Off-NIME: NIME papers, chapters and books published outside of the NIME Conference Proceedings
How to use this resource
A table of Off-NIME materials has been provided below. The URL column links to a stable host of the material, and the BibTeX column allows you to copy the citation as a BibTeX .bib file.
You can search for specific items using the search box, and you can also sort the table by clicking on any of the headers.
| Year | Journal | Author(s) | Title | Pages | URL | BibTeX |
|---|---|---|---|---|---|---|
| 1975 | Proceedings of the Second Annual Music Computation Conference | Chadabe, Joel | System Composing | 7–10 | Link | |
| 1975 | Proceedings of the Second Annual Music Computation Conference | Rosenboom, David | A Model for Detection and Analysis of Information Processing Modalities in the Nervous System Through an Adaptive, Interactive, Computerized, Electronic Music Instrument | 54–78 | Link | |
| 1977 | Computer Music Journal | Lawson, James and Mathews, Max | Computer Program to Control a Digital Real-Time Sound Synthesizer | 16–21 | Link | |
| 1977 | Computer Music Journal | Alles, H. G. | A 256-Channel Performer Input Device | 14–15 | Link | |
| 1977 | Computer Music Journal | Laske, Otto E. | Toward a Theory of Interfaces for Computer Music Systems | 53–60 | Link | |
| 1977 | Proceedings of the International Computer Music Conference | Dworak, Paul E. and Parker, Alice C. | Envelope Control with an Optical Keyboard | 1–17 | Link | |
| 1977 | Proceedings of the International Computer Music Conference | Yantis, Michael A. | A Microprocessor Based Live-Performance Instrument | 193–196 | Link | |
| 1978 | Computer Music Journal | Andersen, Kurt H. | A Digital Sound Synthesizer Keyboard | 16–23 | Link | |
| 1978 | Proceedings of the International Computer Music Conference | Alles, H.G. | An Inexpensive Digital Sound Synthesizer | 5–25 | Link | |
| 1978 | Proceedings of the International Computer Music Conference | Buxton, William and Fogels, E.A. and Fedorkow, Guy and Sasaki, Lawrence and Smith, K.C. | An Introduction to the SSSP Digital Synthesizer | 46–56 | Link | |
| 1978 | Proceedings of the International Computer Music Conference | Bridwell, Nelson J. | Interactive Synthesis Without Obscure Diagnostics | 108–118 | Link | |
| 1978 | Proceedings of the International Computer Music Conference | Buxton, W. and Fedorkow, G. and Baecker, R. and Reeves, W. and Smith, K.C. and Ciamaga, G. and Mezei, L. | An Overview of the Structured Sound Synthesis Project | 471–485 | Link | |
| 1978 | Proceedings of the International Computer Music Conference | Boody, Charles G. | The Micro-computer as an Input Device for Music Analysis or Composition by Computer | 637–644 | Link | |
| 1979 | Computer Music Journal | Holtzman, S. R. | An Automated Digital Sound Synthesis Instrument | 53–61 | Link | |
| 1980 | Computer Music Journal | Buxton, W. and Reeves, W. and Fedorkow, G. and Smith, K. C. and Baecker, R. | A Microcomputer-Based Conducting System | 8–21 | Link | |
| 1980 | Computer Music Journal | Haynes, Stanley | The Musician-Machine Interface in Digital Sound Synthesis | 23–44 | Link | |
| 1980 | Computer Music Journal | Mathews, Max V. and Abbott, Curtis | The Sequential Drum | 45–59 | Link | |
| 1980 | Proceedings of the International Computer Music Conference | Federkow, G. and Buxton, W. and Patel, S. and Smith, K. C. | A microprocessor controlled clavier | 96-99 | Link | |
| 1980 | Proceedings of the International Computer Music Conference | Reeves, W. and Buxton, W. and Federkow, G. and Smith, K. C. and Baecker, R. | A microprocessor- based conducting system | 100. | Link | |
| 1980 | Proceedings of the International Computer Music Conference | Moore, F. Richard | Computer audio research laboratory report | 159-177 | Link | |
| 1980 | Proceedings of the International Computer Music Conference | Levine, Steve and Mauchly, J. William | THE Fairlight computer musical instrument | 565-573 | Link | |
| 1980 | Proceedings of the International Computer Music Conference | Yantis, Michael | SBASS-1 features | 574-576 | Link | |
| 1980 | Proceedings of the International Computer Music Conference | McKay, Blair D. and Wills, Barry L. and Carr, David W. | Polyphonic velocity-sensitive keyboard interface | 583-594 | Link | |
| 1980 | Proceedings of the International Computer Music Conference | Steele, Douglas J. and Wills, Barry L. | A microcomputer-based keyboard music system | 595-606 | Link | |
| 1981 | Proceedings of the International Computer Music Conference | Banger, Colin and Pennycook, Bruce | GCOMP : graphic control of mixing and processing | 196-212 | Link | |
| 1981 | Proceedings of the International Computer Music Conference | Snell, John | Real-time console for live performance of computer music and for recording studios | 246-263 | Link | |
| 1981 | Proceedings of the International Computer Music Conference | McLean, Barton | The Fairlight CMI and its uses in advanced laser graphics | 283. | Link | |
| 1981 | Proceedings of the International Computer Music Conference | Risberg, Jeffrey S. | Evolution of interactive control and rel-time synthesis in a digital music system | 285. | Link | |
| 1981 | Proceedings of the International Computer Music Conference | Sasaki, L. and Fedorkow, G. and Buxton, W. and Retterath, C. and Smith, K. C. | A touch- sensitive input device | 293-297 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Sapir, S. and Kronland-Martinet, R. | Use of microprocessor in real-time synthesis of sounds | 66-72 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Cadoz, C. and Luciani, A.L and Florens, J. L. and Berberyan, T. | The control channels of instrumental playing in computer music – real time in computer music incidence on the choice of the basic models | 73-91 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Abbott, C. | Remembering performance gestures | 188-193 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Allouis, J. F. and Bernier, J. Y. | The SYTER project : sound processor design and software overview | 232-240 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Loye, M. De | Real-time control system for digital synthesizer | 241-244 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Swift, G. W. and Yunik, M. | A microprocessor based keyboard instrument for microtonal music | 588-600 | Link | |
| 1982 | Proceedings of the International Computer Music Conference | Moog, R. | A multiply touch-sensitive clavier for computer music | 601-605 | Link | |
| 1983 | Proceedings of the International Computer Music Conference | Nelson, Gary and Talbert, John | The alles machine revisited | 104-110 | Link | |
| 1983 | Proceedings of the International Computer Music Conference | Snell, John | Sensor for playing compute music with expression | 114-127 | Link | |
| 1983 | Proceedings of the International Computer Music Conference | Yunik, M. and Borys, M. and SWift, G. W. | A microprocessor based digital flute | 128-137 | Link | |
| 1983 | Proceedings of the International Computer Music Conference | Kaegi, Werner | The MIDIM system | 253-261 | Link | |
| 1983 | Proceedings of the International Computer Music Conference | Chadabe, Joel | Interactive composing | 299-306 | Link | |
| 1984 | Computer Music Journal | Cadoz, C. and Luciani, A. and Florens, J. | Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System | 60–73 | Link | |
| 1984 | Proceedings of the International Computer Music Conference | Dannenberg, R. B. and Avinney, P. | A functional approach to real-time control | 5-16 | Link | |
| 1984 | Proceedings of the International Computer Music Conference | Azzolini, F. and Sapir, S. | Score and/or gesture : The system RTI4I for real-time contyrol of the processor 4I | 25-34 | Link | |
| 1984 | Proceedings of the International Computer Music Conference | Vercoe, B. | The synthetic performer in the context o live performance | 199-200 | Link | |
| 1984 | Proceedings of the International Computer Music Conference | Jaffrennou, P. and Jaubert, P. and Champenois, L. | SINFONIE : numerical process command with gestural input control | 201-202 | Link | |
| 1984 | Proceedings of the International Computer Music Conference | Young, G. | Hugh Le Caine’s 1948 sackbut syntheziser : performance mode of electronic instruments | 203-212 | Link | |
| 1984 | Proceedings of the International Computer Music Conference | Teitelbaum, R. | The digital piano and the patch control language system | 213-216 | Link | |
| 1985 | Computer Music Journal | Yunik, M. and Borys, M. and Swift, G. W. | A Digital Flute | 49–52 | Link | |
| 1985 | Computer Music Journal | Lohner, Henning and Moog, Robert | Interview with Robert Moog | 62–65 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Vercoe, Barry and Puckette, Miller | Synthetic Rehearsal : Training the Synthetic Performer | 275-278 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Bloch, Joshua J. and Dannenberg, Roger B. | Real-Time Computer Accompaniment of Keyboard Performances | 279-289 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Johnstone, Eric | The ROLKY : A Poly-Touch Controller For Electronic Music | 291-295 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Waisvisz, Michel | The HANDS, a Set of Remote MIDI-Controllers | 313-318 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Arfib, Daniel | Man-Machine Dialog Using MIDI Files | 325-328 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Gillett, Ross and Smith, Kenneth C. and Pritchard, Bob | MADDM | 329-330 | No link | |
| 1985 | Proceedings of the International Computer Music Conference | Debiasi, Giovanni B. | M.I.N.I. (Musical Instruments Numerical Interface) | 331-335 | Link | |
| 1985 | Proceedings of the International Computer Music Conference | Kuivila, Ron | Untitled : An Interactive Installation | 337-339 | Link | |
| 1986 | Computer Music Journal | Roads, Curtis | The Second STEIM Symposium on Interactive Composition in Live Electronic Music | 44–50 | Link | |
| 1986 | Computer Music Journal | Gualtieri, D. M. | MIDI Output Interface to a Parallel Printer Port | 79–82 | Link | |
| 1986 | Computer Music Journal | Lohner, Henning | The UPIC System: A User’s Report | 42–49 | Link | |
| 1986 | Proceedings of the International Computer Music Conference | Florens, Jean-Loup and Razafindrakoto, Aime and Luciani, Annie and Cadoz, Claude | Optimized Real Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis | 65-70 | Link | |
| 1986 | Proceedings of the International Computer Music Conference | Prevot, Philippe | Tele-detection and Large Dimension Gestual Control | 95-97 | Link | |
| 1986 | Proceedings of the International Computer Music Conference | Radier, J. C. and Deforeit, Ch. and Provost, D. | A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display | 99-100 | Link | |
| 1986 | Proceedings of the International Computer Music Conference | Baisnee, P.-F. and Barriere, J.B. and Koechlin, O. and Rowe, R. | Real-Time Interaction between Musicians and Computer : Live Performance Utilisations of the 4X Musical Workstation | 237 239 | Link | |
| 1986 | Proceedings of the International Computer Music Conference | Starkier, Michel and Prevot, Philippe | Real-Time Gestural Control | 423-426 | Link | |
| 1987 | Computer Music Journal | Logemann, G. W. | Report on the Last STEIM Symposium on Interactive Composing in Live Electronic Music | 44–47 | Link | |
| 1987 | Proceedings of the International Computer Music Conference | Wessel, David and Bristow, David and Settel, Zack | Control of Phrasing and Articulation in Synthesis | 108-116 | Link | |
| 1987 | Proceedings of the International Computer Music Conference | Grossman, Gary | Instruments, Cybernetics, and Computer Music | 212-219 | Link | |
| 1988 | Proceedings of the International Computer Music Conference | Cadoz, Claude | Instrumental gesture and musical composition | 1-12 | Link | |
| 1988 | Proceedings of the International Computer Music Conference | Collinge, D. J. and Parkinson, S. M. | The Oculus Ranae | 15-19 | Link | |
| 1988 | Proceedings of the International Computer Music Conference | Gibet, Sylvie and Florens, Jean-Loup | Machine Recognition of Music Information Composition Systems and Techniques Instrumental Gesture Modeling by Identification with Time-Varying Mechanical Models | 28-40 | No link | |
| 1988 | Proceedings of the International Computer Music Conference | Dean, Rubine and McAvinney, Paul | The VideoHarp | 49-55 | Link | |
| 1988 | Proceedings of the International Computer Music Conference | Raczinski, Jean-Michel and Marino, Gerard | A Real-Time Synthesis Unit | 90-99 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Allik, Kristi | The Interactive Arts System: Introduction to a Real-Time Performance Tool | 1-4 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Chabot, Xavier | Performance with Electronics: Gesture Interfaces and Software Toolkit | 65-68 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Eigenfeldt, Arnie | Contour: A Real-Time MIDI System Based on Gestural Input | 101-104 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Keane, David and Gross, Peter | The Midi Baton | 151-154 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Kramer, Gregory and Moog, Robert and Peevers, Alan | The Hybrid: A Music Performance System | 155-159 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Logemman, George W. | Experiments with a Gestural Controller | 184-185 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Machover, Tod | Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems | 186-190 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Matsushima, Toshiaki and andShuji Hashimoto, Sadamu Ohteru | An Integrated Music Information Processing System: PSB-er | 191-198 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Morita, H. and Ohteru, S. and Hashimoto, S. | Computer Music System which Follows a Human Conductor | 207-210 | Link | |
| 1989 | Proceedings of the International Computer Music Conference | Morrill, Dexter and Cook, Perry R. | Hardware, Software, and Compositional Tools for Real Time Improvised Solo Trumpet Work | 211-214 | Link | |
| 1990 | Computer Music Journal | Pressing, Jeff | Cybernetic Issues in Interactive Performance Systems | 12–25 | Link | |
| 1990 | Computer Music Journal | Rubine, Dean and McAvinney, Paul | Programmable Finger-tracking Instrument Controllers | 26–41 | Link | |
| 1990 | Computer Music Journal | Knapp, R. Benjamin and Lusted, Hugh | A Bioelectric Controller for Computer Music Applications | 42–47 | Link | |
| 1990 | Computer Music Journal | Chabot, Xavier | Gesture Interfaces and a Software Toolkit for Performance with Electronics | 15–27 | Link | |
| 1990 | Computer Music Journal | Krefeld, Volker | The Hand in the Web: An Interview with Michel Waisvisz | 28–33 | Link | |
| 1990 | Computer Music Journal | Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup | A Modular Feedback Keyboard Design | 47–51 | Link | |
| 1990 | Computer Music Journal | Moog, Robert and Rhea, Thomas | Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards | 52–60 | Link | |
| 1990 | Computer Music Journal | Bosi, Marina | An Interactive Real-Time System for the Control of Sound Localization | 59–64 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Cadoz, Claude and Ramstein, Christophe | Capture, Representation, and "Composition" of the Instrumental Gesture | 53-56 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Florens, Jean-Loup and Cadoz, Claude | Modular Modelisation and Stimulation of the Instrument | 75-78 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Bosi, Marina | An Interactive Real-time System for the Control of Sound Localization | 112-114 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | McNabb, Michael | Ensemble: An Extensible Real-time Music Performance Environment | 245-248 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Marino, Gerard and Raczinski, Jean-Michel and Serra, Marie-Helene | The New UPIC System | 249-252 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Morita, Hideyuki and Watanabe, Hiroshi and Harada, Tsumotu and Ohteru, Sadamu and Watanabe, Shuji | Knowledge Information Processing in Conducting Computer Music Performer | 332-334 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup | Modular Feedback Keyboard | 379-382 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Hunt, Andy and Kirk, Ross and Orton, Richard | MIDIGRID : An Innovative Computer- based and Composition System | 392-394 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Riddell, Alistair M. | A Meta-Action for the Grand Piano | 395-397 | Link | |
| 1990 | Proceedings of the International Computer Music Conference | Schloss, W. Andrew | Recent Advances in the Coupling of the Language MAX with the Matthew-Boie Radio Drum | 398-400 | Link | |
| 1991 | Computer Music Journal | Tanaka, Atau | CyberArts International | 55-58 | Link | |
| 1991 | Computer Music Journal | Pennycook, Bruce | Machine Songs II: The PRAESCIO Series - Composition-Driven Interactive Software | 16–26 | Link | |
| 1991 | Computer Music Journal | Mathews, Max V. | The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music | 37–46 | Link | |
| 1991 | Computer Music Journal | Wessel, David L. | Instruments That Learn, Refined Controllers, Source Model Loudspeakers | 82–86 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Johnstone, Eric | A MIDI foot controller | 123-126 | No link | |
| 1991 | Proceedings of the International Computer Music Conference | Sato, Akio and Harada, Tsutomu and Hashimoto, Shuji and Ohteru, Sadamu | Singing and playing in musical virtual space | 289-292 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Cook, Perry R. | Tbone : an interactive waveguide brass instrument synthesis workbench for the NeXT machine | 297-299 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Oliveros, Pauline | The expanded instrument system (EIS) | 404-407 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Demers, Louis-Philippe | A performance instrument for lighting | 471-474 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Dannenberg, Roger B. and Bookstein, Kenneth | Practical aspects of a MIDI conducting system | 537-540 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Keane, David and Wood, Kevin | The MIDI baton III | 541-544 | Link | |
| 1991 | Proceedings of the International Computer Music Conference | Raczinski, J. M. | New UPIC system demonstration | 567-570 | Link | |
| 1992 | Computer Music Journal | Bauer, Will and Foss, Bruce | GAMS: An Integrated Media Controller System | 19–24 | Link | |
| 1992 | Computer Music Journal | Michael, Czeiszpergerm and Tanaka, Atau | CyberArts International | 92–96 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Mathews, Max | My view of the future of real-time computer music | 1. | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Bertini, Graziano and Carosi, Paolo | The light baton : a system for conducting computer music performance | 73-76 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Gillespie, Brent | Dynamical modeling of the grand piano action | 77-80 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Haken, Lippold and Abdullah, Radi and Smart, Mark | The continuum : a continuous music keyboard | 81-84 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Harada, Tsutomu and Sato, Akio and Hashimoto, Shuji and Ohteru, Sadamu | Real time control of 3D sound space by gesture | 85-88 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Marchany, Randy C. and Tront, Joseph G. | A programmable MIDI instrument controller emulating a hammer dulcimer | 89-92 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Tobenfeld, Emile | A system for computer assisted gestural improvisation | 93-96 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Kusu, Koji and Ino, Masaoki and Skin, Donguk and Hashimoto, Shuji and Ohteru, Sadama | Computer noh system | 198-201 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Jaffe, David A. and Schloss, W. Andrew | The making of "Wildlife" : species of interaction | 269-272 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Cook, Perry R. | A meta-wind-instrument physical model, and a meta-controller for real-time performance control | 273-276 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Lee, Michael and Wessel, David | Connectionist models for real-time control of synthesis and compositional algorithms | 277-280 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Ryan, Joel | The STEIM studio report | 325-328 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Bolas, Mark and Stone, Phil | Virtual mutant Theremin | 360-361 | Link | |
| 1992 | Proceedings of the International Computer Music Conference | Cariou, Brad | Designof an alternative controller from an industrial design perspective | 366-367 | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Farrett, Peter W. | A system for acquiring a composer’s actions | 379-380 | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Ryan, Joel | Effort and expression | 414-416 | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Gillespie, Brent | Touch back keyboard | 447-448 | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Lee, Michael and Garnett, Guy and Wessel, David | An adaptive conductor follower | 454-455 | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Pennycook, Bruce and Johnstone, Eric | A remote messaging device for interactive performance | 459-460 | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Raczinski, Jean-Michel | UPIC demonstration | 461. | No link | |
| 1992 | Proceedings of the International Computer Music Conference | Keane, David | SOUND LODGE : a touch-sensitive, interactive sound installation | 478-481 | No link | |
| 1993 | Proceedings of the International Computer Music Conference | Chafe, Chris | Tactile Audio Feedback | 76-79 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Tanaka, Atau | Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse | 124-126 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Kanamori, Tsutomu and Katayose, Haruhiro and Simura, Satosi and Inokuchi, Seiji | Gesture Sensor in Virtual Performer | 127-129 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Cook, Perry and Morrill, Dexter and Smith, Julius 0. | A MIDI Control and Performance System for Brass Instruments | 130-133 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Puckette, Miller and Settel, Zack | Non-obvious roles for electronics in performance enhancement | 134-137 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Katayose, Haruhro and Kanamori, Tsutomu and Kamei, Katsuyuki and Nagashima, Yoichi and Sato, Kosuke and Inokuchi, Seiji and Simura, Satosi | Virtual Performer | 138-145 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Inoue, Wataru and Hashimoto, Shuji and Ohteru, Sadamu | A Computer Music System for Human Singing | 150-153 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Hayashi, Eiji and Ishikawa, Tatuya and Yamane, Masami | The Development of a Piano Player | 426-427 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Sekiguchi, Koichi and Amemiya, Ryoji and Kubota, Hiroshi and Yamane, Masami | The Development of an Automatic Drum Playing Device | 428-429 | Link | |
| 1993 | Proceedings of the International Computer Music Conference | Ohta, Hirohisa and Akita, Hiroshi and Ohtani, Motomu and Ishicado, Satosi and Yamane, Masami | The Development of an Automatic Bagpipe Playing Device | 430-431 | Link | |
| 1994 | Computer Music Journal | Jaffe, David A. and Schloss, W. Andrew | The Computer-Extended Ensemble | 78–86 | Link | |
| 1994 | Computer Music Journal | Wright, Matthew | A Comparison of MIDI and ZIPI | 86–91 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Impett, Jonathan | A Meta-Trumpet(er) | 147-150 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Hartono, Pitoyo and Asano, Kazumi and Inoue, Wataru and Hashimoto, Shuji | Adaptive Timbre Control Using Gesture | 151-158 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Vertegaal, Roel and Eaglestone, Barry and Michael, Clarke | An Evaluation of Input Devices for Use in the ISEE Human-Synthesizer Interface | 159-162 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Cariou, Brad | The aXi¯ MIDI Controller | 163-166 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Gillespie, Brent | The Virtual Piano Action : Design and Implementation | 167-170 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Bongers, Bert | The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments | 171-174 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Favilla, Stuart | Live Performance and Virtuosic Pitch-Bend Technique for the Synthesizer | 175-176 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Favilla, Stuart | The LDR controler | 177-180 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Anderson, Tim and Hearn, Debbie | Using Hyper-Instruments for the re-distribution od the performance control interface | 183-184 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Jaffe, David A. and Schloss, W. Andrew | A Virtual Piano Concerto Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in “ The Seven Wonders of the Ancient World ” | 192-195 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Katayose, Haruyose and Kanamori, Tsutomu and Simura, Satosi and Inokuchi, Seiji | Demonstration of Gesture Sensors for the Shakuhachi | 196-199 | Link | |
| 1994 | Proceedings of the International Computer Music Conference | Curtin, Steven | The SoundLab : a wearable computer music instrument | 200-201 | Link | |
| 1995 | Computer Music Journal | Van den Berghe, Guido and De Moor, Bart and Minten, Willem | Modeling a Grand Piano Key Action | 15–22 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Lopez-Lezcano, Fernando | PadMaster : an improvisation environment for real-time performance | 104-105 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Aono, Yushi and Katayose, Haruhiro and Inokuchi, Seiji | An Improvisational Accompaniment System Observing Performer’s Musical Gesture | 106-107 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Cariou, Brad | Vidolin, Alvise A Demonstration of the aXiØ Controller | 183-184 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Brecht, Bennett and Garnett, Guy E. | Conductor Follower | 185-186 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Fortuin, Harold | The Clavette: A Generalized Microtonal MIDI Keyboard Controller | 223. | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Pinkston, Russell and Kerkhoff, Jim and McQuilken, Mark | A Touch Sensitive Dance Floor/MIDI Controller | 224-225 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Camurri, Antonio | Interactive Dance/Music Systems | 245-252 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Vertegaal, Roel and Ungvary, Tamas | The Sentograph: Input Devices and the Communication of Bodily Expression | 253-256 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Sawada, Hideyuki and Ohkura, Shin’ya and Hashimoto, ShujiMaking | Gesture Analysis Using 3-D Acceleration Sensor for Music Control | 257-260 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Winkler, Todd | Motion Musical: Gesture Mapping Strategies for Interactive Computer Music | 261-264 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Kanamori, Tsutomu and Katayose, Haruhiro and Aono, Yushi and Inokuchi, Seiji and Sakaguchi, Takasi | Sensor Integration for Interactive Digital Art | 265-268 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Todoroff, Todor | Real-Time Granular Morphing and Spatialisation of Sounds With Gestual Control Within MAX/FTS | 315-318 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Bromwich, Mark A. | A Single Performer Controlled Interface for Electronic Fance/Music Theatre | 491-492 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Cadoz, Claude and Florens, Jean-Loup and Luciani, Annie | Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces | 531-532 | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Chadabe, Joel | Interactive Performance | 589. | Link | |
| 1995 | Proceedings of the International Computer Music Conference | Kirk, Ross and Hunt, Andy and Orton, Richard | Audio-Visual Instruments in Live Performance | 595-596 | Link | |
| 1996 | Computer Music Journal | Hirano, Karl | A Review of Electronic Musical Instruments | 28–30 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Chu, Lonny | Haptic feedback in a computer music performance interface | 57-58 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Favilla, Stuart | Non-linear controlled mapping for gestural control of gamaka | 89-92 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Lippe, Cort | A look at performer/machine interaction using real-time systems | 116-117 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Katayose, Haruhiro and Kanamori, Tsutomu and Inokushi, Seiji | An environment for interactive art- sensor integration and applications | 173-176 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Tobey, Forrest and Fujinaga, Ichiro | Extraction of conducting gesture in 3D space | 305-307 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Vertegaal, Roel and Ungary, Tamas and Kieslinger, Michael | Towards a musician’s cockpit : Transducers, feedback and musical function | 308-311 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji | Acceleration sensor as an input device for musical environment | 421-424 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Lopez-Lezcano, Fernando | PadMaster : Banging on algorithms with alternative controllers | 425-427 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Chafe, Chris and O’Modhrain, Sile | Musical muscle memory and the Harpic display of performance nuance | 428-431 | Link | |
| 1996 | Proceedings of the International Computer Music Conference | Sawada, Hideyuki and Hashimoto, Shuji | Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments | 444-447 | Link | |
| 1997 | Computer Music Journal | Kroepfl, Francisco | Electronic Music: From Analog Control to Computers | 26–28 | Link | |
| 1997 | Computer Music Journal | Paradiso, Joseph A. and Gershenfeld, Neil | Musical Applications of Electric Field Sensing | 69–89 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Orio, Nicola | A gesture interface controlled by the oral cavity | 141-144 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji | Sounds in hands | 309-312 | No link | |
| 1997 | Proceedings of the International Computer Music Conference | Marrin, Teresa and Paradiso, Joseph | The digital baton : a versatile performance instrument | 313-316 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | O’Modhrain, Maura Sile | Feel the music : narration in touch and sound | 321-324 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Haken, Lippold and Fitz, Kelly and Tellman, Ed and Wolfe, Patrick and Christensen, Paul | A continous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators | 375-378 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Wright, Matthew and Wessel, David and Freed, Audrain | New musical control structures from standard gestual controllers | 387-390 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Boulanger, Richard and Mathews, Max | The 1997 Mathews’ radio baton and improvisation modes | 395-398 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Politis, Dionysios V. and Tsoukalas, Ioannis A. and Linardis, Panagiotis and Bakalakos, Alexandros | VIDI – a voice instrument digital interface of Byzantine music | 403-407 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Bromwich, Marc Alexander | The metabone : an interactive sensory control mechanism for virtuoso trombone | 473-475 | Link | |
| 1997 | Proceedings of the International Computer Music Conference | Katayose, Haruhiro and Shirakabe, Hirotsugu and Kanamori, Tsutomu and Inokuchi, Seiji | A toolkit for interactive digital art | 476-478 | Link | |
| 1998 | Computer Music Journal | Bongers, Bert | An Interview with Sensorband | 13–24 | Link | |
| 1998 | Computer Music Journal | de Laubier, Serge | The Meta-Instrument | 25–29 | Link | |
| 1998 | Computer Music Journal | Haken, Lippold and Tellman, Ed and Wolfe, Patrick | An Indiscrete Music Keyboard | 30–48 | Link | |
| 1998 | Computer Music Journal | Siegel, Wayne and Jacobsen, Jens | The Challenges of Interactive Dance: An Overview and Case Study | 29–43 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Usa, Satoshi and Mochida, Yasunori | A multi-modal conducting simulator | 25-32 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Costantini, Giovanni and Giorgio, Nottoli | A new interactive performance system for real- time sound synthesis | 33-36 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Nagashima, Yoichi | BioSensorFusion : new interfaces for interactive multimedia art | 129-132 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Katayose, Haruhiro and Hirai, Shigeyuki and Kanamoni, Tsutomu | Physiological measurement of performer’s tension and its utilization for media control | 211-214 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Marrin, Teresa and Picard, Rosalind | The "conductor’s Jacket" : a device for recording expressive musical gestures | 215-219 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Freed, Adrian and Wessel, David | Communication of musical gesture using the AES/EBU digital audio standard | 220-223 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Wright, Matthew | Implementation and performance issues with OpenSound control | 224-227 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Tarabella, Leonello and Magrini, Massimo | A system for recognizing shape, position and rotation of the hands | 288-291 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Bromwich, Mark and Wilson-Bokowiec, Julie | Bodycoder’s : a sensor suit and vocal performance mechanism for real-time performance | 292-295 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Takanishi, Atsuo and Maeda, Manabu | Development of an anthropomorphic flutist robot WF-3RIV | 328-331 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Cook, Perry and Trueman, Daniel | NBody : interactive multidirectional musical instrument body radiation simulators, and a database of measured impulse resonses | 353-356 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Gamper, David and Oliveros, Pauline | Expended instrument system : recent development | 357-360 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Winkler, Todd | Motion-sensing music : artistic and technical challenges in two works for dance | 471-474 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Griffith, Niall and Fernstrom, Mikael | LiveFoot | 475-481 | No link | |
| 1998 | Proceedings of the International Computer Music Conference | Hirai, Shigeyuki and Katayose, Haruhiro and Kanamori, Tsutomu | Software sensors for interactive digital art | 514-517 | Link | |
| 1998 | Proceedings of the International Computer Music Conference | Florens, Jean-Loup and Cadoz, Claude and Lucianni, Annie | A real-time workstation for complex physical models of multi-sensorial and gesturally controlled instrumants | 518-526 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Hsiao, Kai-yuh and Paradiso, Joseph | A new continuous multimodal musical controller using wireless magnetic tags | 24-27 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Modler, Paul and Kirk, Ross | Evaluation of architecture for sound generation systems with respect to interactive gestural control and realtime performance | 28-31 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Yoichi, Nagashima and Tamami, Tono-Ito | "It’s SHO time" | 32-35 | No link | |
| 1999 | Proceedings of the International Computer Music Conference | Ritis, Anthony De | Cathedral : an interactive work for the web | 224-227 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Ystad, Solvi and Voinier, Thierry | Design of a flute interface to control synthesis models | 228-231 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Trueman, Den and Cook, Perry | BoSSA : the deconstructed violin reconstructed | 232-239 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Garnett, Guy and Goudeseume, Camille | Performance factors in control of hight- dimentional spaces | 268-271 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Siegel, Wayne and Jacobsen, Jens | Composing for the digital dance interface | 276-277 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Ilmonen, Tommi and Takala, Tapio | Conductor following with artificial neural networks | 367-370 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Garnett, Guy and Malvar-Ruiz, Fernando and Stoltzfus, Fred | Virtual conducting practice environment | 371-374 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Serafin, Stefania and Rodet, Xavier and Dudas, Richard and Wanderley, Marcelo | Gestural control of a real-time physical model of a bowed string instrument | 375-378 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Orio, Nicola | The timbre space of the classical guitar and its relationship with the plucking techniques | 391-394 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Suzuki, Kenji and Ohashi, Takeshi and Hashimoto, Shuji | Interactive multimodal mobile robot for musical performance | 407-410 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Wanderley, Marcelo and Depalle, Philippe and Warufel, Olivier | Improving instrumental sound synthesis by modeling the effects of performer gesture | 418-421 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Chu, Lonny | MusiCloth : a design methodology for the development of a performance interface | 449-452 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Paradiso, Joseph and Hu, Eric and Hsiao, Kai-Yuh | Interactive music for instrumented dancing shoes | 453-456 | Link | |
| 1999 | Proceedings of the International Computer Music Conference | Tanaka, Atau | Network audio performance and installation | 519-522 | Link | |
| 2000 | Computer Music Journal | Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Ricci, Andrea and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero | EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems | 57–69 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | O’Modhrain, M. Sile and Srafin, Stefania and Chafe, Chris and Smith, Julius O. | Qualitative and quantitative assessment of a virtual bowed string instrument | 66-69 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Winkler, Todd | Participation and response in movement-sensing installations | 137-140 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Choi, Insook and Zheng, Geoffrey and Cheng, Ken | Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system | 141-144 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | O’Modhrain, M. Sile and Chafe, Chris | The performer-instrument interaction : a sensory motor perspective | 145-148 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Wanderley, Marcelo M. and Isart, Jean-Philippe Viollet Fabrice and Rodet, Xavier | On the choice of transducer technologies for specific musical functions | 244-247 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Trueman, Dan and Bahn, Curtis and Cook, Perry R. | Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs) | 248-251 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Camurri, Antonio and Coletta, Paolo and Peri, Massimiliano and Ricchetti, Matteo and Ricci, Andrea and Trocca, Riccardo and Volpe, Gualtiero | A real-time platform for interactive dance and music systems | 262-265 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Nichols, Charles | The vBow : a haptic musical controller human-computer interface | 274-276 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Paradiso, Joseph A. and Hsio, Kai-Yuh and Strickon, Joshua and Rice, Peter | New sensor and music systems for large interactive surfaces | 277-280 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Ng, Kia and Popat, Sita and Ong, Bee and Stefani, Ewan and Ppat, Kris and Cooper, David | Trans- domain mapping : areal-time interactive system for motion acquisition and musical mapping | 485-488 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Smirnov, Andrei | Music and gesture : sensor technologies in interactive music and the Theremin based space control systems | 511-514 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Freed, Adrian and Avizienis, Rimas | A new music Keyboard with continous key-position sensing and high-speed communication | 515-516 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Cook, Perry R. and Leider, Colby N. | SqueezeVox : a new controller for vocal synthesis models | 519-522 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Suzuki, Kenji and Tabe, Keishiro and Hashimoto, Shuji | A mobile robot platform for music and dance performance | 539-542 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Freed, Adrian and Isvan, Osman | Musical applications of new, multi-axis guitar string sensors | 543-546 | Link | |
| 2000 | Proceedings of the International Computer Music Conference | Yonezawa, Tomoko and Mase, Kenji | Tangible sound : musical instrument using fluid media | 551-554 | Link | |
| 2001 | Computer Music Journal | Ystad, Sølvi and Voinier, Thierry | A Virtually Real Flute | 13–24 | Link | |
| 2001 | Computer Music Journal | Morales-Manzanares, Roberto and Morales, Eduardo F. and Dannenberg, Roger and Berger, Jonathan | SICIB: An Interactive Music Composition System Using Body Movements | 25–36 | Link | |
| 2001 | Computer Music Journal | Weinberg, Gil and Gan, Seum-Lim | The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument | 37–45 | Link |