and Performance, J. and Chung Hyperinstruments: Musically Intelligent and Interactive Performance 1992. “Hyperinstruments and Creativity Systems.” In Proceedings of the 1989 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 186-190 No pages No link
1989 Current Directions in Computer Music Research. , Mass Mathews, M. V. The Conductor Program and the Mechanical Baton 263–282 No link
1989 Current Directions in Computer Music Research No pages No link
1989 The Measurement, Instrumentation and Sensors Handbook No pages Link
1990 Computer Music Journal Pressing, Jeff Cybernetic Issues in Interactive Performance Systems 12–25 Link
1990 Computer Music Journal Rubine, Dean and McAvinney, Paul Programmable Finger-tracking Instrument Controllers 26–41 Link
1990 Computer Music Journal Knapp, R. Benjamin and Lusted, Hugh A Bioelectric Controller for Computer Music Applications 42–47 Link
1990 Computer Music Journal Chabot, Xavier Gesture Interfaces and a Software Toolkit for Performance with Electronics 15–27 Link
1990 Computer Music Journal Krefeld, Volker The Hand in the Web: An Interview with Michel Waisvisz 28–33 Link
1990 Computer Music Journal Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup A Modular Feedback Keyboard Design 47–51 Link
1990 Computer Music Journal Moog, Robert and Rhea, Thomas Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards 52–60 Link
1990 Computer Music Journal Bosi, Marina An Interactive Real-Time System for the Control of Sound Localization 59–64 Link
1990 Proceedings of the International Computer Music Conference Cadoz, Claude and Ramstein, Christophe Capture, Representation, and "Composition" of the Instrumental Gesture 53-56 Link
1990 Proceedings of the International Computer Music Conference Florens, Jean-Loup and Cadoz, Claude Modular Modelisation and Stimulation of the Instrument 75-78 Link
1990 Proceedings of the International Computer Music Conference Bosi, Marina An Interactive Real-time System for the Control of Sound Localization 112-114 Link
1990 Proceedings of the International Computer Music Conference McNabb, Michael Ensemble: An Extensible Real-time Music Performance Environment 245-248 Link
1990 Proceedings of the International Computer Music Conference Marino, Gerard and Raczinski, Jean-Michel and Serra, Marie-Helene The New UPIC System 249-252 Link
1990 Proceedings of the International Computer Music Conference Morita, Hideyuki and Watanabe, Hiroshi and Harada, Tsumotu and Ohteru, Sadamu and Watanabe, Shuji Knowledge Information Processing in Conducting Computer Music Performer 332-334 Link
1990 Proceedings of the International Computer Music Conference Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup Modular Feedback Keyboard 379-382 Link
1990 Proceedings of the International Computer Music Conference Hunt, Andy and Kirk, Ross and Orton, Richard MIDIGRID : An Innovative Computer- based and Composition System 392-394 Link
1990 Proceedings of the International Computer Music Conference Riddell, Alistair M. A Meta-Action for the Grand Piano 395-397 Link
1990 Proceedings of the International Computer Music Conference Schloss, W. Andrew Recent Advances in the Coupling of the Language MAX with the Matthew-Boie Radio Drum 398-400 Link
1990 Reflections of a former perfomer of electroacoustic music. Appleton, Jon Composer pour de nouveaux instruments 5–8 Link
1990 Proceedings of the 1990 International Computer Music Conference Bowler, I. and Purvis, A. and Manning, P. and Bailey, N. On Mapping N Articulation onto M Synthesiser-Control Parameters 181–184 No link
1990 Leonardo Brightman, P. Computer Dancemakers 393–396 Link
1990 Proceedings International Computer Music Conference, Glasgow, UK, San Francisco CA, USA Gibet, S. and Marteau, P.-F. Gestural control of sound synthesis 387–391 No link
1990 Human-Computer Interaction Mackinlay, J. D. and Card, S. K. and Robertson, G. G. A Semantic Analysis of the Design Space of Input Devices 145–190 Link
1990 Proceedings of the International Computer Music Conference (ICMC 1990) Minnick, M. A Graphical Editor for Building Unit Generator Patches 253–255 No link
1990 Politis, G. A survey of Computers in Dance No pages No link
1990 Rosenboom, D. Extended Musical Interface with the Human Nervous System. Berkeley, Calif.: International Society for the Arts, Sciences, and Technology No pages No link
1990 Schloss, W. A. Recent Advances in the Coupling of the Language MAX with the Mathews/Boie Radio Drum. In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association, pp. 398-400 No pages No link
1991 Computer Music Journal Tanaka, Atau CyberArts International 55-58 Link
1991 Computer Music Journal Pennycook, Bruce Machine Songs II: The PRAESCIO Series - Composition-Driven Interactive Software 16–26 Link
1991 Computer Music Journal Mathews, Max V. The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music 37–46 Link
1991 Computer Music Journal Wessel, David L. Instruments That Learn, Refined Controllers, Source Model Loudspeakers 82–86 Link
1991 Proceedings of the International Computer Music Conference Johnstone, Eric A MIDI foot controller 123-126 No link
1991 Proceedings of the International Computer Music Conference Sato, Akio and Harada, Tsutomu and Hashimoto, Shuji and Ohteru, Sadamu Singing and playing in musical virtual space 289-292 Link
1991 Proceedings of the International Computer Music Conference Cook, Perry R. Tbone : an interactive waveguide brass instrument synthesis workbench for the NeXT machine 297-299 Link
1991 Proceedings of the International Computer Music Conference Oliveros, Pauline The expanded instrument system (EIS) 404-407 Link
1991 Proceedings of the International Computer Music Conference Demers, Louis-Philippe A performance instrument for lighting 471-474 Link
1991 Proceedings of the International Computer Music Conference Dannenberg, Roger B. and Bookstein, Kenneth Practical aspects of a MIDI conducting system 537-540 Link
1991 Proceedings of the International Computer Music Conference Keane, David and Wood, Kevin The MIDI baton III 541-544 Link
1991 Proceedings of the International Computer Music Conference Raczinski, J. M. New UPIC system demonstration 567-570 Link
1991 Le timbre Cadoz, C. e. Timbre et causalité 17–46 No link
1991 ACM Transactions on Information Systems Card, S. K. and Mackinlay, J. D. and Robertson, G. G. A Morphological Analysis of the Design Space of Input Devices 99–122 Link
1991 Leonardo Music Journal Collins, N. Low Brass: the Evolution of the Trombone Propelled Electronics 41–44 Link
1991 Excerpt reprinted in R Ellis, S. R. Nature and Origins of Virtual Environments: A Bibliographical Essay 913–932 Link
1991 Connectivity Fadon, C. StillLife/Alive No pages No link
1991 Friberg, A. Generative rules for music performance: A formal description of a rule system No pages Link
1991 Computer Music Journal Friberg, A. and others PERFORMANCE RULES FOR COMPUTER-CONTROLLED CONTEMPORARY KEYBOARD MUSIC 49–55 Link
1991 International Computer Music Conference Johnstone, E. A MIDI Foot Controller - The PodoBoard No pages No link
1991 Connectivity Kac, E. Ornitorrinco: Exploring Telepresence and Remote Sensing No pages No link
1991 Proceedings of the 1991 International Computer Music Conference Lee, M. and Freed, A. and Wessel, D. Real-Time Neural Network Processing of Gestural and Acoustic Signals 277–280 No link
1991 Mulder, A. Viewing dance as instrumental to music. Interface 4 (2), 15-17 No pages No link
1991 Ramstein, C. Analyse, représentation et traitement du geste instrumental No pages No link
1991 Contemporary Music Review Ryan, J. Some Remarks on Musical Instrument Design at STEIM 3–17 Link
1992 Computer Music Journal Bauer, Will and Foss, Bruce GAMS: An Integrated Media Controller System 19–24 Link
1992 Computer Music Journal Michael, Czeiszpergerm and Tanaka, Atau CyberArts International 92–96 Link
1992 Proceedings of the International Computer Music Conference Mathews, Max My view of the future of real-time computer music 1. Link
1992 Proceedings of the International Computer Music Conference Bertini, Graziano and Carosi, Paolo The light baton : a system for conducting computer music performance 73-76 Link
1992 Proceedings of the International Computer Music Conference Gillespie, Brent Dynamical modeling of the grand piano action 77-80 Link
1992 Proceedings of the International Computer Music Conference Haken, Lippold and Abdullah, Radi and Smart, Mark The continuum : a continuous music keyboard 81-84 Link
1992 Proceedings of the International Computer Music Conference Harada, Tsutomu and Sato, Akio and Hashimoto, Shuji and Ohteru, Sadamu Real time control of 3D sound space by gesture 85-88 Link
1992 Proceedings of the International Computer Music Conference Marchany, Randy C. and Tront, Joseph G. A programmable MIDI instrument controller emulating a hammer dulcimer 89-92 Link
1992 Proceedings of the International Computer Music Conference Tobenfeld, Emile A system for computer assisted gestural improvisation 93-96 Link
1992 Proceedings of the International Computer Music Conference Kusu, Koji and Ino, Masaoki and Skin, Donguk and Hashimoto, Shuji and Ohteru, Sadama Computer noh system 198-201 Link
1992 Proceedings of the International Computer Music Conference Jaffe, David A. and Schloss, W. Andrew The making of "Wildlife" : species of interaction 269-272 Link
1992 Proceedings of the International Computer Music Conference Cook, Perry R. A meta-wind-instrument physical model, and a meta-controller for real-time performance control 273-276 Link
1992 Proceedings of the International Computer Music Conference Lee, Michael and Wessel, David Connectionist models for real-time control of synthesis and compositional algorithms 277-280 Link
1992 Proceedings of the International Computer Music Conference Ryan, Joel The STEIM studio report 325-328 Link
1992 Proceedings of the International Computer Music Conference Bolas, Mark and Stone, Phil Virtual mutant Theremin 360-361 Link
1992 Proceedings of the International Computer Music Conference Cariou, Brad Designof an alternative controller from an industrial design perspective 366-367 No link
1992 Proceedings of the International Computer Music Conference Farrett, Peter W. A system for acquiring a composer’s actions 379-380 No link
1992 Proceedings of the International Computer Music Conference Ryan, Joel Effort and expression 414-416 No link
1992 Proceedings of the International Computer Music Conference Gillespie, Brent Touch back keyboard 447-448 No link
1992 Proceedings of the International Computer Music Conference Lee, Michael and Garnett, Guy and Wessel, David An adaptive conductor follower 454-455 No link
1992 Proceedings of the International Computer Music Conference Pennycook, Bruce and Johnstone, Eric A remote messaging device for interactive performance 459-460 No link
1992 Proceedings of the International Computer Music Conference Raczinski, Jean-Michel UPIC demonstration 461. No link
1992 Proceedings of the International Computer Music Conference Keane, David SOUND LODGE : a touch-sensitive, interactive sound installation 478-481 No link
1992 Proceedings of the Fourth European Workshop on Modeling Autonomous Agents in a Multi-Agent World, S Bates, J. and Loyall, A. Bryan and Reilly, W. Scott An architecture for action, emotion, and social behaviour No pages No link
1992 Acoustical Society of America Conference, New Orleans Cook, P. R. and Morrill, D. and Smith, J. O. An Automatic Pitch Detection and MIDI Control System for Brass Instruments No pages No link
1992 Held, R. and Durlach, N. Telepresence No pages Link
1992 originally published in Siggraph Visual Proceedings Kac, E. Aspects of the Aesthetics of Telecomommunications No pages No link
1992 Dance Research Journal Kahlich, L. Dance Technology – Moving into the Future 63–64 Link
1992 Cyberarts Machover, T. Hyperinstruments - a Composer’s Approach to the Evolution of Intelligent Musical Instruments 67–76 No link
1992 Machover, T. Hyperinstruments - a Progress Report 1987 - 1991 No pages No link
1992 Proceedings of the 1992 ACM Conference on Human Factors in Computing Systems MacKenzie, I. S. and Buxton, W. Extending Fitts’ Law to Two Dimensional Tasks 219–226 Link
1992 Readings in Human-Computer Interaction MacKenzie, I. S. Movement Time Prediction in Human-Computer Interfaces 483–493 Link
1992 Dokumentation Elektroakustischer Musik in Europ. Produced by: Technische Universitaet Berlin, Elektronisches Studio, Deutsche Sektion der internationalen Gesellschaft fuer Elektroakustische Musik (DecimE); published by: InventionenU92 No pages No link
1992 Pousset, D. La flûte-MIDI, l’histoire et quelques applications No pages No link
1992 Pressing, J. Synthesizer Performance and Real-Time Techniques No pages No link
1992 Proceedings of the First Annual Conference Dance and Technology I: Moving Toward the Future No pages No link
1992 P. “Nuntius – A Computer System for the Interactive Composition and Analysis of Music and Dance.” Leonardo Ungvary, T. Waters, S., and Rajka 59–68 No link
1993 Proceedings of the International Computer Music Conference Chafe, Chris Tactile Audio Feedback 76-79 Link
1993 Proceedings of the International Computer Music Conference Tanaka, Atau Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse 124-126 Link
1993 Proceedings of the International Computer Music Conference Kanamori, Tsutomu and Katayose, Haruhiro and Simura, Satosi and Inokuchi, Seiji Gesture Sensor in Virtual Performer 127-129 Link
1993 Proceedings of the International Computer Music Conference Cook, Perry and Morrill, Dexter and Smith, Julius 0. A MIDI Control and Performance System for Brass Instruments 130-133 Link
1993 Proceedings of the International Computer Music Conference Puckette, Miller and Settel, Zack Non-obvious roles for electronics in performance enhancement 134-137 Link
1993 Proceedings of the International Computer Music Conference Katayose, Haruhro and Kanamori, Tsutomu and Kamei, Katsuyuki and Nagashima, Yoichi and Sato, Kosuke and Inokuchi, Seiji and Simura, Satosi Virtual Performer 138-145 Link
1993 Proceedings of the International Computer Music Conference Inoue, Wataru and Hashimoto, Shuji and Ohteru, Sadamu A Computer Music System for Human Singing 150-153 Link
1993 Proceedings of the International Computer Music Conference Hayashi, Eiji and Ishikawa, Tatuya and Yamane, Masami The Development of a Piano Player 426-427 Link
1993 Proceedings of the International Computer Music Conference Sekiguchi, Koichi and Amemiya, Ryoji and Kubota, Hiroshi and Yamane, Masami The Development of an Automatic Drum Playing Device 428-429 Link
1993 Proceedings of the International Computer Music Conference Ohta, Hirohisa and Akita, Hiroshi and Ohtani, Motomu and Ishicado, Satosi and Yamane, Masami The Development of an Automatic Bagpipe Playing Device 430-431 Link
1993 Interface Bailey, N. J. and Purvis, A. and Bowler, I. W. and Manning, P. D. Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments 259–275 No link
1993 Carr, J. J. Sensors and Circuits: Sensors, Transducers, and Supporting Circuits for Electronic Instrumentation, Measurement, and Control No pages No link
1993 Leonardo Music Journal Chabot, X. To Listen and to See: Making and Using Electronic Instruments 11–16 Link
1993 Wisconsin) Dannenberg, R. Computer music at Carnegie Mellon University 303–333 No link
1993 Dubost, G. Technologies de capteurs et leurs applications musicales No pages No link
1993 Hand, C. A Survey of 3-D Input Devices No pages No link
1993 Proceedings of the ACM INTERCHI Kabbash, P. and MacKenzie, I. S. and Buxton, W. Human Performance Using Computer Input Devices in the 2001 International Preferred and Non-Preferred Hands 474–481 No link
1993 Kalawasky, R. S. The science of virtual reality and virtual environments No pages No link
1993 Computers and the Humanities Katayose, H. and Inokuchi, S. Learning Performance Rules in a Music Interpretation System 31–40 Link
1993 Laurel, B. Computers as Theatre No pages Link
1993 Matsumoto, F. Using Simple Controls to Manipulate Complex Objects: Application to the Drum-Boy Interactive Percussion System No pages No link
1993 Keyboard Moog, R. Controller oddities 44–49 No link
1993 Pimentel, K. and Teixeira, K. The science of virtual reality: through the new looking glass No pages No link
1993 Journal of Interface Pope, S. T. Real-Time Performance via User Interfaces to Musical Structures 195–212 Link
1993 Putnam, W. The Use of the Electromyogram for the Control of Musical Performance No pages No link
1993 Rowe, R. Interactive Music Systems: Machine Listening and Composing No pages No link
1993 The Electrical Engineering Handbook Smith, R. L. Sensors No pages Link
1993 Waisvisz, M. and Ryan, J. and Collins, N. STEIM - de zoetgevooisde Bliksem No pages No link
1994 Computer Music Journal Jaffe, David A. and Schloss, W. Andrew The Computer-Extended Ensemble 78–86 Link
1994 Computer Music Journal Wright, Matthew A Comparison of MIDI and ZIPI 86–91 Link
1994 Proceedings of the International Computer Music Conference Impett, Jonathan A Meta-Trumpet(er) 147-150 Link
1994 Proceedings of the International Computer Music Conference Hartono, Pitoyo and Asano, Kazumi and Inoue, Wataru and Hashimoto, Shuji Adaptive Timbre Control Using Gesture 151-158 Link
1994 Proceedings of the International Computer Music Conference Vertegaal, Roel and Eaglestone, Barry and Michael, Clarke An Evaluation of Input Devices for Use in the ISEE Human-Synthesizer Interface 159-162 Link
1994 Proceedings of the International Computer Music Conference Cariou, Brad The aXi¯ MIDI Controller 163-166 Link
1994 Proceedings of the International Computer Music Conference Gillespie, Brent The Virtual Piano Action : Design and Implementation 167-170 Link
1994 Proceedings of the International Computer Music Conference Bongers, Bert The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments 171-174 Link
1994 Proceedings of the International Computer Music Conference Favilla, Stuart Live Performance and Virtuosic Pitch-Bend Technique for the Synthesizer 175-176 Link
1994 Proceedings of the International Computer Music Conference Favilla, Stuart The LDR controler 177-180 Link
1994 Proceedings of the International Computer Music Conference Anderson, Tim and Hearn, Debbie Using Hyper-Instruments for the re-distribution od the performance control interface 183-184 Link
1994 Proceedings of the International Computer Music Conference Jaffe, David A. and Schloss, W. Andrew A Virtual Piano Concerto Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in “ The Seven Wonders of the Ancient World ” 192-195 Link
1994 Proceedings of the International Computer Music Conference Katayose, Haruyose and Kanamori, Tsutomu and Simura, Satosi and Inokuchi, Seiji Demonstration of Gesture Sensors for the Shakuhachi 196-199 Link
1994 Proceedings of the International Computer Music Conference Curtin, Steven The SoundLab : a wearable computer music instrument 200-201 Link
1994 Keyboard Anderton, C. STEIM: In the Land of Alternate Controllers 54–62 No link
1994 Fels, S. Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces No pages No link
1994 Garrett, P. H. Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering No pages No link
1994 Giraudon, F. Contrôle de paramètres de synthèse issus d No pages No link
1994 ACM Transactions on Human-Computer Interaction Jacob, R. J. K. and Sibert, L. and McFarlane, D. and Jr, M. Mullen Integrality and Separability of Input Devices 3–26 Link
1994 PCVR Magazine Mulder, A. How to Build an Instrumented Glove based on the Powerglove Flex Sensors 10–14 No link
1994 Mulder, A. Human Movement Tracking Technology No pages No link
1994 Proceedings of the First Brazilian Symposium on Computer Music Mulder, A. Virtual Musical Instruments: Accessing the Sound Synthesis Universe as a Performer 243–250 No link
1994 Proc. of IEEE Workshop on Motion of Non-Rigid and Articulated Objects, Austin, Texas Polana, R. and Nelson, R. Low level recognition of human motion 77–82 No link
1994 Proceedings of the CHI’94 Conference on Human factors in Computing Systems, Association of Computer Machinery Ramstein, C. and Hayward, V. The Pantograph: a Large Workspace Haptic Device for a Multi-Modal Human-Computer Interaction No pages No link
1994 CGVIP: Image Understanding Rohr, K. Towards model-based recognition of human movements in image sequences 94–115 Link
1994 Presence Slater, M. and Usoh, M. and Steed, A. Depth of presence in virtual environment 130–144 Link
1994 Vertegaal, R. An Evaluation of Input Devices for Timbre Space Navigation No pages No link
1994 Computer Music Journal Vertegaal, R. and Bonis, E. ISEE: An Intuitive Sound Editing Environment 21–29 Link
1995 Computer Music Journal Van den Berghe, Guido and De Moor, Bart and Minten, Willem Modeling a Grand Piano Key Action 15–22 Link
1995 Proceedings of the International Computer Music Conference Lopez-Lezcano, Fernando PadMaster : an improvisation environment for real-time performance 104-105 Link
1995 Proceedings of the International Computer Music Conference Aono, Yushi and Katayose, Haruhiro and Inokuchi, Seiji An Improvisational Accompaniment System Observing Performer’s Musical Gesture 106-107 Link
1995 Proceedings of the International Computer Music Conference Cariou, Brad Vidolin, Alvise A Demonstration of the aXiØ Controller 183-184 Link
1995 Proceedings of the International Computer Music Conference Brecht, Bennett and Garnett, Guy E. Conductor Follower 185-186 Link
1995 Proceedings of the International Computer Music Conference Fortuin, Harold The Clavette: A Generalized Microtonal MIDI Keyboard Controller 223. Link
1995 Proceedings of the International Computer Music Conference Pinkston, Russell and Kerkhoff, Jim and McQuilken, Mark A Touch Sensitive Dance Floor/MIDI Controller 224-225 Link
1995 Proceedings of the International Computer Music Conference Camurri, Antonio Interactive Dance/Music Systems 245-252 Link
1995 Proceedings of the International Computer Music Conference Vertegaal, Roel and Ungvary, Tamas The Sentograph: Input Devices and the Communication of Bodily Expression 253-256 Link
1995 Proceedings of the International Computer Music Conference Sawada, Hideyuki and Ohkura, Shin’ya and Hashimoto, ShujiMaking Gesture Analysis Using 3-D Acceleration Sensor for Music Control 257-260 Link
1995 Proceedings of the International Computer Music Conference Winkler, Todd Motion Musical: Gesture Mapping Strategies for Interactive Computer Music 261-264 Link
1995 Proceedings of the International Computer Music Conference Kanamori, Tsutomu and Katayose, Haruhiro and Aono, Yushi and Inokuchi, Seiji and Sakaguchi, Takasi Sensor Integration for Interactive Digital Art 265-268 Link
1995 Proceedings of the International Computer Music Conference Todoroff, Todor Real-Time Granular Morphing and Spatialisation of Sounds With Gestual Control Within MAX/FTS 315-318 Link
1995 Proceedings of the International Computer Music Conference Bromwich, Mark A. A Single Performer Controlled Interface for Electronic Fance/Music Theatre 491-492 Link
1995 Proceedings of the International Computer Music Conference Cadoz, Claude and Florens, Jean-Loup and Luciani, Annie Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces 531-532 Link
1995 Proceedings of the International Computer Music Conference Chadabe, Joel Interactive Performance 589. Link
1995 Proceedings of the International Computer Music Conference Kirk, Ross and Hunt, Andy and Orton, Richard Audio-Visual Instruments in Live Performance 595-596 Link
1995 Ergonomics Akamatsu, M. and MacKenzie, I. S. and Hasbrouc, T. A Comparison of Tactile, Auditory and Visual Feedback in a Pointing Task using a Mouse-Type Device 816–827 Link
1995 Baecker, R. M. and Grudin, J. and Buxton, W. A. S. and Greenberg, S. Readings in Human-Computer Interaction: Toward the Year 2000. San Mateo, Calif.:Morgan-Kauffmann Publishers, Inc No pages No link
1995 Proceedings of the Australian Conference on Computer Music (ACCM-95) Barrass, S. Personify: A Toolkit for Perceptually Meaningful Sonification No pages No link
1995 Esthétique des arts médiatiques, tome 1, Louise Poissant Battier, M. Entre l’idée et l’œuvre. Parcours de l’informatique musicale 319–334 No link
1995 Communication in the age of virtual reality Biocca, F. and B.Delaney Immersive virtual reality technology No pages No link
1995 Communication in the age of virtual reality Biocca, F. T. Kim and M.Levy The vision of virtual reality 3–14 No link
1995 Bromwich, M. A Single Performer Controlled Interface for Electronic Dance/Music Theatre.“ Poster presented at 1995 International Computer Music Conference ’Digital Playgrounds’, Banff Centre, Canada. Paper published in ICMC proceedings No pages No link
1995 Proceedings of the 1995 International Computer Music Conference Choi, I. and Bargar, R. and Goudeseune, C. A Manifold Interface for a High Dimensional Control Space 385–392 No link
1995 Egozy, E. B. Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet No pages No link
1995 Proc. of the IEEE-PAMI International Symposium on Computer Vision. Coral Gables, Florida Gavrilla, D. M. and Davis, L. S. 3-D model based tracking of human upper body movement: a multi-view approach 253–258 Link
1995 Proceedings of the IROS’95, Int. Workshop on Intelligent Robots and Systems. vol. 2. Piscataway, NJ Hayward, V. Toward a Seven Axis Haptic Interface 133–139 No link
1995 Technology Review Hodges, M. Computers and dance 20–21 No link
1995 Proc. of Third International Conference on Dance and Technology Lovell, R. and Mitchell, J. Using Human Movement to Control Activities in Theatrical Environments No pages No link
1995 Proc. of the Computer Animation ’95 Conference, Geneva, Switzerland Maes, P. T. and Darrell, B. and Blumberg, A.Pentland The ALIVE system: Full-body interaction with autonomous agents No pages Link
1995 Martin, S. Theremin. An Electronic Odyssey No pages No link
1995 International Symposium on Electronic Art Mitchell, J. D. and Lovell, R. Environment for the Interactive Design of Emergent Art No pages No link
1995 Mulder, A. Human Movement Tracking Technology: Resources No pages No link
1995 Proceedings of the 1995 International Computer Music Conference Polfreman, R. and Sapsford-Francis, J. A Human Factors Approach to Computer Music Systems User-Interface Design 381–384 No link
1995 International Journal of Man-Machine Studies Pulfer, J. K. Man-Machine Communication in Creative Applications 3 No link
1995 Proceedings of the Third Annual Conference Dance and Technology III: Transcending Boundaries 18–25 No link
1995 Proceedings of the 1995 International Computer Music Conference Tobey, F. The Ensemble Member and the Conducted Computer 529–530 No link
1995 Proceedings of the first International Dance and Technology Conference Wechsler, R. Analysis of “reversals” in the Cunningham Dance Technique. Issues concerning the perception of symmetry in dance No pages No link
1995 Winkler, T. Making Motion Musical: Gesture Mapping Strategies for Interactive Computer Music. “From the Proceedings of the 1995 International Computer Music Conference, Banff, Canada No pages No link
1996 Computer Music Journal Hirano, Karl A Review of Electronic Musical Instruments 28–30 Link
1996 Proceedings of the International Computer Music Conference Chu, Lonny Haptic feedback in a computer music performance interface 57-58 Link
1996 Proceedings of the International Computer Music Conference Favilla, Stuart Non-linear controlled mapping for gestural control of gamaka 89-92 Link
1996 Proceedings of the International Computer Music Conference Lippe, Cort A look at performer/machine interaction using real-time systems 116-117 Link
1996 Proceedings of the International Computer Music Conference Katayose, Haruhiro and Kanamori, Tsutomu and Inokushi, Seiji An environment for interactive art- sensor integration and applications 173-176 Link
1996 Proceedings of the International Computer Music Conference Tobey, Forrest and Fujinaga, Ichiro Extraction of conducting gesture in 3D space 305-307 Link
1996 Proceedings of the International Computer Music Conference Vertegaal, Roel and Ungary, Tamas and Kieslinger, Michael Towards a musician’s cockpit : Transducers, feedback and musical function 308-311 Link
1996 Proceedings of the International Computer Music Conference Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji Acceleration sensor as an input device for musical environment 421-424 Link
1996 Proceedings of the International Computer Music Conference Lopez-Lezcano, Fernando PadMaster : Banging on algorithms with alternative controllers 425-427 Link
1996 Proceedings of the International Computer Music Conference Chafe, Chris and O’Modhrain, Sile Musical muscle memory and the Harpic display of performance nuance 428-431 Link
1996 Proceedings of the International Computer Music Conference Sawada, Hideyuki and Hashimoto, Shuji Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments 444-447 Link
1996 International Journal of Human-Computer Studies Akamatsu, M. and MacKenzie, I. S. Movement Characteristics Using a Mouse with Tactile and Force Feedback 483–493 Link
1996 Proceedings of the 3rd Brazilian Symposium on Computer Music Almeida, A. G. Methodologies for Design and Evaluation of Interactive Musical Interfaces 68–73 No link
1996 Proceedings of the ICSPAT ’96 -International Congress on Signal Processing Applications Technology Auer, V. and Maes, M. M. and Bonfim, M. C. and Wanderley, M. M. and Lamar, M. V. 3D Position Signal Acquisition System with Application in Real-Time Processing 505–509 No link
1996 Burdea, G. Force and Touch Feedback for Virtual Reality No pages No link
1996 Proceedings of Computer Animation ’96 Conference, Geneva, Switzerland Essa, I. and Basu, S. and Darrell, T. and Pentland, A. Modeling, tracking and interactive animation of faces and heads using input from video No pages Link
1996 Fassler, M. Mediale Interaktion No pages No link
1996 IBM Systems Journal Fletcher, R. Applying Transduction Materials for Human-Technology Interfaces 630–638 No link
1996 IBM Systems Journal Fletcher, R. Force Transduction Materials for Human-Technology Interfaces 630–638 No link
1996 ACM Computing Surveys Jacob, R. J. K. Human-Computer Interaction: Input Devices 177–179 Link
1996 Keyson, D. V. Touch in User Interface Navigation No pages Link
1996 Proceedings of International Conference on Auditory Display - ICAD’96 Kramer, G. Mapping a single data stream to multiple auditory variables: A subjective approach to creating a compelling design No pages No link
1996 Kristiansen, K. and Aaberg, A. Digital Dance-A Wireless Microprocessor-BasedSystem for Interactive Dance and Music No pages No link
1996 Proceedings of the 3rd Brazilian Symposium on Computer Music Lima, G. H. T. and Maes, M. and Bonfim, M. and Lamar, M. V. and Wanderley, M. M. Dance-Music Interface based on Ultrasound Sensors and Computers 12–16 No link
1996 Leonardo Music Journal Linz, R. Towards the Design of a Real-Time Interactive Performance Sound System 99–107 Link
1996 Scientific American Lusted, H. S. and Knapp, R. B. Controlling Computers with Neural Signals 58–63 Link
1996 Marrin, T. A. Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton No pages No link
1996 Matuck, A. Tele-transmissãono contexto artístico No pages No link
1996 Metois, E. Musical Sound Information: Musical Gestures and Embedding Systems No pages No link
1996 Immersed in Technology: Art and Virtual Environments No pages Link
1996 Leonardo Music Journal Mulder, A. Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design 33–40 Link
1996 Mulder, A. Hand Gestures for HCI No pages No link
1996 IBM Systems Journal Paradiso, J. A. The Interactive Ballon: Sensing, Actuation, and Behavior in a Common Object 473–487 No link
1996 Proceedings of the Second Intercollege Computer Music Concerts Puckette, M. Pure Data: Another Integrated Computer Music Environment 37–41 No link
1996 Theatre Design and Technology Reaney, M. Virtual scenography: The actor, audience, computer interface 36–43 No link
1996 Computer Music Journal Risset, J. and van Duyne, S. Real-time performance interaction with a computer-controlled acoustic piano 62–75 Link
1996 Roads, C. The Computer Music Tutorial No pages No link
1996 IBM Systems Journal Smith, J. R. Field Mice: Extracting Hand Geometry from Electric Field Measurements 587–608 Link
1996 IBM Systems Journal Verplaetse, C. Inertial Proprioceptive Devices: Self-Motion-Sensing Toys and Tools 639–650 No link
1996 Interacting with Computers Vertegaal, R. and Eaglestone, B. Comparison of Input Devices in an ISEE Direct Timbre Manipulation Task 113–30 Link
1996 Proceedings of the CHI’96 Conference on Human factors in Computing Systems, Association of Computer Machinery Zhai, S. and Milgram, P. and Buxton, W. The Influence of Muscle Groups on Performance of Multiple Degree-of-Freedom Input 308–315 Link
1997 Computer Music Journal Kroepfl, Francisco Electronic Music: From Analog Control to Computers 26–28 Link
1997 Computer Music Journal Paradiso, Joseph A. and Gershenfeld, Neil Musical Applications of Electric Field Sensing 69–89 Link
1997 Proceedings of the International Computer Music Conference Orio, Nicola A gesture interface controlled by the oral cavity 141-144 Link
1997 Proceedings of the International Computer Music Conference Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji Sounds in hands 309-312 No link
1997 Proceedings of the International Computer Music Conference Marrin, Teresa and Paradiso, Joseph The digital baton : a versatile performance instrument 313-316 Link
1997 Proceedings of the International Computer Music Conference O’Modhrain, Maura Sile Feel the music : narration in touch and sound 321-324 Link
1997 Proceedings of the International Computer Music Conference Haken, Lippold and Fitz, Kelly and Tellman, Ed and Wolfe, Patrick and Christensen, Paul A continous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators 375-378 Link
1997 Proceedings of the International Computer Music Conference Wright, Matthew and Wessel, David and Freed, Audrain New musical control structures from standard gestual controllers 387-390 Link
1997 Proceedings of the International Computer Music Conference Boulanger, Richard and Mathews, Max The 1997 Mathews’ radio baton and improvisation modes 395-398 Link
1997 Proceedings of the International Computer Music Conference Politis, Dionysios V. and Tsoukalas, Ioannis A. and Linardis, Panagiotis and Bakalakos, Alexandros VIDI – a voice instrument digital interface of Byzantine music 403-407 Link
1997 Proceedings of the International Computer Music Conference Bromwich, Marc Alexander The metabone : an interactive sensory control mechanism for virtuoso trombone 473-475 Link
1997 Proceedings of the International Computer Music Conference Katayose, Haruhiro and Shirakabe, Hirotsugu and Kanamori, Tsutomu and Inokuchi, Seiji A toolkit for interactive digital art 476-478 Link
1997 Proceedings of the 1997 ACM Conference on Human Factors in Computing Systems Accot, J. and Zhai, S. Beyond Fitts’ Law: Models for Trajectory-Based HCI Tasks 295–302 Link
1997 Proceedings of the CHI’97 Conference on Human factors in Computing Systems, Association of Computer Machinery Balakrishnan, R. and MacKenzie, I. S. Performance Differences in the Fingers, Wrist and Forearm in Computer Input Control 303–310 Link
1997 Journal of Computer Mediated-Communication Biocca, F. Cyborg’s dilemma: Progressive embodiment in virtual environments No pages Link
1997 Bobick, A. Movement, Motion No pages No link
1997 Proceedings of the CHI’97 Conference on Human Factors in Computing Systems Borchers, J. O. WorldBeat: Designing a Baton-Based Interface for an Interactive Music Exhibit 131–138 Link
1997 Maps and Motor Control Camurri, A. Network Models for Music and Motor Control No pages Link
1997 Carr, J. J. Electronic Circuit Guidebook No pages No link
1997 Chadabe, J. Electric Sound: The Past and Promise of Electronic Music No pages No link
1997 Proceedings of the IEEE International Conference on Systems, Man and Cybernetics Choi, I. and Ricii, C. Foot-Mounted Gesture Detection and its Application in Virtual Environments No pages Link
1997 Dinkla, S. Pioniereinteraktiver Kunst No pages No link
1997 Domingues, D. Arte no Séc No pages No link
1997 Proceedings of the 1997 ACMA Conference Favilla, S. Real-time Control of Synthesis Parameters for LightHarp MIDI Controller No pages No link
1997 Proceedings of the CHI’97 Conference on Human factors in Computing Systems, Association of Computer Machinery Fitzmaurice, G. W. and Buxton, W. An Empirical Evaluation of Graspable User Interfaces:towards specialized, space-multiplexed input 43–50 No link
1997 Fléty, E. Sonars à ultrasons No pages No link
1997 Proceedings of the CHI”97 Conference on Human Factors in Computing Systems Hinckley, K. and Pausch, R. and Proffitt, D. and Patten, J. and Kassell, N. Cooperative Bimanual Action 27–34 Link
1997 Hünnekens, A. Derbewegte Betrachter. Theorien der Interaktiven Medienkunst No pages No link
1997 Technology and Applications Kieslinger, M. and Ungvary, T. Aspects of Visualizing Information for a Realtime Hypermedia Musical Environment No pages No link
1997 Levy, P. Cyberculture: Rapport au Conseil de l’Europe dans le cadre du projet Nouvelles technologies: cooperation culturelle et communication No pages No link
1997 Marrin, T. A. Possibilities for the Digital Baton as a General-Purpose Gestural Interface.“, In Proceedings of the CHI’97 Conference on Human factors in Computing Systems, Association of Computer Machinery, pp. 311-312 No pages No link
1997 Emotional Aspects of Gesture Recognition by a Neural Network, using Dedicated Input Devices. Modler, P. and Emotion, I. Proceedings Zannos 3–4 No link
1997 Hardware, Software, Artware: Confluence of Art and Technology–Art Practice at the ZKM Institute for Visual Media No pages No link
1997 Genoa:Associazione di Informatica Musicale Italiana Mulder, A. and Fels, S. and Mase, K. Empty-Handed Gesture Analysis in Max/FTS 87–91 No link
1997 IPSJSIG notes 97(122):63-68 Mulder, A. and Fels, S. and Mase, K. Mapping Virtual Object Manipulation to Sound Variation No pages No link
1997 Journal of Distance Education Naugle, L. and G.Iris A University Dance Course in Cyberspace: The Telelearning Experience No pages No link
1997 IEEE Spectrum Paradiso, J. Electronic Music: New Ways to play 18–30 Link
1997 Proc. of the Int. Symp. on WearableComputers. Cambridge, MA, IEEE Comp. Soc. Pr Paradiso, J. and Hu, E. Expressive Footwear for Computer-Augmented Dance Performance 165–166 Link
1997 CHI97 Electronic Publications: Late-Breaking/Short Demonstrations Paradiso, J. and Abler, C. and Hsiao, K. and Reynolds, M. The Magic Carpet: Physical Sensing for Immersive Environments No pages Link
1997 Conference on Human Factors in Computing Systems, New York, NY Paradiso, J. and Abler, C. and Hsiao, K. and Reynolds, M. The Magic Carpet: Physical Sensing for Immersive En- vironments No pages Link
1997 Trilhas, Campinas, SP, Unicamp Prado, G. Cronologiasde experiências artísticas nas redes de telecomunicações 77–103 No link
1997 Genoa Rovan, J. and Wanderley, M. and Dubnov, S. and Depalle, P. Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance 68–73 No link
1997 Presented at Kansei Technology of Emotion Workshop Rovan, J. and Wanderley, M. M. and Dubnov, S. and Depalle, P. Instrumental gesture mapping strategies as expressivity determinants in computer music performance No pages No link
1997 Proceedings of the 1997 International Computer Music Conference Sawada, H. and Onoe, N. and Hashimoto, S. Sounds in Hands - a Sound Modifier using Datagloves and Twiddle Interface 309–312 No link
1997 Proceedings of the Journées d’Informatique Musicale Tarabella, L. and Bertini, G. Original Gesture Interfaces for Live Interactive Multimedia Performances 41–45 No link
1997 Proceedings of the 1997 International Computer Music Conference Tarabella, L. Studio Report of the Computer Music Lab of CNUCE/C. N. R 86–88 No link
1997 Wechsler, R. Computer im Tanz: Medium oder Werkzeug? No pages No link
1997 Wechsler, R. Computers and Art: a Dancer’s Perspective No pages Link
1997 Wechsler, R. O Body Swayed to Music… (and vise versa) No pages No link
1997 From the Proceedings of the 1997 Connecticut College Symposium on Art and Technology Winkler, T. Creating Interactive Dance with the Very Nervous System No pages No link
1997 Proceedings of KANSEI - The Technology of Emotion Workshop Zannos, I. and Modler, P. and Naoi, K. Gesture Controlled Music Performance in a Real-Time Network 60–63 No link
1998 Computer Music Journal Bongers, Bert An Interview with Sensorband 13–24 Link
1998 Computer Music Journal de Laubier, Serge The Meta-Instrument 25–29 Link
1998 Computer Music Journal Haken, Lippold and Tellman, Ed and Wolfe, Patrick An Indiscrete Music Keyboard 30–48 Link
1998 Computer Music Journal Siegel, Wayne and Jacobsen, Jens The Challenges of Interactive Dance: An Overview and Case Study 29–43 Link
1998 Proceedings of the International Computer Music Conference Usa, Satoshi and Mochida, Yasunori A multi-modal conducting simulator 25-32 Link
1998 Proceedings of the International Computer Music Conference Costantini, Giovanni and Giorgio, Nottoli A new interactive performance system for real- time sound synthesis 33-36 Link
1998 Proceedings of the International Computer Music Conference Nagashima, Yoichi BioSensorFusion : new interfaces for interactive multimedia art 129-132 Link
1998 Proceedings of the International Computer Music Conference Katayose, Haruhiro and Hirai, Shigeyuki and Kanamoni, Tsutomu Physiological measurement of performer’s tension and its utilization for media control 211-214 Link
1998 Proceedings of the International Computer Music Conference Marrin, Teresa and Picard, Rosalind The "conductor’s Jacket" : a device for recording expressive musical gestures 215-219 Link
1998 Proceedings of the International Computer Music Conference Freed, Adrian and Wessel, David Communication of musical gesture using the AES/EBU digital audio standard 220-223 Link
1998 Proceedings of the International Computer Music Conference Wright, Matthew Implementation and performance issues with OpenSound control 224-227 Link
1998 Proceedings of the International Computer Music Conference Tarabella, Leonello and Magrini, Massimo A system for recognizing shape, position and rotation of the hands 288-291 Link
1998 Proceedings of the International Computer Music Conference Bromwich, Mark and Wilson-Bokowiec, Julie Bodycoder’s : a sensor suit and vocal performance mechanism for real-time performance 292-295 Link
1998 Proceedings of the International Computer Music Conference Takanishi, Atsuo and Maeda, Manabu Development of an anthropomorphic flutist robot WF-3RIV 328-331 Link
1998 Proceedings of the International Computer Music Conference Cook, Perry and Trueman, Daniel NBody : interactive multidirectional musical instrument body radiation simulators, and a database of measured impulse resonses 353-356 Link
1998 Proceedings of the International Computer Music Conference Gamper, David and Oliveros, Pauline Expended instrument system : recent development 357-360 Link
1998 Proceedings of the International Computer Music Conference Winkler, Todd Motion-sensing music : artistic and technical challenges in two works for dance 471-474 Link
1998 Proceedings of the International Computer Music Conference Griffith, Niall and Fernstrom, Mikael LiveFoot 475-481 No link
1998 Proceedings of the International Computer Music Conference Hirai, Shigeyuki and Katayose, Haruhiro and Kanamori, Tsutomu Software sensors for interactive digital art 514-517 Link
1998 Proceedings of the International Computer Music Conference Florens, Jean-Loup and Cadoz, Claude and Lucianni, Annie A real-time workstation for complex physical models of multi-sensorial and gesturally controlled instrumants 518-526 Link
1998 Electronic Musician Artaud, A. Review, “Big Briar Wavefront. Ethervox and Travel case theremins provide gestural MIDI control.” 120–128 No link
1998 Ascott, R. Art & Telematics: Toward the Construction of New Aesthetics No pages No link
1998 Birringer, J. Media and Performance: along the border No pages No link
1998 Displays Bongers, B. Tactual Display of Sound Properties in Electronic Musical Instruments 129–133 Link
1998 IEEE Multimedia Borchers, J. O. and Muhlheuser, M. Design Patterns for Interactive Musical Systems 36–46 Link
1998 Buescher, M. J. O’Brien and J.Hughes Interaction and Presence in Shared Electronic Environments (Fieldwork at ZKM) No pages No link
1998 Choi, I. From Motion to Emotion: Synthesis of Interactivity with Gestural Primitives No pages No link
1998 Digital Diversions Cunningham, H. Digital Culture – the View from the Dance Floor No pages No link
1998 IEEE Multimedia Fels, S. and Nishimoto, K. and Mase, K. MusiKalscope:A Graphical Musical Instrument 26–35 Link
1998 Proceedings of the Journées d’Informatique Musicale, pp. D3-1- Fléty, E. and Serra, M.-H. Utilisations récentes de capteurs gestuels encréation musicale à l’Ircam D3–4 No link
1998 Proceedings of IEEE Systems, Man and Cybernetics Conference, San Diego, CA Goldstein, M. Gestural Coherence and Musical Interaction Design No pages Link
1998 Proceedings of the 1998 International Computer Music Conference LiteFoot: A floor space for recording dance and controlling media 475–481 No link
1998 Proceedings of the CHI’98 Conference on Human Factors in Computing Systems Harrison, B. L. and Fishkin, K. P. and Gujar, A. and Mochon, C. and Want, R. Squeeze Me, Hold Me, Tilt Me! An Exploration of Manipulative User Interfaces 17–24 Link
1998 Kopiez and Auhagen Hashimoto, S. and Sawada, H. Musical Performance Control Using Gesture: Toward Kansei Technology for Art 93–106 No link
1998 Proceedings of the UIST’98 Hinckley, K. and Czerwinski, M. and Sinclair, M. Interaction and Modeling Techniques for Desktop Two-Handed Input 49–58 Link
1998 ACM Transactions on Computer-Human Interaction Hinckley, K. and Pausch, R. and Proffitt, D. and Kassell, N. Two-Handed Virtual Manipulation 260–302 Link
1998 Gesture and Sign Language in Human-Computer Interaction, Proceedings of the II Gesture Workshop Hummels, C. and Smets, G. and Overbeeke, K. An Intuitive Two-Handed Gestural interface for Computer Supported Product Design 197–208 Link
1998 Proceedings of the XII Colloquium for Musical Informatics Marrin, T. A. and Picard, R. The Conductor’s Jacket: a Testbed for Research on Gestural and Affective Expression No pages No link
1998 Proceedings of the XII Colloquium for Musical Informatics Menzies, D. and Howard, D. The CyberWhistle: An Instrument For Live Performance No pages No link
1998 Proceedings of the Journées d’Informatique Musicale, pp. D4-1- Mihalic, A. Pédalophone D4–13 No link
1998 Proceedings of the Fifth Brazilian Symposium on Computer Music Modler, P. Interactive Control of Musical Structures by Hand Gestures 143–150 No link
1998 Mulder, A. Design of Virtual Three-Dimensional Instruments for Sound Control No pages No link
1998 Proceedings of the 1998 Western Computer Graphics Symposium Mulder, A. and Fels, S. Sound Sculpting: Manipulating Sound through Virtual Sculpting 15–23 No link
1998 Proceedings of the Fifth Brazilian Symposium on Computer Music Mulder, A. and Fels, S. Sound Sculpting: Performing with Virtual Musical Instruments 151–164 No link
1998 distributed on disk in theform of an electronic catalogue to participants of “La Sensibilitat multimedia: il journades sobre ar I multimedia.” Fundacio “la Caixa, ” Barcelona Murray, T. Digital Incompossibility: The Aesthetics of Interactivity No pages No link
1998 Proceedings of the 31st AnnualConference Congress on Research in Dance Naugle, L. The CassandraProject: In the Mediascape of the Internet 101–108 No link
1998 IEEE Multimedia Naugle, L. Digital Dancing 8–12 Link
1998 IEEE Multimedia. IEEE Computer Society Naugle, L. DigitalDancing No pages No link
1998 Proceedings of the MultimediaTechnology and Applications Conference Naugle, L. InternetPerformance: Reflections on Dancing in Cyberspace 14–18 No link
1998 Universita di Padova, Italy Orio, N. Progetto di un controllore gestuale azionato dal cavo orale. Tesi diLaurea No pages No link
1998 Proc. Of the International Dance and Technology 99 (IDAT99). Tempe AZ Paradiso, J. and Hu, E. and Hsiao, K. Instrumented Footwear for Interactive Dance No pages No link
1998 Computer Music Journal Porcaro, Nick and Jaffe, David and Scandalis, P. and Smith, J. and Stilson, T. and Van Duyne, S. SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms 35–43 Link
1998 Rockmore, Clara Asheville: Big Briar, VHS video tape, 58 minutes No pages No link
1998 Abstract presented at the SEAMUS Conference Rovan, J. and Wanderley, M. Gestural Controllers: Strategies for Expressive Application No pages No link
1998 SIGGRAPH98 Conference Abstracts and Applications Ulyate, R. Interactive Dance Club 230–235 No link
1998 Controlling Creative Processes in Music. Schriften Musikpsychologie und Musikästhetik 12 Ungvary, T. and Kieslinger, M. Creative and Interpretative Process milieu for Live-Computer music with the Sentograph 173–227 No link
1998 Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) Ungvary, T. and Vertegaal, R. The SensOrg: A Musical Cyberinstrument with a Cognitive Ergonomical Touch 1066–1071 Link
1998 Wanderley, M. and Schnell, N. and Rovan, J. B. Escher- Modeling and Performing Composed Instruments in Real-Time. In Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics(SMC’98), pp. 1080-1084 No pages No link
1998 Der Tanz der Dinge Wechsler, R. and Zwiauer, H. Computer und Tanz No pages No link
1998 Dance Research Journal Wechsler, R. and Zwiauer, H. Computers and Dance: Back to the Future? No pages Link
1998 Wechsler, R. Symmetrie und Tanz No pages No link
1998 Winkler, T. Composing Interactive Music. Techniques and ideas using MAX No pages No link
1998 The Virtual Embodied: Presence, Practice, Technology No pages No link
1998 Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics(SMC’98) Yokono, J. and Hashimoto, S. Center of Gravity Sensing for Motion Interface 1113–1118 Link
1998 Proceedings of the International Computer Music Conference (ICMC-1998) Zicarelli, David An Extensible Real-Time Signal Processing Environment for Max No pages No link
1999 Proceedings of the International Computer Music Conference Hsiao, Kai-yuh and Paradiso, Joseph A new continuous multimodal musical controller using wireless magnetic tags 24-27 Link
1999 Proceedings of the International Computer Music Conference Modler, Paul and Kirk, Ross Evaluation of architecture for sound generation systems with respect to interactive gestural control and realtime performance 28-31 Link
1999 Proceedings of the International Computer Music Conference Yoichi, Nagashima and Tamami, Tono-Ito "It’s SHO time" 32-35 No link
1999 Proceedings of the International Computer Music Conference Ritis, Anthony De Cathedral : an interactive work for the web 224-227 Link
1999 Proceedings of the International Computer Music Conference Ystad, Solvi and Voinier, Thierry Design of a flute interface to control synthesis models 228-231 Link
1999 Proceedings of the International Computer Music Conference Trueman, Den and Cook, Perry BoSSA : the deconstructed violin reconstructed 232-239 Link
1999 Proceedings of the International Computer Music Conference Garnett, Guy and Goudeseume, Camille Performance factors in control of hight- dimentional spaces 268-271 Link
1999 Proceedings of the International Computer Music Conference Siegel, Wayne and Jacobsen, Jens Composing for the digital dance interface 276-277 Link
1999 Proceedings of the International Computer Music Conference Ilmonen, Tommi and Takala, Tapio Conductor following with artificial neural networks 367-370 Link
1999 Proceedings of the International Computer Music Conference Garnett, Guy and Malvar-Ruiz, Fernando and Stoltzfus, Fred Virtual conducting practice environment 371-374 Link
1999 Proceedings of the International Computer Music Conference Serafin, Stefania and Rodet, Xavier and Dudas, Richard and Wanderley, Marcelo Gestural control of a real-time physical model of a bowed string instrument 375-378 Link
1999 Proceedings of the International Computer Music Conference Orio, Nicola The timbre space of the classical guitar and its relationship with the plucking techniques 391-394 Link
1999 Proceedings of the International Computer Music Conference Suzuki, Kenji and Ohashi, Takeshi and Hashimoto, Shuji Interactive multimodal mobile robot for musical performance 407-410 Link
1999 Proceedings of the International Computer Music Conference Wanderley, Marcelo and Depalle, Philippe and Warufel, Olivier Improving instrumental sound synthesis by modeling the effects of performer gesture 418-421 Link
1999 Proceedings of the International Computer Music Conference Chu, Lonny MusiCloth : a design methodology for the development of a performance interface 449-452 Link
1999 Proceedings of the International Computer Music Conference Paradiso, Joseph and Hu, Eric and Hsiao, Kai-Yuh Interactive music for instrumented dancing shoes 453-456 Link
1999 Proceedings of the International Computer Music Conference Tanaka, Atau Network audio performance and installation 519-522 Link
1999 Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems Accot, J. and Zhai, S. Performance Evaluation of Input Devices in Trajectory-based Tasks: An Application of The Steering Law 466–472 Link
1999 Albertini, R. Technological Rituals. Stories from the Annenberg Dialogues No pages No link
1999 Proceedings of the 25th EUROMICRO Conference Anderson, T. Using Music Performance Software with Flexible Control Interfaces for Live Performance by Severely Disabled Musicians 20–27 Link
1999 Reframing Consciousness: Art, Mind and Technology No pages No link
1999 Theatre Journal Birringer, J. Contemporary Performance/Technology 361–81 Link
1999 Bolter, J. D. and R.Grusin Remediation: Understanding New Media No pages Link
1999 Proceedings of the Creativity & Cognition Conference Bongers, B. Exploring Novel Ways of Interaction in Musical Performance 76–81 Link
1999 Brickwood, C. and others New Media Culture in Europe No pages No link
1999 Proceedings of the 1999 IEEE Intl Conf on Systems Man and Cybernetics SMC’99, Tokyo, New York Camurri, A. and Hashimoto, S. and Suzuki, K. and Trocca, R. KANSEI analysis of dance performance No pages Link
1999 Journal of New Music Research Camurri, A. Music content processing and multimedia: Case studies and emerging applications of intelligent interactive systems 351–363 Link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Chadabe, J. The performer is us 25–30 Link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Chafe, C. Interplay(er) machines 89–97 Link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Chusid, I. Beethoven-in-a-Box: Raymond Scott’s Electronium 9–14 Link
1999 Computer Music Journal Dechelle, Francois and Borghesi, R. and Cecco, M. D. and Maggi, E. and Rovan, B. and Schnell, N. jMax: An Environment for Real-Time Musical Applications 50–58 Link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Eaton, J. This is an instrument! 21–24 Link
1999 InH. Genevois and R. de Vivo Genevois, H. Geste et pensée musicale: de l’outil à l’instrument 35–45 No link
1999 Les nouveaux gestes de la musique No pages No link
1999 TheRobot in the Garden Grau, O. The history of telepresence: automata, illusion, and the rejection of the body 94–99 No link
1999 Guedes, C. Mapping Dance to Musical Rhythm: The Creation of a Computational Algorithm for Musical Gesture No pages No link
1999 Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems Guiard, Y. and Beaudouin-Lafon, M. and Mottet, D. Navigation as a Multiscale Pointing: Extending Fitts’Model to very high Precision Tasks 450–457 Link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Harvey, J. The metaphysics of live electronics 79–82 Link
1999 Herbison-Evans, D. Publications No pages No link
1999 Hunt, A. Radical User Interfaces for Real-time Musical Control No pages No link
1999 Proceedings of the Euromicro Conference Hunt, A. and Kirk, R. Radical User Interfaces for Real-time Control No pages Link
1999 Les nouveaux gestes de la musique Laubier, S. de. Le Méta-Instrument a-t-il un son? Emergence de lois ou de constantes dans le développement d’instruments virtuels 151–156 No link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Lewis, G. Interacting with latter-day musical 99–112 No link
1999 The Digital Dialectic: New Essays on New Media No pages Link
1999 Organised Sound Manning, Peter D. The evolution of interactive graphical control interfaces for music applications 45–59 Link
1999 Menzies, D. New Performance Instruments for Electroacoustic Music No pages No link
1999 Proceedings of the 1999 International Computer Music Conference Nagashima, Y. and Tanami, T.-I. It’s SHO time - An Interactive Environment for SHO(Sheng) Performance 32–35 No link
1999 Proceedings of the Society of Dance History Scholars Naugle, L. and G.Claudia Reconstructing a Late Work of Hanya Holm: Stage Success and ElectronicHeartache 63–67 No link
1999 Contemporary Music Review Aesthetics of Live Electronic Music No pages No link
1999 Proceedings of the 1999 IEEE International Conference on Systems, Man and Cybernetics, pp. 333?338 Orio, N. A Model for Human-Computer Interaction Based on the Recognition of Musical Gestures No pages Link
1999 Journal of New Music Research Paradiso, J. The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance 130 Link
1999 Proc. Intl. Dance and Technology 99. Tempe AZ Paradiso, J. and E., Hu K.Hsiao The CyberShoe: A Wireless Multisensor Interface for a Dancer’s Feet No pages No link
1999 Paradiso, J. A. and Chu, E. and Hsiao, K.-Y. Interactive Music for Instrumented Dancing Shoes.“ In Proceedings of the 1999 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 453-456 No pages No link
1999 Les nouveaux gestes de la musique Pottier, L. Contrôle interactif d’une voix chantée de synthèse 175–180 No link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Risset, J. C. Composing in real-time? 31–39 Link
1999 Les nouveaux gestes de la musique, Hugues Genevoix and Rapha‘l de Vivo Risset, J.-C. Nouveaux gestes musicaux: quelques points de repére historiques 19–33 No link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Rowe, R. The aesthetics of interactive music systems 83–87 Link
1999 Proceedings of the Interantional Music Conference Siegel, W. The Digital Dance Interface No pages No link
1999 The Danish Institute of Electroacoustic Music DIEM. Musikhuset Siegel, W. Two Compositions for Interactive Dance No pages No link
1999 Proceedings of the Fourth Annual Conference Dance and Technology IV No pages No link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Stroppa, M. Live electronics or… live music? Towards a critique of interaction 41–77 No link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Subotnick, M. The use of computer technology in an interactive or ’real-time’ performance environment 113–117 Link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Theremin, L. Recollections 15–19 Link
1999 Les nouveaux gestes de la musique Toulemonde, O. and Möenne-Loccoz, P. and Donzel-Gargand, B. Des nouvelles lutheries informatiques 169–174 No link
1999 Proceedings of the 1999 International Computer Music Conference Ungvary, T. and Vertegaal, R. The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument 363–366 No link
1999 Vigier, F. Etude et réalisation de dispositifs de captation du jeu instrumental No pages No link
1999 Interfaces homme-machine et création musicale No pages No link
1999 Viollet, J. P. Etude de Dispositifs de Contrôle Gestuel de la Synthèse Sonore No pages No link
1999 Aesthetics of Live Electronic Music. Ed. Marc Battier. Contemporary Music Review Waisvisz, M. Riding the Sphinx - lines about ’live’ 119–126 Link
1999 Interfaces Homme-Machine et Création Musicale Wanderley, M. M. and Depalle, P. Contrôle Gestuel de la Synthèse Sonore 145–163 No link
1999 Nouvelles de Danse Wechsler, R. and Zwiauer, H. Les ordinateurs et la danse: retour vers l’avenier? 40–41 No link
2000 Computer Music Journal Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Ricci, Andrea and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems 57–69 Link
2000 Proceedings of the International Computer Music Conference O’Modhrain, M. Sile and Srafin, Stefania and Chafe, Chris and Smith, Julius O. Qualitative and quantitative assessment of a virtual bowed string instrument 66-69 Link
2000 Proceedings of the International Computer Music Conference Winkler, Todd Participation and response in movement-sensing installations 137-140 Link
2000 Proceedings of the International Computer Music Conference Choi, Insook and Zheng, Geoffrey and Cheng, Ken Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system 141-144 Link
2000 Proceedings of the International Computer Music Conference O’Modhrain, M. Sile and Chafe, Chris The performer-instrument interaction : a sensory motor perspective 145-148 Link
2000 Proceedings of the International Computer Music Conference Wanderley, Marcelo M. and Isart, Jean-Philippe Viollet Fabrice and Rodet, Xavier On the choice of transducer technologies for specific musical functions 244-247 Link
2000 Proceedings of the International Computer Music Conference Trueman, Dan and Bahn, Curtis and Cook, Perry R. Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs) 248-251 Link
2000 Proceedings of the International Computer Music Conference Camurri, Antonio and Coletta, Paolo and Peri, Massimiliano and Ricchetti, Matteo and Ricci, Andrea and Trocca, Riccardo and Volpe, Gualtiero A real-time platform for interactive dance and music systems 262-265 Link
2000 Proceedings of the International Computer Music Conference Nichols, Charles The vBow : a haptic musical controller human-computer interface 274-276 Link
2000 Proceedings of the International Computer Music Conference Paradiso, Joseph A. and Hsio, Kai-Yuh and Strickon, Joshua and Rice, Peter New sensor and music systems for large interactive surfaces 277-280 Link
2000 Proceedings of the International Computer Music Conference Ng, Kia and Popat, Sita and Ong, Bee and Stefani, Ewan and Ppat, Kris and Cooper, David Trans- domain mapping : areal-time interactive system for motion acquisition and musical mapping 485-488 Link
2000 Proceedings of the International Computer Music Conference Smirnov, Andrei Music and gesture : sensor technologies in interactive music and the Theremin based space control systems 511-514 Link
2000 Proceedings of the International Computer Music Conference Freed, Adrian and Avizienis, Rimas A new music Keyboard with continous key-position sensing and high-speed communication 515-516 Link
2000 Proceedings of the International Computer Music Conference Cook, Perry R. and Leider, Colby N. SqueezeVox : a new controller for vocal synthesis models 519-522 Link
2000 Proceedings of the International Computer Music Conference Suzuki, Kenji and Tabe, Keishiro and Hashimoto, Shuji A mobile robot platform for music and dance performance 539-542 Link
2000 Proceedings of the International Computer Music Conference Freed, Adrian and Isvan, Osman Musical applications of new, multi-axis guitar string sensors 543-546 Link
2000 Proceedings of the International Computer Music Conference Yonezawa, Tomoko and Mase, Kenji Tangible sound : musical instrument using fluid media 551-554 Link
2000 Arfib, D. and Kessous, L. From ’Music V’ to ’creative gestures in computer music’ No pages Link
2000 Proceedings of the ACM Symposium on Designing Interactive Systems Blaine, T. and Perkis, T. The Jam-O-Drum Interactive Music System: A Study in Interaction Design 165–173 Link
2000 Trends in Gestural Control of Music Bongers, B. Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance No pages No link
2000 Proceedings of the 2000 International Computer Music Conference Boulanger, R. and Choi, Y. J. and Castelli, L. Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System 547–550 No link
2000 Machine Times. V2 Organisation (ed.) No pages No link
2000 Brandstetter, G. and Voelkers, H. ReMembering the Body No pages No link
2000 Trends in Gestural Control of Music Buchla, D. and Buxton, W. and Chafe, C. and Machover, T. and Matthews, M. V. and Moog, R. and Risset, J.-C. and Sonami, L. and Waisvisz, M. Round Table No pages No link
2000 Organised Sound Cerana, C. Gesture Control of Musical processes: A MAX Environment for Buchla’s Lightning 3–7 Link
2000 Trends in Gestural Control of Music Choi, I. A Manifold Interface for Kinesthetic Notation for High-Dimensional Systems No pages No link
2000 Cronkite, D. Mediating Gesture: An Interactive Approach to Computer-Assisted Music No pages No link
2000 Trends in Gestural Control of Music Fléty, E. 3D Gesture Acquisition Using Ultrasonic Sensors 193–208 No link
2000 The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet No pages Link
2000 Trends in Gestural Control of Music Hunt, A. and Kirk, R. Mapping Strategies for Musical Performance No pages No link
2000 Proceedings of the 2000 International Computer Music Conference Hunt, A. and Wanderley, M. M. and Kirk, R. Towards a Model for Instrumental Mapping for Expert Musical Performance 209–212 No link
2000 Proceedings of the 2000 International Computer Music Conference Hunt, A. and Wanderley, M. and Kirk, R. Towards a Model for Instrumental Mapping in Expert Musical Interaction 209–212 No link
2000 Proceedings of the 2000 International Computer Music Conference Kuivila, R. Forests and Trees: Distinguishing Many from Few with a Video Camera 281–283 No link
2000 Marrin-Nakra, T. Inside the Conductor’s Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gestures No pages No link
2000 Marrin, T. A. Nakra Inside the Conductor’s Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gesture No pages No link
2000 Menache, A. Understanding Motion Capture for Computer Animation and Video Games No pages No link
2000 Trends in Gestural Control of Music Modler, P. Neural Networks for Mapping Gestures to Sound Synthesis No pages No link
2000 Trends in Gestural Control of Music Mulder, A. Toward a choice of gestural constraints for instrumental performers 315–335 No link
2000 Trends in Gestural Control of Music No pages No link
2000 Paradiso, J. and others Design and Implementation of Expressive Footwear, “IBM Systems Journal. 39(3,4): pp. 511-529 No pages No link
2000 Rovan, B. and Wechsler, R. The multi-dimensional mapping of movement-to-sound within an integrated Eyecon and Max Environment. Performance of “Seine Hohle Form.” 10e Symposium International des Arts Électroniques, Paris No pages No link
2000 Rovan, J. and Wechsler, R. The Multi-Dimensional Mapping of Movement-to-Sound within an Integrated Eyecon and Max Environment. Performance of “Seine Hohle Form…” In Proc. of the 10e Symposium International des Arts Electroniques, ISEA 2000. Paris No pages No link
2000 Proc. IEEE Int’l Conf. Systems, Man, and Cybernetics Suzuki, R. Y. and Iwadate, M. Inoue and Woo, W. MIDAS: MIC Interactive Dance System 751–756 Link
2000 Trends in Gestural Control of Music Tanaka, A. Musical Performance Practice on Sensor-Based Instruments 389–406 No link
2000 Journal of New Music Research Ungvary, T. and Vertegaal, R. Designing Musical Cyberinstruments with body and soul in mind 245–255 Link
2000 Proceedings of the 5th Annual Conference of the International Functional Electrical Stimulation Society, Aalborg, Danemark Vecchi, F. and Freschi, C. and Micera, S. and Sabatini, A. M. and Dario, P. and Sacchetti, R. Experimental Evaluation of Two Commercial Force Sensors for Applications in Biomechanics and Motor Control No pages No link
2000 Vergez, C. Trompette et trompettiste: un systeme dynamique non lineaire analyse, modelise et simule dans un contexte musical No pages No link
2000 Proceedings of the 2000 International Computer Music Conference Wasserman, K. C. and Blanchard, M. and Bernardet, U. and Manzolli, J. and Verschure, P. Roboser- An Autonomous Interactive Musical Composition System 535–538 No link
2000 Wechsler, R. The Meaning of Interaction in Dance No pages No link
2001 Computer Music Journal Ystad, Sølvi and Voinier, Thierry A Virtually Real Flute 13–24 Link
2001 Computer Music Journal Morales-Manzanares, Roberto and Morales, Eduardo F. and Dannenberg, Roger and Berger, Jonathan SICIB: An Interactive Music Composition System Using Body Movements 25–36 Link
2001 Computer Music Journal Weinberg, Gil and Gan, Seum-Lim The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument 37–45 Link
2001 Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems Accot, J. and Zhai, S. Scale Effects in Steering Law Tasks 1–8 Link
2001 Proceedings of the 2001 International Computer Music Conference Bahn, C. and Hahn, T. and Trueman, D. Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music No pages No link
2001 net.art 2.0. new materials towards net art No pages No link
2001 IEEE Multimedia Technology and Applications Conference Proceedings Bevilacqua, F. and Naugle, L. and Valverde, I. Virtual dance and music environment using motion capture No pages No link
2001 Birringer, J. Dance and New Environments No pages No link
2001 Performance Research Birringer, J. The intelligent stage 116–22 No link
2001 Dreyfus, H. Onthe Internet No pages No link
2001 Proceedings of the 2001 International Computer Music Conference Florens, J.-L. and Henry, C. Bowed String Synthesis with Force Feedback Gesture Interaction No pages No link
2001 Computer Music Journal Garnett, G. E. The Aesthetics of Interactive Computer Music 21–33 Link
2001 Gendolla, P. N. and Schmitz, I. and Schneider, P.Spangenberg, (eds) Formen interaktiver Medienkunst No pages No link
2001 Goudeseune, C. Composing with Parameters for Synthetic Instruments No pages No link
2001 Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems Guiard, Y. Disentangling Relative from Absolute Amplitude in Fitts’ Law Experiments 315–316 Link
2001 Proceedings of the 2001 International Computer Music Conference Gurevich, M. and Muehlen, S. von The Accordiatron: A Gestural Interface for Interactive Music No pages No link
2001 Proceedings of the 2001 International Computer Music Conference Jorda, S. Improvising with Computers: A Personal Survey (1989-2001) No pages Link
2001 Writing Aloud: The Sonics of Language No pages No link
2001 Medien, Maschinen, Performances. Theater an der Schnittstelle zu digitalen Welten. with CD-ROM by Irina Kaldrack and Martina Leeker No pages No link
2001 Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems Lyons, M. J. and Tetsutani, N. Facing the Music. A Facial Action Controlled Musical Interface 309–310 No link
2001 Manovich, L. The Language of New Media No pages Link
2001 La scena digital: Nuovi media per la danza No pages No link
2001 Proceedings of the 2001 International Computer Music Conference Misdariis, N. and Nicolas, F. and Warusfel, O. and RCausse Radiation Control on Multi-Loudspeaker Device: La Timee No pages No link
2001 Performance Oosterling, H. Hypo-critical Theatre: Holandia’s Intermedial Multiverse 61–67 Link
2001 Proceedings of the 2001 International Computer Music Conference Overholt, D. The MATRIX: A New Musical Instrument for Interactive Performance No pages No link
2001 Pallàs-Areny, R. and Webster, J. G. Sensors and Signal Conditioning No pages No link
2001 Leonardo Paraguai, D. and Prado, L. Gilberto Artistic Environments of Telepresence on the World WideWeb 437–442 No link
2001 Piringer, J. Elektronische Musik un Interaktivität. Prinzipien, Konzepte, Anwendungen.“, MSc Thesis. Wien, Austria: Technischen Universität Wien No pages No link
2001 Rowe, R. Machine Musicianship No pages Link
2001 PerformanceResearch Saltz, D. The Collaborative Subject: Telerobotic Performance and Identity 70–83 Link
2001 Proceedings of the 2001 International Computer Music Conference Schloss, W. A. and Driessen, P. Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data No pages No link
2001 Interaction: Artistic Practice in the Network No pages No link
2001 Performance Tholen, G. In Between: Time, Space and Image in Cross-Media Performance 52–60 Link
2001 Valverde, I. L. and Naugle, F.Bevilacqua Embodied Shifts: Towards an experiential approach to dance- technology interfaces No pages No link
2001 Proceedings of the 2001 International Computer Music Conference Vergez, C. and Rodet, X. Trumpet and Trumpet Player: Model and Simulation in a Musical Context No pages No link
2001 Wanderley, M. Performer-Instrument Interaction: Applications to Gestural Control of Music No pages No link
2001 Wanderley, M. M. Performer-instrument interaction: Applications to gestural control of sound synthesis No pages No link
2001 Proceedings of the 2001 International Computer Music Conference Wright, M. and Freed, A. and Lee, A. and Madden, T. and Momeni, A. Managing Complexity with Explicit Mapping of Gestures to Sound Control in OSC No pages No link
2002 Organised Sound Arfib, D. and Couturier, J. M. and Kessous, L. and Verfaille, V. Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces 127–144 Link
2002 Barabási, A. Linked: The New Science of Networks No pages Link
2002 Second International Conference on Web Delivering of Music, Proceedings Barbosa, A. and Kaltenbrunner, M. Public sound objects: A shared musical space on the web No pages Link
2002 der Gesellschaft für Tanzforschung 2002, Christa Zipprich/Gabriele Klein Birringer, J. Experimentelle Tanzmedien, Interaktive Systeme 477–98 No link
2002 Centerfor High Performance Computing Newsletter Bromberg, E. and Birringer, J. ADAPT: Telepresent Artistic Collaborations 2 No link
2002 Organised Sound Burtner, M. The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument 201–213 Link
2002 Cook, P. R. Real Sound Synthesis for Interactive Applications No pages Link
2002 Arte e tecnologia na cultura contemporânea No pages No link
2002 Organised Sound Doornbusch, P. Composers’ Views on Mapping in Algorithmic Composition 145–156 Link
2002 Evers, F. L. and der Velden, J. P. and derWenden, van The Art of Programming (Sonic Acts 2001 conference on digital art) No pages No link
2002 Organised Sound Fels, S. and Gadd, A. and Mulder, A. Mapping Transparency through Metaphor: towards more expressive musical instruments 109–126 Link
2002 Christa Zipprich and GabrieleKlein Glesner, J. Web Dance: Konvergenzen zwischen Tanz und Internet? 509–2 No link
2002 Organised Sound Goudeseune, C. Interpolated Mappings for Musical Instruments 85–96 Link
2002 Stelarc: Political Prosthesis and Knowledge of the Body No pages No link
2002 Proceedings of the 2002 conference on New Interfaces for Musical Expression Hunt, A. and Wanderley, M. and Paradis, M. The Importance of Parameter Mapping in Electronic Instrument Design 1–6 Link
2002 Organised Sound Hunt, A. and Wanderley, M. M. Mapping Performer Parameters to Synthesis Engines 97–108 Link
2002 Computer Music Journal Huron, David Music Information Processing Using the Humdrum Toolkit: Concepts, Examples, and Lessons 11–26 Link
2002 Organised Sound Levitin, D. and McAdams, S. and Adams, R. Control Parameters for Musical Instruments: a foundation for new mappings of gesture to sound 171–189 Link
2002 Lovink, G. DarkFibre: Tracking Critical Internet Culture No pages No link
2002 Lovink, G. Uncanny Networks: Dialogues with the Virtual Intelligentsia No pages No link
2002 Mackenzie, A. Transductions: Bodies and Machines at Speed No pages No link
2002 Organised Sound Myatt, T. Strategies for Interaction in Construction 3 157–169 Link
2002 Performance Art Journal Naugle, L. DistributedChoreography in a Video-Conference Environment 56–61 No link
2002 Naugle, L. A Studyof On-line Collaborative Choreography Using Life Forms and Internet Communication No pages No link
2002 Organised Sound Ng, K. Sensing and Mapping for Interactive Performance 191–200 Link
2002 Organised Sound Nichols, C. The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback 215–220 Link
2002 special Dance and Digital Media 84–93 No link
2002 Proceedings of the CHI’02 Conference on Human Factors in Computing Systems, Minneapolis, USA Paradiso, J. and Leo, C. K. and Checka, N. and Hsiao, K. Passive Acoustic Knock Tracking for Interactive Windows 732–733 Link
2002 Leonardo Popat, S. and Smith-Autard, J. Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the User-Participant? 31–36 Link
2002 Preece, J. Y. and Rogers, H.Sharp Interaction Design: Beyond Human-Computer Interaction No pages No link
2002 New Screen Media/Cinema/Art/Narrative No pages No link
2002 Santana, I. Corpo Aberto: Cunningham, dança e novas tecnologias No pages No link
2002 Journal of New Music Research Sapir, S. Gestural Control of Digital Audio Environments 119 Link
2002 New Screen Media/Cinema/Art/Narrative Seaman, B. Recombinant Poetics: Emergent Explorations of Digital Video in Virtual Space 237–55 Link
2002 Computer Music Journal Wanderley, M. M. and Orio, N. Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI 62–76 No link
2002 Wilson, S. Information Arts: A Survey of Art and Research at the Intersection of Art, Science, and Technology No pages No link
2003 Arnold, A. Deanimated. Matt Gerald and Thomas Miessgang (eds.) No pages No link
2003 Ascott, R. Telematic Embrace: Visionary Theories of Art, Technology and Consciousness. Edited and with an essay by Edward A. Shanken No pages No link
2003 Organised sound: An international journal of music technology Belet, B. Live performance interaction for humans and machines in the early twenty-first century: One composer’s aesthetics for composition and performance practice 305 Link
2003 South African Theatre Journal Birringer, J. Performance Systems 79–113 Link
2003 Brouwer, J. A. Mulder and S.Charlton Information is Alive - Art and Theory on Archiving and Retrieving Data No pages No link
2003 Burdea, G. and Coiffet, P. Virtual Reality Technology No pages Link
2003 Journal of New Music Research Canazza, S. and others An abstract control space for communication of sensory expressive intentions in music performance 281–294 Link
2003 Copier, M. and J.Raessens Level Up: Digital Games Research Conference No pages No link
2003 Proc. Int’l Conf. Information Technology Davcev, D. V. and Trajkovic, S. and Kalajdziski, S.Celakoski Augmented Reality Environment for Dance Learning 189–193 Link
2003 Dinkla, S. and Leeker, M. Dance and Technology/ Tanz und Technologie: Moving towards Media Productions - Auf dem Weg zu medialen Inszenierungen No pages No link
2003 Grau Virtual Art: From Illusion to Immersion No pages Link
2003 GLOBE- COM ’03 Hromin, D. and Chladil, M. and Vanatta, N. and Naumann, D. and Wetzel, S. and Anjum, F. and Jain, R. CodeBLUE: a bluetooth interactive dance club system No pages Link
2003 Isaacs, D. Evaluating input devices for musical expression No pages No link
2003 Digital Media Revisited No pages Link
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2003 Naugle, L. Probing the Barriers to Dance and Other Worlds: Separation and Connection through Internet No pages No link
2003 Journal of New Music Research Paradiso, J. and Modhrain, M. Ó Current Trends in Electronic Music Interfaces 345 No link
2003 Sundén, J. Material Virtualities: Approaching Online Textual Embodiment No pages No link
2003 Proceedings of the International Computer Music Conference (ICMC 2003) Wang, Ge and Cook, Perry R. ChucK: A Concurrent, On-the-fly Audio Programming Language 219–226 No link
2003 The New Media Reader No pages No link
2004 Dance Research Journal Birringer, J. Dance and Interactivity 88–111 Link
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2004 Birringer, J. Klaus Behringer, Uschi Schmidt-Lenhard, (eds)., Wechselwirkung: Internationales Interaktionslabor No pages No link
2004 ballettanz Birringer, J. Transspacial Light and Virtual Choreography 30–32 No link
2004 Boulanger, Richard The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming No pages No link
2004 Interdisciplinary Humanities Bromberg, E. and J.Birringer ADaPT: Telepresent Artistic Collaborations 87–93 No link
2004 ADAPT (The Association for Dance and PerformanceTelematics) Buck, B. G. and Miller, A. J. Niehaus and A No pages No link
2004 Gesture-based Communication in Human-Computer Interaction Camurri, Antonio and Mazzarino, Barbara and Volpe, Gualtiero Analysis of Expressive Gesture: The EyesWeb Expressive Gesture Processing Library 460–467 Link
2004 Gesture-based Communication in Human-Computer Interaction Camurri, A. and Mazzarino, B. and Ricchetti, M. and Timmers, R. and Volpe, G. Multimodal analysis of expressive gesture in music and dance performances No pages Link
2004 Proceedings of CHI 2004, CHI Extended Abstracts Feldmeier, M. and J.Paradiso Giveaway wireless sensors for large-group interaction 1291–1292 Link
2004 Fraden, J. Handbook of Modern Sensors. Physics, Design and Applications No pages No link
2004 Proc. IEEE Int’l Workshop Robot and Human Interactive Comm Hachimura, K. H. Kato and Tamura, H. A Prototype Dance Training Support System with Motion Capture and Mixed Reality Technologies 217–222 Link
2004 Hansen, M. New Philosophy for New Media No pages No link
2004 Hurbain, P. Demystifying the Sharp IR Ranger, Acroname Articles Online No pages No link
2004 Janocha, H. Actuators: basics and applications No pages No link
2004 Entertainment Computing - Icec Katayose, H. and Okudaira, K. iFP: A Music Interface Using an Expressive Performance Template 529–540 Link
2004 Proceedings of the IEEE Kirlik, A. and Maruyama, S. Human-technology Interaction and Music Perception and Performance: Toward the Robust Design of Sociotechnical Systems 616–631 Link
2004 Mitchell R., and T., Phillip No pages No link
2004 Newman, J. Videogames No pages Link
2004 Proceedings of the IEEE Ng, K. C. Music via Motion: Transdomain Mapping of Motion and Sound for Interactive Performances 645–655 No link
2004 Nyce, D. S. Linear Position Sensors: Theory and Application No pages Link
2004 O’Sullivan, D. and Igoe, T. Physical computing: sensing and controlling the physical world with computers No pages No link
2004 Proc. IEEE Int’l Conf. Multimedia and Expo (ICME ’04) Qian, G. F. and Guo, T. and Ingalls, L. and Olson, J. James and T.Rikakis A Gesture-Driven Multimodal Interactive Dance System 1579–1582 No link
2004 Proceedings from the 2004 International Computer Music Conference - ICMC04 Schmeder, A. Mapping Spectral Frames to Pitch with Support Vector Machine No pages No link
2004 Journal of Popular Music Studies Smith, J. I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games 58–84 Link
2004 Proceedings of the IEEE Suzuki, K. and Hashimoto, S. Robotic Interface for Embodied Interaction Via Dance and Musical Performance 656–671 Link
2004 04, In Proceedings of the IEEE Conference Vol. 92, No Wanderley, M. and Depalle, P. Gestural Control of Sound Synthesis No pages No link
2004 Wechsler, R. F.Weiss Motion Sensing for Interactive Dance No pages No link
2004 Mappings – applying the lessons of motion tracking. An open letter to musical collaborators. Weschler, R. F. and Weiß, P.Dowling EyeCon – A motion sensing tool for creating interactive dance, music and video projections No pages No link
2004 Whitelaw, M. Metacreation: Art and Artificial Life No pages No link
2005 Computer Animation and Virtual Worlds Alankus, G. A. A. Bayazit and B.Bayazit, O. Automated Motion Synthesis for Dancing Characters: Motion Capture and Retrieval 4 No link
2005 International Journal of Performance Arts and Digital Media Bayliss, A. J. Sheridan and N.Villar New shapes on the dance floor: influencing ambient sound and vision with computationally augmented poi 67–82 Link
2005 NIME Bevilacqua, Frederic and Muller, R. and Schnell, Norbert MnM: a Max/MSP Mapping Toolbox 85–88 No link
2005 Computer Graphics and Applications, IEEE Ebeweuter, N. Dance movement: a focus on the technology 80–83 No link
2005 Leonardo Music Journal Gluck, R. J. Sounds of a community: Cultural identity and interactive art 37–43 Link
2005 Proc. IEEE Int’l Workshop Robots and Human Interactive Comm Hachimura, K. K. Takashina and M.Yoshimura Analysis and Evaluation of Dancing Movement Based on LMA 294–299 Link
2005 Journal of New Music Research Hashimoto, S. and Sawada, H. A Grasping Device to Sense Hand Gesture for Expressive Sound Generation 115 Link
2005 2005 Ieee Pacific Rim Conference on Communications, Computers and Signal Processing Kapur, A. and others Wearable sensors for real-time musical signal processing No pages Link
2005 Proc. ACM SIGCHI Kwon, D. Y. and Cross, M. Combining Body Sensors and Visual Sensors for Motion Training 94–101 Link
2005 Journal of Musicae Scientiae Leman, M. and Camurri, A. Understanding Musical Expressiveness using Interactive Multimedia Platforms 209–233 Link
2005 Proceedings of the International Computer Music Conference (ICMC 2005) Magnusson, T. ixi software: Open Controllers for Open Source Audio Software No pages No link
2005 Proc. IEEE/RSJ Int’l Conf. Intelligent Robots and Systems (IROS Nakamura, A. S. and Tabata, T. and Ueda, S. Kiyofuji and Y.Kuno Dance Training System with Active Vibro-Devices and a Mobile Image Display 3075–3080 Link
2005 13th Annual ACM International Conference on Multimedia Obrenovic, Z. A flexible system for creating music while interacting with the computer 996–1004 Link
2005 Proceedings of the Australasian Computer Music Conference Sorensen, A. Impromptu: An Interactive Programming Environment for Composition and Performance 149–153 No link
2005 ACE ’05 Srinivasan, P. D. and Birchfield, G. and Qian, A.Kidane A pressure sensing floor for interactive media appli- cations No pages No link
2005 NIME Steiner, Hans [hid] toolkit: A Unified Framework for Instrument Design 140–143 Link
2005 Proceedings of the Conference on Interdisciplinary Musicology Tindale, A. R. and Kapur, A. and Tzanetakis, G. and Schloss, W. A. Indirect Acquisition of Percussion Gestures Using Timbre Recognition No pages No link
2005 Leonardo Music Journal Weinberg, G. Voice Networks: The Human Voice as a Creative Medium for Musical Collaboration 23–26 Link
2005 Wilson, J. S. Sensor Technology Handbook No pages No link
2006 Proceedings of 2006 Conference on New Interfaces for Musical Expression Aylward, R. and Paradiso, J. Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance 134–139 No link
2006 Enke, U. DanSense: Rhythmic Analysis of Dance Movements Using Acceleration-Onset Times No pages No link
2006 Proceedings of the 2006 Sound and Music Computing Conference, Marseille, France Guedes, C. Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch Tracking Techniques to a Video Signal No pages No link
2006 Journal of Audio Engineering Society Karjalainen, M. and Maki-patola, T. and Kanerva, A. and Huovilainen, A. Virtual Air Guitar 964–980 No link
2006 Proceedings of the 9th International Conference on Digital Audio Effects Malloch, J. and Birnbaum, D. and Sinyor, E. and Wanerley, M. M. Towards a New Conceptual Framework for Digital Musical Instruments 49–52 No link
2006 Berlin / Marshall, M. T. and Wanderley, M. M. Evaluation of Sensors as Input Devices for Computer Music Interfaces. Chapter in Computer Music Modeling and Retrieval (Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad, eds.) 130–139 No link
2006 Miranda, E. R. and Wanderley, M. M. New digital musical instruments: control and interaction beyond the keyboard No pages No link
2006 Proceedings of the International Computer Music Conference (ICMC-2006) Overholt, Dan Musical Interaction Design with the CREATE USB Interface: Teaching HCI with CUIs instead of GUIs 6–11 No link
2006 Proceedings of the 9th International Conference on Digital Audio Effects - DA Pendharkar, C. and Gurevich, M. and Wyse, L. Parameterized Morphing as a Mapping Technique for Sound Synthesis Fx–06 No link
2006 Computer Graphics Forum Shiratori, T. A. Nakazawa and K.Ikeuchi Dancing-To-Music Character Animation 449–458 Link
2006 Leonardo Music Journal Weinberg, G. and Thatcher, T. Interactive Sonification: Aesthetics, Functionality and Performance 9–12 Link
2006 Proc. Ann. ACM Int’l Conf. Multimedia Yang, Z. B. and R, Yu and Diankov, W. and Wu, R.Bajscy Collaborative Dancing in Tele-Immersive Environment 723–726 Link
2006 Proceedings of the International Computer Music Conference (ICMC-2006) Zadel, M. and Scavone, G. Laptop Performance: Techniques, Tools, and a New Interface Design 643–648 No link
2006 Zadel, Mark A Software System for Laptop Performance and Improvisation No pages No link
2007 IEEE Software Amatriain, Xavier CLAM: A Framework for Audio and Music Application Development 82–85 Link
2007 Proceedings of the 6th international conference on Information processing in sensor networks Aylward, R. and Paradiso, J. A compact, high-speed, wearable sensor network for biomotion capture and interactive media No pages Link
2007 Proc. 21st World Congress on Dance Research Bakogianni, J. S. E. and Kavakli, V. and Karkou, M.Tsakogianni Teaching Traditional Dance Using E-Learning Tools: Experience from the WebDANCE Project No pages No link
2007 Musiktheorie Bayreuther, R. Contemporary composition as musical disciplina - The example of sound installations of Robin Minard 357–364 No link
2007 Birnbaum, D. Musical vibrotactile feedback No pages No link
2007 2007 IEEE International Workshop on Haptic, Audio and Visual Environments and Games Crampton, N. K. and Fox, H. and Johnston, A.Whitehead Dance, Dance Evolution: Accelerometer Sensor Networks as Input to Video Games 107–112 Link
2007 Dixon, S. Digital Performance – A History of New Media in Theater, Dance, Performance, Art, and Installation No pages No link
2007 Hayward, V. and MacLean, K. E. Do it yourself haptics: Part I. IEEE Robotics & Automation Magazine No pages No link
2007 Proceedings of the 1st International Conference on Tangible and Embedded Interaction (TEI ’07) Kaltenbrunner, M. and Bencina, R. reacTIVision: a computer-vision framework for table-based tangible interaction 69–74 Link
2007 Proceedings of the 2007 International Computer Music Conference Maestre, E. and others Acquisition of Violin Instrumental Gestures Using a Commercial EMF Tracking Device 386–393 No link
2007 Proc. Sixth Int’l Conf. Web-Based Learning Magnenat-Thalmann, N. D. Protopsaltou and E.Kavakli Learn- ing How to Dance Using a Web 3D Platform 1–12 No link
2007 Proc. Sixth Int’l Conf. Web-Based Learning (ICWL ’07) Magnenat-Thalmann, N. and Joslin, C. Learning How to Dance on the Internet No pages No link
2007 Proceedings of the International Computer Music Conference (ICMC 2007) Malloch, J. and Sinclair, S. and Wanderley, M. M. From controller to sound: Tools for collaborative development of digital musical instruments 65–72 No link
2007 Proceedings of the 2nd International work-conference on The Interplay Between Natural and Artificial Computation (IWINAC-2007) Sànchez, A. and Pantrigo, J. J. and Virseda, J. and Pérez, G. Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks 617–626 Link
2007 Proceedings of the the 4th International Conference on Enactive Interfaces (ENACTIVE’07) Sinclair, S. and Wanderley, M. Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound No pages No link
2007 PureData Convention Sinclair, S. and Wanderley, M. Using PureData to Control a Haptically-enabled Virtual Environment No pages No link
2007 Proceedings of the International Conference and Exhibition on Computer Graphics and Interactive Technologies (SIGGRAPH), 2007 Vlasic, D. and Adelsberger, R. and Vannucci, G. and Barnwell, J. and Markus, G. Practical Motion Capture in Everyday Surroundings No pages Link
2008 Organised Sound Anderson, S. Microsound in public space: compositional methods to enhance site-specific sound 51–60 Link
2008 Organised Sound Cascella, D. Carl Michael von Hausswolff 21–29 Link
2008 Proceedings of the 2008 Computer Music Modeling and Retrieval conference - CMMR08 Dahlstedt, P. Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation No pages Link
2008 Lecture Notes In Computer Science Fujimoto, M. N. and Fujita, Y. and Takegawa, T. and Terada, M.Tsukamoto Musical B-boying: A Wearable Musi- cal Instrument by Dancing No pages No link
2008 Organised Sound Grossmann, R. The tip of the iceberg: laptop music and the information-technological transformation of music 5–11 Link
2008 pp Gutknecht, J. I. and Kulka, P. and Lukowicz, T.Strieker Advances in Expressive Animation in the Interactive Performance of a Butoh Dance 418–433 Link
2008 Hayward, V. and MacLean, K. E. Do it yourself haptics: Part II [Tutorial] No pages Link
2008 Signal Processing: Image Communication Jean, F. and Albu, A. B. The Visual Keyboard: Real-Time Feet Tracking for the Control of Musical Meta-Instruments 505–515 Link
2008 Design Studies Johnston, A. and Candy, L. and Edmonds, E. Designing and evaluating virtual musical instruments: facilitating conversational user interaction 556–571 Link
2008 International Conference on Cyberworlds Kim, Y. D. and Jung, S. and Park, J. and Chi, T. Kim and Lee, S. The Shadow Dancer: A New Dance Interface with Interactive Shoes No pages Link
2008 Proceedings of the 22nd British CHI Group Annual Conferenc on HCI 2008: People and Computers XXII: Culture, Creativity, Interaction UK: vol Latulipe, C. and S.Huskey Dance. Draw: exquisite interaction 47–51 No link
2008 Proceedings of the Computer Music Modeling and Retrieval Conference (CMMR 2008), LNCS 4969 Malloch, J. and Sinclair, S. and Wanderley, M. M. A Network-based Framework for Collaborative Development and Performance of Digital Musical Instruments 401–425 Link
2008 Marshall, M. T. Physical Interface Design for Digital Musical Instruments No pages No link
2008 Proceedings of CHI(2008) Merrill, D. and Raffle, H. and Aimi, R. The Sound of Touch: Physical Manipulation of Digital Sound 739–742 Link
2008 5th International Conference on Enactive Interfaces Naveda, L. and Leman, M. Representation of Samba dance gestures, using a multi-modal analysis approach No pages No link
2008 IEEE/RSJ International Conference on Intelligent Robots and Systems Petersen, K. Solis J. and Takanishi, A. Development of a Real-Time Instrument Tracking System for Enabling the Musical Interaction with the Waseda Flutist Robot 313–318 Link
2008 Leonardo Music Journal Richards, J. Getting the Hands Dirty 25–31 Link
2008 Sinnott, Laura Mapping Strategies for the Augmented Tango Shoe No pages No link
2009 Assayag, Gerard and Gerzso, Andrew New Computational Paradigms for Computer Music No pages No link
2009 NIME Baalman, Marije A. and Smoak, H. C. and Salter, Chris and Malloch, Joseph and Wanderley, Marcelo Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork No pages No link
2009 Music Perception Boltz, M. G. and Ebendorf, B. and Field, B. AUDIOVISUAL INTERACTIONS: THE IMPACT OF VISUAL INFORMATION ON MUSIC PERCEPTION AND MEMORY 43–59 Link
2009 Organised Sound Bown, O. and Eldridge, A. and McCormack, J. Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects 188–196 Link
2009 Contemporary Music Review Brown, A. R. and Sorensen, A. Interacting with Generative Music through Live Coding 17–29 Link
2009 Leonardo Music Journal Cseres, J. In Between as a Permanent Status: Milan Adamciak’s Version of Intermedia 31–34 Link
2009 Organised Sound Dipper, G. Interactive Interfaces: Installations produced at the ZKM vertical bar IMA 286–298 No link
2009 Organised Sound Drummond, J. Understanding Interactive Systems 124–133 Link
2009 Organised Sound Essl, G. and Rohs, M. Interactivity for Mobile Music-Making 197–207 Link
2009 Ferguson, S. and Wanderley, M. M. The McGill Digital Orchestra: Interdisciplinarity in Digital musical Instrument Design No pages No link
2009 2009 Inter- national Symposium on Wearable Computers Fujimoto, M. and N. Fujita, Y. and Takegawa, T. and Terada, M.Tsukamoto A Motion Recognition Method for a Wearable Dancing Musical Instrument No pages Link
2009 Journal of New Music Research Jordanous, A. and Smaill, A. Investigating the Role of Score Following in Automatic Musical Accompaniment 197–209 Link
2009 Contemporary Music Review Kim-Boyle, D. Network Musics: Play, Engagement and the Democratization of Performance 363–375 Link
2009 Proceedings of the 127th Audio Engineering Society Convention Lehrman, P. D. The Wii Remote as a Musical Instrument: Technology and Case Studies No pages No link
2009 Computer Animation and Virtual Worlds Liang, X. and X, Q. Li and Zhang, S. Zhang and W.Geng Performance-driven motion choreographing with accelerometers 89–99 Link
2009 Proceedings of the 123rd Audio Engineering Society Convention Lovischach, J. Music at Your Fingertips: An Electrotactile Fader No pages No link
2009 Jounal of Organised Sound Magnusson, T. Of Epistemic Tools: Musical Instruments as Cognitive Extensions 168–176 Link
2009 Proceedings, International Conference on Mobile Computing and Multimedia MOMM Majoe, D. and Kulka, I. and Schacher, J. C. Towards An Interactive Multimedia Experience For Club Music And Dance No pages Link
2009 Journal of New Music Research Marshall, M. T. and Hartshorn, M. and Wanderley, M. M. and Levitin, D. J. Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation 241–253 Link
2009 Proceedings of the 128th Audio Engineering Society Conference McAlpine, K. and Bett, M. and Scanlan, J. Approaches to Creating Real-Time Adaptive Music in Interactive Entertainment: A Musical Perspective No pages No link
2009 Computer Music Journal Overholt, D. Thompson and Putnam, J. and Bell, L. and Kleban, B. and J. Sturm, B. and Kuchera-Morin, J. A Multimodal System for Gesture Recognition in Interactive Music Performance 69–82 Link
2009 69–82 Overholt, D. and Thompson, J. and Putnam, L. and Bell, B. and Kleban, J. and Sturm, B. and Kuchera-Morin, J. A Multimodal System for Gesture Recognition in Interactive Music Performance“, Computer Music Journal, 33:4, pp No pages No link
2009 Organised Sound Overholt, D. The Musical Interface Technology Design Space 217–226 Link
2009 The Oxford Handbook of Computer Music and Digital Sound Culture Paine, G. Gesture and Morphology in Laptop Music Performance 299–329 Link
2009 Journal of Organised Sound Paine, G. Towards Unified Design Guidelines for New Interfaces for Musical Expression 142–155 Link
2009 IEEE/RSJ International Conference on Intelligent Robots and Systems Petersen, K. Solis J. and Takanishi, A. Development of a Aural Real-Time Rhythmical and Harmonic Tracking to Enable the Musical Interaction with the Waseda Flutist Robot 2303–2308 Link
2009 Contemporary Music Review Shedel, M. and Rootberg, A. Generative Techniques in Hypermedia Performance 57–73 No link
2009 The Oxford Handbook of Computer Music Siegel, W. Dancing the Music: Interactive Dance and Music 191–213 Link
2009 Proc. Int’l Conf. Cyber- Worlds Soga, A. B. and Umino, M.Hirayama Automatic Composition for Contemporary Dance Using 3D Motion Clips: Experiment on Dance Training and System Evaluation 171–176 Link
2009 Journal of Organised Sound Whalley, I. Software Agents in Music and Sound Art Research/Creative Work: Current State adn a Possible Direction 156–167 Link
2009 Proceedings of the 13th International Conference on Human-Computer Interaction Yamaguchi, T. and Hashimoto, S. Grasping Interface with Photo Sensor for a Musical Instrument 542–547 Link
2010 Sense/Stage- Low Cost, Open Source Wireless Sensor Infrastructure for Liver Performance and Interactive, Real-Time Environments. Baalman, M. A. V. d Belleval 242–249 No link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 263 Baba, T. and Hashida, M. and Katayose, H. “VirtualPhilharmony”: A Conducting System with Heuristics of Conducting an Orchestra No pages No link
2010 Proceedings of the 128th Audio Engineering Society Conference Black, D. and Gohlke, K. and Lovischach, J. Foley Sonic: Placing Sounds on a Timeline Through Gestures No pages No link
2010 Actes des Journées d’Informatique Musicale, Rennes, France Bresson, J. and Agon, C. and Schumacher, M. Représentation des données de contrôle pour la spatialisation dans OpenMusic No pages No link
2010 NIME Bryan, Nicholas J. and Herrera, Jorge and Oh, Jieun and Wang, Ge MoMu: A Mobile Music Toolkit 174–177 No link
2010 Organised Sound Coulter, J. Electroacoustic Music with Moving Images: the art of media pairing 2010 Link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 178 Dahl, L. and Wang, G. Sound Bounce: Physical Metaphors in Designing Mobile Music Performance No pages No link
2010 Dunn, P. F. Measurement and Data Analysis for Engineering and Science No pages Link
2010 Proceedings of the 130th Audio Engineering Society Conference Frank, M. and Mehr, L. and Sontacchi, A. and Zotter, F. Flexible and Intuitive Pointing Method for 3D Auditory Localization Experiments No pages No link
2010 Organised Sound Frengel, M. A Multidimensional Approach to Relationships between Live and Non-live Sound Sources in Mixed Works 96–106 Link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 72 Hahnel, T. From Mozart to MIDI: A Rule System for Expressive Articulation No pages No link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 94 Havryliv, M. Composing For Improvisation with Chaotic Oscillators No pages No link
2010 Henning, Pohl Motion Pattern Recognition For Interactive Dance No pages No link
2010 Proceedings of the 128th Audio Engineering Society Convention Hoadley, R. Implementation and Developments of Interfaces for Music Performance Through Analysis of Improvised Dance Movements No pages No link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 233 Hochenbaum, J. and Kapur, A. and Wright, M. Multimodal Musician Recognition No pages No link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 69 Humphrey, T. and Flynn, M. and Stevens, J. Epi-thet: A Musical performance installation and a choreography of stillness No pages No link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 217 ‘ McPherson, A. and Kim, Y. Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing No pages No link
2010 Computer Music Journal Mion, L. and D’Inca, G. and de Gotzen, A. and Rapana, E. Modeling Expression with Perceptual Audio Features to Enhance User Interaction 65–79 Link
2010 Proceedings of the 128th Audio Engineering Society Convention Murray-Browne, T. and others The Serendiptichord: A Wearable Instrument for Contemporary Dance Performance No pages No link
2010 Autonomous Robots Petersen, K. Solis J. and Takanishi, A. Musical-based interaction system for the Waseda Flutist Robot 471–488 Link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 57 Roberts, C. and Wright, M. and Kuchera-Morin, J. and Putnam, L. and Wakefield, G. Dynamic Interactivity Inside the AlloSphere No pages No link
2010 Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics Schumacher, M. and Bresson, J. Compositional Control of Periphonic Sound Spatialization No pages No link
2010 Organised Sound Schumacher, Marion and Bresson, Jean Spatial Sound Synthesis in Computer-Aided Composition 271–289 Link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 88 Tanaka, A. Mapping Out Instruments, Affordances, and Mobiles No pages No link
2010 Wechsler, R. and P.Acitores, A. Motion Tracking: a Music and Dance Tool for People with Cerebral Palsy No pages No link
2010 Proceedings of the 2010 Conference on New Interfaces for Musical Expression pp. 116 Yamaguchi, T. and Kobayashi, T. and Ariga, A. and Hashimoto, S. TwinkleBall: A Wireless Musical Interface for Embodied Sound Media No pages No link
2011 Organised Sound Andean, J. Ecological Psychology and the Electroacoustic Concert Context 125–133 Link
2011 Proceeding of the Balin, W. and Lovischach, J. Gestures to Operate DAW software No pages No link
2011 hypertext essay with Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug Rosenberg, in Transmigratory Moves/Dance in Global Circulation Connected Dance: Distributed Performance across Time Zones 51–77 No link
2011 Boulanger, Richard C. and Lazzarini, Victor The Audio Programming Book No pages No link
2011 Organised Sound Brown, N. G. Being Among the Living: On the interrelations between performers, witnesses and environment in As I Have Now Memoyre 176–183 Link
2011 Proceedings of the Sound and Music Computing Conference (SMC-2011) Brum Medeiros, C. and Wanderley, M. M. Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument No pages No link
2011 NIME Bullock, Jamie and Beattie, Dave and Turner, Joe Integra Live: a new graphical user interface for live electronic music 387–392 No link
2011 Organised Sound Eigenfeldt, A. Real-time Composition as Performance Ecosystem 145–153 Link
2011 Proceedings of the Sound and Music Computing Conference (SMC-2011) Giordano, M. and Wanderley, M. M. A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation No pages No link
2011 Organised Sound Green, O. Agility and Playfulness: Technology and skill in the performance ecosystem 134–144 Link
2011 Proceedings of the 131st Audio Engineering Society Convention Grollmisch, S. E. Cano Ceron and Dittmar, C. Songs 2 See: Learn to Play by Playing 2–3 No link
2011 Organised Sound Gurevich, M. and Fyans, A. C. Digital Musical Interactions: Performer-system relationships and their perception by spectators 166–175 Link
2011 Proceedings of the 130th Audio Engineering Society Convention Iaird, I. and Murphy, D. and Capman, R. and Jouan, S. Development of a Virtual Performance Studio with Application of Virtual Acoustic Recording Methods No pages No link
2011 Proceedings of the International Computer Music Conference (ICMC 2011) Magnusson, Thor ixi lang: A SuperCollider Parasite for Live Coding 198–200 No link
2011 Proceedings from the 2011 Linux Audio Conference - LAC11 McGlynn, P. Towards for Effective Mapping Strategies for Digital Musical Instruments No pages No link
2011 Proceedings of the 5th International Conference on Tangible, Embedded and Embodied Interaction Newton, D. and Marshall, M. T. The Augmentalist: Enabling Musicians to Develop Augmented Musical Instruments 249–252 Link
2011 COMPUTER ANIMATION AND VIRTUAL WORLDS Real-time mocap dance recognition for an interactive dancing game 229–237 No link
2011 Proceedings of the 131st Audio Engineering Society Convention O’Sullivan, L. and Boland, F. Visualizing and Controlling Sound with Graphical Interfaces 2–4 No link
2011 Journal of Organised Sound Overholt, D. Berdahl E. and Hamilton, R. Advancements in Actuated Musical Instruments 154–165 Link
2011 Proceedings of Tangible and Embedded Interaction Rasamimanana, N. and others Modular Musical Objects Towards Embodied Control of Digital Music 9–12 Link
2011 Proceedings of the 130th Audio Engineering Society Convention Selfridge, R. and Reiss, J. D. Interactive Mixing Using Wii Controller No pages No link
2011 Journal of Organised Sound Spasov, M. Music Composition as an Act of Cognition: ENACTIV -Interactive Multi-modal Composing System 69–86 Link
2011 Wilson, Scott and Collins, Nick and Cottle, David The SuperCollider Book No pages No link
2012 Li, Tao and Ogihara, Mitsunori and Tzanetakis, George Music Data Mining No pages Link