Off-NIME: NIME papers, chapters and books published outside of the NIME Conference Proceedings

What is this resource?

This website contains a table of vetted off-NIME references deemed to be relevant to the NIME community. This includes materials from conferences that predated NIME (CMJ, ICMC; so-called “prehistoric NIME”) as well as concurrent conferences, publications, and books from 1969 to 2011.

There are three primary datasets, represented by the radio buttons just above the table: CMJ, ICMC, and ISIDM (the Interactive Systems and Instrument Design in Music Working Group). If you would like to get involved with cleaning any references, or with adding new datasets/features, feel free to submit a PR on the GitHub repo.

Other features of this table include the search bar, column sorting (click the header to sort), and the download all button below.

Datasets:

All CMJ ICMC ISIDM + Extras

Year	Author(s)	Title	Type	Publication	Pages	URL	BibTeX
1955	Le Caine, Hugh	Touch-Sensitive Organ Based on an Electrostatic Coupling Device	Article	Journal of the Acoustical Society of America	781–786	Link
1956	Le Caine, Hugh	Electronic Music	Article	Proceedings of the IRE	457–478	Link
1956	Moog, Robert	Music From Electrons	Article	Audiocraft Magazine	16–19, 33
1961	Bode, Harald	New Tool for the Exploration of Unknown Sound Resources for Composers	Article	Journal of the Acoustical Society of America	861–862	Link
1963	Miessner, Benjamin F.	Music—Science and Art	Article	Sound: Its Uses & Control	5–7, 43	Link
1963	Mathews, Max V.	The Digital Computer as a Musical Instrument	Article	Science	553–557	Link
1964	Moog, Robert A.	Voltage-Controlled Electronic Music Modules	Conference Proceedings	AES Convention 16
1964	Macfadyen, K. A.	Electronic Melodic Instruments	Article	Radio and Electronic Engineer	365–371	Link
1966	Howe, Hubert S.	Music and Electronics: A Report	Article	Perspectives of New Music	68–75	Link
1967	Chadabe, Joel	New Approaches to Analog-Studio Design	Article	Perspectives of New Music	107–113	Link
1967	Garner, L.	For that Different Sound, Music a la Theremin	Article	Popular Electronics	29–33
1968	Le Caine, Hugh	Commercial Keyboard Instruments	Article	Journal of the Acoustical Society of America	373	Link
1968	Luening, Otto	An Unfinished History of Electronic Music	Article	Music Educators Journal	43–145	Link
1969	Mathews, M. V. and Moore, R.	GROOVE, a Program for Realtime Control of a Sound Synthesizer by a Computer	Conference Proceedings	Proceedings of the 4th Annual Conference of the American Society of University Composers	22–31
1970	Mathews, M. and Moore, F. R.	GROOVE - a Program to Compose, Store, and Edit Functions of Time	Article	Communications of the ACM	715–721
1974	Mathews, Max V. and Moore, F. Richard and Risset, Jean-Claude	Computers and Future Music	Article	Science	263–268	Link
1974	Mathews, M. and Moore, F. R. and Risset, J.-C.	Computers and Future music	Article	Science	263–268
1975	Milano, Dominic	Bob Moog: From Theremin to Synthesizer	Article	Contemporary Keyboard	14–15
1975	McCarty, F. L.	Electronic Music Systems: Structure, Control, Product	Article	Perspectives of New Music	98–125	Link
1975	Chadabe, Joel	System Composing	Conference Proceedings	Proceedings of the Second Annual Music Computation Conference	7–10	Link
1975	Rosenboom, David	A Model for Detection and Analysis of Information Processing Modalities in the Nervous System Through an Adaptive, Interactive, Computerized, Electronic Music Instrument	Conference Proceedings	Proceedings of the Second Annual Music Computation Conference	54–78	Link
1976	Arveiller, Jacques and Battier, Marc and Englert, Giuseppe	A computer Music Repertory	Book	Groupe art et informatique de Vincennes
1976	Davidson, Philip W	Haptic perception	Article	Journal of pediatric psychology	21–25
1977	Lawson, James and Mathews, Max	Computer Program to Control a Digital Real-Time Sound Synthesizer	Article	Computer Music Journal	16–21	Link
1977	Alles, H. G.	A 256-Channel Performer Input Device	Article	Computer Music Journal	14–15	Link
1977	Laske, Otto E.	Toward a Theory of Interfaces for Computer Music Systems	Article	Computer Music Journal	53–60	Link
1977	Dworak, Paul E. and Parker, Alice C.	Envelope Control with an Optical Keyboard	Conference Proceedings	Proceedings of the International Computer Music Conference	1–17	Link
1977	Yantis, Michael A.	A Microprocessor Based Live-Performance Instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	193–196	Link
1977	Buxton, W.	Computer Music 1976/77: a Directory to Current Work	Book	Canadian Commission for UNESCO
1977	Chadabe, J.	Some reflections on the Nature of the Landscape within which Computer Music Systems are Designed	Article	Computer Music Journal	5–11
1978	Andersen, Kurt H.	A Digital Sound Synthesizer Keyboard	Article	Computer Music Journal	16–23	Link
1978	Buxton, William and Fogels, Allen and Fedorkow, Guy and Sasaki, Larry and Smith, Kenneth C.	An Introduction to the SSSP Digital Synthesizer	Article	Computer Music Journal	28–38
1978	Alles, H.G.	An Inexpensive Digital Sound Synthesizer	Conference Proceedings	Proceedings of the International Computer Music Conference	5–25	Link
1978	Buxton, William and Fogels, E.A. and Fedorkow, Guy and Sasaki, Lawrence and Smith, K.C.	An Introduction to the SSSP Digital Synthesizer	Conference Proceedings	Proceedings of the International Computer Music Conference	46–56	Link
1978	Bridwell, Nelson J.	Interactive Synthesis Without Obscure Diagnostics	Conference Proceedings	Proceedings of the International Computer Music Conference	108–118	Link
1978	Buxton, W. and Fedorkow, G. and Baecker, R. and Reeves, W. and Smith, K.C. and Ciamaga, G. and Mezei, L.	An Overview of the Structured Sound Synthesis Project	Conference Proceedings	Proceedings of the International Computer Music Conference	471–485	Link
1978	Boody, Charles G.	The Micro-computer as an Input Device for Music Analysis or Composition by Computer	Conference Proceedings	Proceedings of the International Computer Music Conference	637–644	Link
1978	Card, S. K. and English, W. K. and Burr, B. J.	Evaluation of Mouse, Rate-controlled Isometric Joystick, Step keys, and Text keys for Text Selection on a CRT	Article	Ergonomics	601–613
1978	Florens, J.-L.	Coupleur gestuel rétroactif pour la commande et le contrôle de sons de synthèse	PhD Thesis	Institut National Polytechnique de Grenoble
1978	Mathews, M. V. and Bennet, G.	Real-Time Synthesizer Control	Technical Report	Ircam Centre Pompidou
1979	Holtzman, S. R.	An Automated Digital Sound Synthesis Instrument	Article	Computer Music Journal	53–61	Link
1979	Buxton, William and Sniderman, Ross and Reeves, William and Patel, Shobha and Baecker, Ronald	The Evolution of the SSSP Score Editing Tools	Article	Computer Music Journal	14–25
1979	Buxton, W. and others	A Computer-Based System for the Performance of Electroacoustic Music	Conference Proceedings	Proceedings of the 64th Annual Audio Engineering Society Convention
1979	Buxton, W. A. S. and Sniderman, R. and Reeves, W. and Patel, S. and Baecker, R.	The Evolution of the SSSP Score-Editing Tools	Article	Computer Music Journal	14–25
1979	Wessel, D.	Timbre Space as a Musical Control Structure	Article	Computer Music Journal	45–52
1980	Buxton, W. and Reeves, W. and Fedorkow, G. and Smith, K. C. and Baecker, R.	A Microcomputer-Based Conducting System	Article	Computer Music Journal	8–21	Link
1980	Haynes, Stanley	The Musician-Machine Interface in Digital Sound Synthesis	Article	Computer Music Journal	23–44	Link
1980	Mathews, Max V. and Abbott, Curtis	The Sequential Drum	Article	Computer Music Journal	45–59	Link
1980	Buxton, William and Reeves, William and Fedorkow, Guy and Smith, Kenneth C. and Baecker, Ronald	A Microcomputer-Based Conducting System	Article	Computer Music Journal	8–21
1980	Federkow, G. and Buxton, W. and Patel, S. and Smith, K. C.	A microprocessor controlled clavier	Conference Proceedings	Proceedings of the International Computer Music Conference	96-99	Link
1980	Reeves, W. and Buxton, W. and Federkow, G. and Smith, K. C. and Baecker, R.	A microprocessor- based conducting system	Conference Proceedings	Proceedings of the International Computer Music Conference	100.	Link
1980	Moore, F. Richard	Computer audio research laboratory report	Conference Proceedings	Proceedings of the International Computer Music Conference	159-177	Link
1980	Levine, Steve and Mauchly, J. William	THE Fairlight computer musical instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	565-573	Link
1980	Yantis, Michael	SBASS-1 features	Conference Proceedings	Proceedings of the International Computer Music Conference	574-576	Link
1980	McKay, Blair D. and Wills, Barry L. and Carr, David W.	Polyphonic velocity-sensitive keyboard interface	Conference Proceedings	Proceedings of the International Computer Music Conference	583-594	Link
1980	Steele, Douglas J. and Wills, Barry L.	A microcomputer-based keyboard music system	Conference Proceedings	Proceedings of the International Computer Music Conference	595-606	Link
1980	Chadabe, J.	’Solo’: a Specific Example of Realtime Performance	Book Section/Chapter	Computer Music - Composition musicale par ordinateur	87–94
1980	Englert, G. G.	« Musique: composition automatique - automation composée »	Article	Mathématiques et Sciences Humaines	37–50
1981	Banger, Colin and Pennycook, Bruce	GCOMP : graphic control of mixing and processing	Conference Proceedings	Proceedings of the International Computer Music Conference	196-212	Link
1981	Snell, John	Real-time console for live performance of computer music and for recording studios	Conference Proceedings	Proceedings of the International Computer Music Conference	246-263	Link
1981	McLean, Barton	The Fairlight CMI and its uses in advanced laser graphics	Conference Proceedings	Proceedings of the International Computer Music Conference	283.	Link
1981	Risberg, Jeffrey S.	Evolution of interactive control and rel-time synthesis in a digital music system	Conference Proceedings	Proceedings of the International Computer Music Conference	285.	Link
1981	Sasaki, L. and Fedorkow, G. and Buxton, W. and Retterath, C. and Smith, K. C.	A touch- sensitive input device	Conference Proceedings	Proceedings of the International Computer Music Conference	293-297	Link
1981	Cadoz, C. and Luciani, A. and Florens, J. L.	Synthèse musicale par simulation des mécanismes instrumentaux. Transducteurs Gestuels Rétroactifs pour l’étude du jeu instrumental	Article	Revue d’Acoustique	279–292
1981	Battier, M.	Les musiques électroacoustiques et l’environnement informatique	PhD Thesis	University of Paris X
1982	Buxton, William and Patel, Shobha and Reeves, William and Baecker, Ronald	Objed and the Design of Timbral Resources	Article	Computer Music Journal	32–44
1982	Sapir, S. and Kronland-Martinet, R.	Use of microprocessor in real-time synthesis of sounds	Conference Proceedings	Proceedings of the International Computer Music Conference	66-72	Link
1982	Cadoz, C. and Luciani, A.L and Florens, J. L. and Berberyan, T.	The control channels of instrumental playing in computer music – real time in computer music incidence on the choice of the basic models	Conference Proceedings	Proceedings of the International Computer Music Conference	73-91	Link
1982	Abbott, C.	Remembering performance gestures	Conference Proceedings	Proceedings of the International Computer Music Conference	188-193	Link
1982	Allouis, J. F. and Bernier, J. Y.	The SYTER project : sound processor design and software overview	Conference Proceedings	Proceedings of the International Computer Music Conference	232-240	Link
1982	Loye, M. De	Real-time control system for digital synthesizer	Conference Proceedings	Proceedings of the International Computer Music Conference	241-244	Link
1982	Swift, G. W. and Yunik, M.	A microprocessor based keyboard instrument for microtonal music	Conference Proceedings	Proceedings of the International Computer Music Conference	588-600	Link
1982	Moog, R.	A multiply touch-sensitive clavier for computer music	Conference Proceedings	Proceedings of the International Computer Music Conference	601-605	Link
1983	Nelson, Gary and Talbert, John	The alles machine revisited	Conference Proceedings	Proceedings of the International Computer Music Conference	104-110	Link
1983	Snell, John	Sensor for playing compute music with expression	Conference Proceedings	Proceedings of the International Computer Music Conference	114-127	Link
1983	Yunik, M. and Borys, M. and SWift, G. W.	A microprocessor based digital flute	Conference Proceedings	Proceedings of the International Computer Music Conference	128-137	Link
1983	Kaegi, Werner	The MIDIM system	Conference Proceedings	Proceedings of the International Computer Music Conference	253-261	Link
1983	Chadabe, Joel	Interactive composing	Conference Proceedings	Proceedings of the International Computer Music Conference	299-306	Link
1983	Haflich, S. and Burns, M.	Following a Conductor: the Engineering of an Input Device	Conference Proceedings	Proceedings of the International Computer Music Conference
1983	Gidney, E.	The Artist’s use of telecommunications: a review	Article	Leonardo	311–315
1984	Cadoz, C. and Luciani, A. and Florens, J.	Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System	Article	Computer Music Journal	60–73	Link
1984	Dannenberg, R. B. and Avinney, P.	A functional approach to real-time control	Conference Proceedings	Proceedings of the International Computer Music Conference	5-16	Link
1984	Azzolini, F. and Sapir, S.	Score and/or gesture : The system RTI4I for real-time contyrol of the processor 4I	Conference Proceedings	Proceedings of the International Computer Music Conference	25-34	Link
1984	Vercoe, B.	The synthetic performer in the context o live performance	Conference Proceedings	Proceedings of the International Computer Music Conference	199-200	Link
1984	Jaffrennou, P. and Jaubert, P. and Champenois, L.	SINFONIE : numerical process command with gestural input control	Conference Proceedings	Proceedings of the International Computer Music Conference	201-202	Link
1984	Young, G.	Hugh Le Caine’s 1948 sackbut syntheziser : performance mode of electronic instruments	Conference Proceedings	Proceedings of the International Computer Music Conference	203-212	Link
1984	Teitelbaum, R.	The digital piano and the patch control language system	Conference Proceedings	Proceedings of the International Computer Music Conference	213-216	Link
1984	Ascott, R.	Art and Telematics	Book Section/Chapter	Art Telecommunications	25–58
1985	Yunik, M. and Borys, M. and Swift, G. W.	A Digital Flute	Article	Computer Music Journal	49–52	Link
1985	Lohner, Henning and Moog, Robert	Interview with Robert Moog	Article	Computer Music Journal	62–65	Link
1985	Vercoe, Barry and Puckette, Miller	Synthetic Rehearsal : Training the Synthetic Performer	Conference Proceedings	Proceedings of the International Computer Music Conference	275-278	Link
1985	Bloch, Joshua J. and Dannenberg, Roger B.	Real-Time Computer Accompaniment of Keyboard Performances	Conference Proceedings	Proceedings of the International Computer Music Conference	279-289	Link
1985	Johnstone, Eric	The ROLKY : A Poly-Touch Controller For Electronic Music	Conference Proceedings	Proceedings of the International Computer Music Conference	291-295	Link
1985	Waisvisz, Michel	The HANDS, a Set of Remote MIDI-Controllers	Conference Proceedings	Proceedings of the International Computer Music Conference	313-318	Link
1985	Arfib, Daniel	Man-Machine Dialog Using MIDI Files	Conference Proceedings	Proceedings of the International Computer Music Conference	325-328	Link
1985	Gillett, Ross and Smith, Kenneth C. and Pritchard, Bob	MADDM	Conference Proceedings	Proceedings of the International Computer Music Conference	329-330
1985	Debiasi, Giovanni B.	M.I.N.I. (Musical Instruments Numerical Interface)	Conference Proceedings	Proceedings of the International Computer Music Conference	331-335	Link
1985	Kuivila, Ron	Untitled : An Interactive Installation	Conference Proceedings	Proceedings of the International Computer Music Conference	337-339	Link
1985	Gillett, K. and Pritchard, R.	Maddm - Dance Directed Music	Conference Proceedings	Proceedings of the International Computer Music Conference	329–330	Link
1985	Pennycook, B. W.	Computer-Music Interfaces: A Survey	Article	ACM Computing Surveys	267–289
1985	Wechsler, R.	Symmetry in Dance	Article	Contact Quarterly
1986	Roads, Curtis	The Second STEIM Symposium on Interactive Composition in Live Electronic Music	Article	Computer Music Journal	44–50	Link
1986	Gualtieri, D. M.	MIDI Output Interface to a Parallel Printer Port	Article	Computer Music Journal	79–82	Link
1986	Lohner, Henning	The UPIC System: A User’s Report	Article	Computer Music Journal	42–49	Link
1986	Florens, Jean-Loup and Razafindrakoto, Aime and Luciani, Annie and Cadoz, Claude	Optimized Real Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis	Conference Proceedings	Proceedings of the International Computer Music Conference	65-70	Link
1986	Prevot, Philippe	Tele-detection and Large Dimension Gestual Control	Conference Proceedings	Proceedings of the International Computer Music Conference	95-97	Link
1986	Radier, J. C. and Deforeit, Ch. and Provost, D.	A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display	Conference Proceedings	Proceedings of the International Computer Music Conference	99-100	Link
1986	Baisnee, P.-F. and Barriere, J.B. and Koechlin, O. and Rowe, R.	Real-Time Interaction between Musicians and Computer : Live Performance Utilisations of the 4X Musical Workstation	Conference Proceedings	Proceedings of the International Computer Music Conference	237 239	Link
1986	Starkier, Michel and Prevot, Philippe	Real-Time Gestural Control	Conference Proceedings	Proceedings of the International Computer Music Conference	423-426	Link
1986	Buxton, W. A. S.	Chuncking and Phrasing and the Design of Human-Computer Dialogues	Conference Proceedings	Information Processing ’86, Proceedings of the IFIP 10th World Computer Congress	475–480
1986	Buxton, W. A. S.	There’s More Interaction than Meets the Eye: Some Issues in Manual Input	Book Section/Chapter	User Centered System Design: New Perspectives on Human-Computer Interaction	319–337
1986	Camurri, A. and Morasso, P. and Tagliasco, V. and Zaccaria, R.	Dance and Movement Notation	Book Section/Chapter	Human Movement Understanding	85–124
1986	Maxwell, D. and Ginsberg, C.	Graphical marionette	Conference Proceedings	Motion: Representation and Perception, Proceedings ACM SIGGRAPH/SIGART Interdisciplinary Workshop on Motion	303–310
1987	Logemann, G. W.	Report on the Last STEIM Symposium on Interactive Composing in Live Electronic Music	Article	Computer Music Journal	44–47	Link
1987	Wessel, David and Bristow, David and Settel, Zack	Control of Phrasing and Articulation in Synthesis	Conference Proceedings	Proceedings of the International Computer Music Conference	108-116	Link
1987	Grossman, Gary	Instruments, Cybernetics, and Computer Music	Conference Proceedings	Proceedings of the International Computer Music Conference	212-219	Link
1987	Moore, F. R.	The Disfunctions of MIDI	Conference Proceedings	Proceedings of the International Computer Music Conference	256–262	Link
1987	Camurri, A. and others	Interactions between music and movement: A system for music generation from 3D animations	Conference Proceedings	Proceedings of the 4th international conference on event perception and action
1987	Baecker, R. M. and Buxton, W. A. S.	Readings in Human-Computer Interaction: A Multidisciplinary Approach	Book	Morgan-Kauffmann Publishers, Inc.
1987	Buxton, W. A. S.	The Haptic Channel	Book Section/Chapter	Readings in Human-Computer Interaction: A Multidisciplinary Approach	357–365
1987	Downes, P.	Motion Sensing in Music and Dance Performance	Conference Proceedings	Proceedings of the AES 5th International Conference: Music and Digital Technology	165–172
1987	Moog, R.	Position and Force Sensors and their Application to Keyboards and Related Controllers	Conference Proceedings	Proceedings of the AES 5th International Conference: Music and Digital Technology	179–181
1988	Cadoz, Claude	Instrumental gesture and musical composition	Conference Proceedings	Proceedings of the International Computer Music Conference	1-12	Link
1988	Collinge, D. J. and Parkinson, S. M.	The Oculus Ranae	Conference Proceedings	Proceedings of the International Computer Music Conference	15-19	Link
1988	Gibet, Sylvie and Florens, Jean-Loup	Machine Recognition of Music Information Composition Systems and Techniques Instrumental Gesture Modeling by Identification with Time-Varying Mechanical Models	Conference Proceedings	Proceedings of the International Computer Music Conference	28-40
1988	Dean, Rubine and McAvinney, Paul	The VideoHarp	Conference Proceedings	Proceedings of the International Computer Music Conference	49-55	Link
1988	Raczinski, Jean-Michel and Marino, Gerard	A Real-Time Synthesis Unit	Conference Proceedings	Proceedings of the International Computer Music Conference	90-99	Link
1988	Boulez, P. and Gerzso, A.	Computers in music	Article	Scientific American	26–32
1988	Forest, Fred and Sugarman, David and Weston, Joanna	Communication esthetics, interactive participation and artistic systems of communication and expression	Article	Design Issues	97–115
1988	Herbison-Evans, D.	Dance, Video, Notation and Computers	Article	Leonardo	45–50
1988	Castine, P.	An Evaluation of the User Interface in Digital Audio Systems	Master's Thesis	Technical University Berlin
1989	Allik, Kristi	The Interactive Arts System: Introduction to a Real-Time Performance Tool	Conference Proceedings	Proceedings of the International Computer Music Conference	1-4	Link
1989	Chabot, Xavier	Performance with Electronics: Gesture Interfaces and Software Toolkit	Conference Proceedings	Proceedings of the International Computer Music Conference	65-68	Link
1989	Eigenfeldt, Arnie	Contour: A Real-Time MIDI System Based on Gestural Input	Conference Proceedings	Proceedings of the International Computer Music Conference	101-104	Link
1989	Keane, David and Gross, Peter	The Midi Baton	Conference Proceedings	Proceedings of the International Computer Music Conference	151-154	Link
1989	Kramer, Gregory and Moog, Robert and Peevers, Alan	The Hybrid: A Music Performance System	Conference Proceedings	Proceedings of the International Computer Music Conference	155-159	Link
1989	Logemman, George W.	Experiments with a Gestural Controller	Conference Proceedings	Proceedings of the International Computer Music Conference	184-185	Link
1989	Machover, Tod	Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems	Conference Proceedings	Proceedings of the International Computer Music Conference	186-190	Link
1989	Matsushima, Toshiaki and andShuji Hashimoto, Sadamu Ohteru	An Integrated Music Information Processing System: PSB-er	Conference Proceedings	Proceedings of the International Computer Music Conference	191-198	Link
1989	Morita, H. and Ohteru, S. and Hashimoto, S.	Computer Music System which Follows a Human Conductor	Conference Proceedings	Proceedings of the International Computer Music Conference	207-210	Link
1989	Morrill, Dexter and Cook, Perry R.	Hardware, Software, and Compositional Tools for Real Time Improvised Solo Trumpet Work	Conference Proceedings	Proceedings of the International Computer Music Conference	211-214	Link
1989	Boie, R. and Mathews, M. and Schloss, A.	The Radio Drum as a Synthesizer Controller	Conference Proceedings	Proceedings of the International Computer Music Conference	42–45	Link
1989	Webster, J.	The Measurement, Instrumentation and Sensors Handbook	Book	CRC Press
1989	Appleton, J.	21st-Century Musical Instruments: Hardware and Software	Book	Institute for Studies in American Music, Brooklyn College of the City University of New York
1989	Chafe, C.	Simulating Performance on a Bowed Instrument	Book Section/Chapter	Current Directions in Computer Music Research	185–198
1989	Mathews, M. V. and Pierce, J. R.	Current Directions in Computer Music Research	Book	The MIT Press
1989	Mathews, M. V.	The Conductor Program and the Mechanical Baton	Book Section/Chapter	Current Directions in Computer Music Research	263–282
1989	Gray, J.	Dance Technology: Current Applications and Future Trends	Book	National Dance Association
1989	Gray, J.	The Evolution of Dance Technology	Book Section/Chapter	Dance Technology: Current Applications and Future Trends	1–5
1990	Pressing, Jeff	Cybernetic Issues in Interactive Performance Systems	Article	Computer Music Journal	12–25	Link
1990	Rubine, Dean and McAvinney, Paul	Programmable Finger-tracking Instrument Controllers	Article	Computer Music Journal	26–41	Link
1990	Knapp, R. Benjamin and Lusted, Hugh	A Bioelectric Controller for Computer Music Applications	Article	Computer Music Journal	42–47	Link
1990	Chabot, Xavier	Gesture Interfaces and a Software Toolkit for Performance with Electronics	Article	Computer Music Journal	15–27	Link
1990	Krefeld, Volker	The Hand in the Web: An Interview with Michel Waisvisz	Article	Computer Music Journal	28–33	Link
1990	Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup	A Modular Feedback Keyboard Design	Article	Computer Music Journal	47–51	Link
1990	Moog, Robert and Rhea, Thomas	Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards	Article	Computer Music Journal	52–60	Link
1990	Bosi, Marina	An Interactive Real-Time System for the Control of Sound Localization	Article	Computer Music Journal	59–64	Link
1990	Cadoz, Claude and Ramstein, Christophe	Capture, Representation, and "Composition" of the Instrumental Gesture	Conference Proceedings	Proceedings of the International Computer Music Conference	53-56	Link
1990	Florens, Jean-Loup and Cadoz, Claude	Modular Modelisation and Stimulation of the Instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	75-78	Link
1990	Bosi, Marina	An Interactive Real-time System for the Control of Sound Localization	Conference Proceedings	Proceedings of the International Computer Music Conference	112-114	Link
1990	McNabb, Michael	Ensemble: An Extensible Real-time Music Performance Environment	Conference Proceedings	Proceedings of the International Computer Music Conference	245-248	Link
1990	Marino, Gerard and Raczinski, Jean-Michel and Serra, Marie-Helene	The New UPIC System	Conference Proceedings	Proceedings of the International Computer Music Conference	249-252	Link
1990	Morita, Hideyuki and Watanabe, Hiroshi and Harada, Tsumotu and Ohteru, Sadamu and Watanabe, Shuji	Knowledge Information Processing in Conducting Computer Music Performer	Conference Proceedings	Proceedings of the International Computer Music Conference	332-334	Link
1990	Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup	Modular Feedback Keyboard	Conference Proceedings	Proceedings of the International Computer Music Conference	379-382	Link
1990	Hunt, Andy and Kirk, Ross and Orton, Richard	MIDIGRID : An Innovative Computer- based and Composition System	Conference Proceedings	Proceedings of the International Computer Music Conference	392-394	Link
1990	Riddell, Alistair M.	A Meta-Action for the Grand Piano	Conference Proceedings	Proceedings of the International Computer Music Conference	395-397	Link
1990	Schloss, W. Andrew	Recent Advances in the Coupling of the Language MAX with the Matthew-Boie Radio Drum	Conference Proceedings	Proceedings of the International Computer Music Conference	398-400	Link
1990	Gibet, S. and Marteau, P.-F.	Gestural control of sound synthesis	Conference Proceedings	Proceedings of the International Computer Music Conference	387–391	Link
1990	Bowler, I. and Purvis, A. and Manning, P. and Bailey, N.	On Mapping N Articulation onto M Synthesiser-Control Parameters	Conference Proceedings	Proceedings of the International Computer Music Conference	181–184	Link
1990	Minnick, M.	A Graphical Editor for Building Unit Generator Patches	Conference Proceedings	Proceedings of the International Computer Music Conference	253–255	Link
1990	Appleton, Jon	Composer pour de nouveaux instruments	Article	Contrechamps
1990	Rosenboom, D.	Extended Musical Interface with the Human Nervous System	Book	International Society for the Arts, Sciences, and Technology
1990	Mackinlay, J. D. and Card, S. K. and Robertson, G. G.	A Semantic Analysis of the Design Space of Input Devices	Article	Human-Computer Interaction	145–190
1990	Brightman, P.	Computer Dancemakers	Article	Leonardo	393–396
1990	Politis, George	Computers and dance: a bibliography	Article	Leonardo	87–90
1990	Politis, G.	A survey of Computers in Dance	Technical Report	University of Sydney, Basser Department of Computer Science
1991	Tanaka, Atau	CyberArts International	Article	Computer Music Journal	55-58	Link
1991	Pennycook, Bruce	Machine Songs II: The PRAESCIO Series - Composition-Driven Interactive Software	Article	Computer Music Journal	16–26	Link
1991	Mathews, Max V.	The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music	Article	Computer Music Journal	37–46	Link
1991	Wessel, David L.	Instruments That Learn, Refined Controllers, Source Model Loudspeakers	Article	Computer Music Journal	82–86	Link
1991	Johnstone, Eric	A MIDI foot controller	Conference Proceedings	Proceedings of the International Computer Music Conference	123-126
1991	Sato, Akio and Harada, Tsutomu and Hashimoto, Shuji and Ohteru, Sadamu	Singing and playing in musical virtual space	Conference Proceedings	Proceedings of the International Computer Music Conference	289-292	Link
1991	Cook, Perry R.	Tbone : an interactive waveguide brass instrument synthesis workbench for the NeXT machine	Conference Proceedings	Proceedings of the International Computer Music Conference	297-299	Link
1991	Oliveros, Pauline	The expanded instrument system (EIS)	Conference Proceedings	Proceedings of the International Computer Music Conference	404-407	Link
1991	Demers, Louis-Philippe	A performance instrument for lighting	Conference Proceedings	Proceedings of the International Computer Music Conference	471-474	Link
1991	Dannenberg, Roger B. and Bookstein, Kenneth	Practical aspects of a MIDI conducting system	Conference Proceedings	Proceedings of the International Computer Music Conference	537-540	Link
1991	Keane, David and Wood, Kevin	The MIDI baton III	Conference Proceedings	Proceedings of the International Computer Music Conference	541-544	Link
1991	Raczinski, J. M.	New UPIC system demonstration	Conference Proceedings	Proceedings of the International Computer Music Conference	567-570	Link
1991	Lee, M. and Freed, A. and Wessel, D.	Real-Time Neural Network Processing of Gestural and Acoustic Signals	Conference Proceedings	Proceedings of the International Computer Music Conference	277–280	Link
1991	Johnstone, E.	A MIDI Foot Controller - The PodoBoard	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
1991	Cadoz, C.	Timbre et causalité	Book Section/Chapter	Le timbre: métaphore pour la composition	17–46
1991	Friberg, A.	Generative rules for music performance: A formal description of a rule system	Article	Computer Music Journal	56–71
1991	Friberg, A. and others	Performance Rules for Computer-Controlled Contemporary Keyboard Music	Article	Computer Music Journal	49–55
1991	Mulder, A.	Viewing dance as instrumental to music	Article	Interface	15–17
1991	Card, S. K. and Mackinlay, J. D. and Robertson, G. G.	A Morphological Analysis of the Design Space of Input Devices	Article	ACM Transactions on Information Systems	99–122
1991	Collins, N.	Low Brass: the Evolution of the Trombone Propelled Electronics	Article	Leonardo Music Journal	41–44
1991	Ellis, S. R.	Nature and Origins of Virtual Environments: A Bibliographical Essay	Book Section/Chapter	Human-Computer Interaction: Towards the Year 2000	913–932
1991	Ryan, J.	Some Remarks on Musical Instrument Design at STEIM	Article	Contemporary Music Review	3–17
1991	Fadon, C.	StillLife/Alive	Article	Leonardo
1991	Kac, E.	Ornitorrinco: Exploring Telepresence and Remote Sensing	Article	Leonardo
1991	Ramstein, C.	Analyse, représentation et traitement du geste instrumental	PhD Thesis	Institut National Polytechnique de Grenoble
1992	Bauer, Will and Foss, Bruce	GAMS: An Integrated Media Controller System	Article	Computer Music Journal	19–24	Link
1992	Michael, Czeiszpergerm and Tanaka, Atau	CyberArts International	Article	Computer Music Journal	92–96	Link
1992	Mathews, Max	My view of the future of real-time computer music	Conference Proceedings	Proceedings of the International Computer Music Conference	1.	Link
1992	Bertini, Graziano and Carosi, Paolo	The light baton : a system for conducting computer music performance	Conference Proceedings	Proceedings of the International Computer Music Conference	73-76	Link
1992	Gillespie, Brent	Dynamical modeling of the grand piano action	Conference Proceedings	Proceedings of the International Computer Music Conference	77-80	Link
1992	Haken, Lippold and Abdullah, Radi and Smart, Mark	The continuum : a continuous music keyboard	Conference Proceedings	Proceedings of the International Computer Music Conference	81-84	Link
1992	Harada, Tsutomu and Sato, Akio and Hashimoto, Shuji and Ohteru, Sadamu	Real time control of 3D sound space by gesture	Conference Proceedings	Proceedings of the International Computer Music Conference	85-88	Link
1992	Marchany, Randy C. and Tront, Joseph G.	A programmable MIDI instrument controller emulating a hammer dulcimer	Conference Proceedings	Proceedings of the International Computer Music Conference	89-92	Link
1992	Tobenfeld, Emile	A system for computer assisted gestural improvisation	Conference Proceedings	Proceedings of the International Computer Music Conference	93-96	Link
1992	Kusu, Koji and Ino, Masaoki and Skin, Donguk and Hashimoto, Shuji and Ohteru, Sadama	Computer noh system	Conference Proceedings	Proceedings of the International Computer Music Conference	198-201	Link
1992	Jaffe, David A. and Schloss, W. Andrew	The making of "Wildlife" : species of interaction	Conference Proceedings	Proceedings of the International Computer Music Conference	269-272	Link
1992	Cook, Perry R.	A meta-wind-instrument physical model, and a meta-controller for real-time performance control	Conference Proceedings	Proceedings of the International Computer Music Conference	273-276	Link
1992	Lee, Michael and Wessel, David	Connectionist models for real-time control of synthesis and compositional algorithms	Conference Proceedings	Proceedings of the International Computer Music Conference	277-280	Link
1992	Ryan, Joel	The STEIM studio report	Conference Proceedings	Proceedings of the International Computer Music Conference	325-328	Link
1992	Bolas, Mark and Stone, Phil	Virtual mutant Theremin	Conference Proceedings	Proceedings of the International Computer Music Conference	360-361	Link
1992	Cariou, Brad	Designof an alternative controller from an industrial design perspective	Conference Proceedings	Proceedings of the International Computer Music Conference	366-367
1992	Farrett, Peter W.	A system for acquiring a composer’s actions	Conference Proceedings	Proceedings of the International Computer Music Conference	379-380
1992	Ryan, Joel	Effort and expression	Conference Proceedings	Proceedings of the International Computer Music Conference	414-416
1992	Gillespie, Brent	Touch back keyboard	Conference Proceedings	Proceedings of the International Computer Music Conference	447-448
1992	Lee, Michael and Garnett, Guy and Wessel, David	An adaptive conductor follower	Conference Proceedings	Proceedings of the International Computer Music Conference	454-455
1992	Pennycook, Bruce and Johnstone, Eric	A remote messaging device for interactive performance	Conference Proceedings	Proceedings of the International Computer Music Conference	459-460
1992	Raczinski, Jean-Michel	UPIC demonstration	Conference Proceedings	Proceedings of the International Computer Music Conference	461.
1992	Keane, David	SOUND LODGE : a touch-sensitive, interactive sound installation	Conference Proceedings	Proceedings of the International Computer Music Conference	478-481
1992	Foellmer, G. and Franck, Roland and Hein, Folmar	Dokumentation Elektroakustischer Musik in Europ	Book	Inventionen ’92
1992	Pressing, J.	Synthesizer Performance and Real-Time Techniques	Book	A-R Editions
1992	Cook, P. R. and Morrill, D. and Smith, J. O.	An Automatic Pitch Detection and MIDI Control System for Brass Instruments	Conference Proceedings	Acoustical Society of America Conference
1992	Machover, T.	Hyperinstruments - a Composer’s Approach to the Evolution of Intelligent Musical Instruments	Book Section/Chapter	Cyberarts: Exploring Arts and Technology	67–76
1992	MacKenzie, I. S.	Movement Time Prediction in Human-Computer Interfaces	Conference Proceedings	Proceedings Graphics Interface ’92	140–150
1992	MacKenzie, I. S. and Buxton, W.	Extending Fitts’ Law to Two Dimensional Tasks	Conference Proceedings	Proceedings of the 1992 ACM Conference on Human Factors in Computing Systems	219–226
1992	Bates, J. and Loyall, A. Bryan and Reilly, W. Scott	An architecture for action, emotion, and social behaviour	Conference Proceedings	Proceedings of the Fourth European Workshop on Modeling Autonomous Agents in a Multi-Agent World
1992	Held, R. and Durlach, N.	Telepresence	Article	Presence	109–112
1992	Kac, E.	Aspects of the Aesthetics of Telecomommunications	Conference Proceedings	Siggraph Visual Proceedings
1992	Kahlich, L.	Dance Technology – Moving into the Future	Article	Dance Research Journal	63–64
1992	Smith, A.	Dance and Technology I: Moving Toward the Future. Proceedings of the First Annual Conference	Proceedings	University of Wisconsin
1992	Ungvary, T. and Waters, S. and Rajka, P.	Nuntius – A Computer System for the Interactive Composition and Analysis of Music and Dance	Article	Leonardo	59–68
1992	Machover, T.	Hyperinstruments - a Progress Report 1987 - 1991	Technical Report	Massachusetts Institute of Technology
1992	Pousset, D.	La flûte-MIDI, l’histoire et quelques applications	Master's Thesis	Université Paris-Sorbonne
1993	Chafe, Chris	Tactile Audio Feedback	Conference Proceedings	Proceedings of the International Computer Music Conference	76-79	Link
1993	Tanaka, Atau	Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse	Conference Proceedings	Proceedings of the International Computer Music Conference	124-126	Link
1993	Kanamori, Tsutomu and Katayose, Haruhiro and Simura, Satosi and Inokuchi, Seiji	Gesture Sensor in Virtual Performer	Conference Proceedings	Proceedings of the International Computer Music Conference	127-129	Link
1993	Cook, Perry and Morrill, Dexter and Smith, Julius 0.	A MIDI Control and Performance System for Brass Instruments	Conference Proceedings	Proceedings of the International Computer Music Conference	130-133	Link
1993	Puckette, Miller and Settel, Zack	Non-obvious roles for electronics in performance enhancement	Conference Proceedings	Proceedings of the International Computer Music Conference	134-137	Link
1993	Katayose, Haruhro and Kanamori, Tsutomu and Kamei, Katsuyuki and Nagashima, Yoichi and Sato, Kosuke and Inokuchi, Seiji and Simura, Satosi	Virtual Performer	Conference Proceedings	Proceedings of the International Computer Music Conference	138-145	Link
1993	Inoue, Wataru and Hashimoto, Shuji and Ohteru, Sadamu	A Computer Music System for Human Singing	Conference Proceedings	Proceedings of the International Computer Music Conference	150-153	Link
1993	Hayashi, Eiji and Ishikawa, Tatuya and Yamane, Masami	The Development of a Piano Player	Conference Proceedings	Proceedings of the International Computer Music Conference	426-427	Link
1993	Sekiguchi, Koichi and Amemiya, Ryoji and Kubota, Hiroshi and Yamane, Masami	The Development of an Automatic Drum Playing Device	Conference Proceedings	Proceedings of the International Computer Music Conference	428-429	Link
1993	Ohta, Hirohisa and Akita, Hiroshi and Ohtani, Motomu and Ishicado, Satosi and Yamane, Masami	The Development of an Automatic Bagpipe Playing Device	Conference Proceedings	Proceedings of the International Computer Music Conference	430-431	Link
1993	Dannenberg, R.	Computer music at Carnegie Mellon University	Book Section/Chapter	Music Processing	303–333
1993	Rowe, R.	Interactive Music Systems - Machine Listening and Composing	Book	The MIT Press
1993	Katayose, H. and Inokuchi, S.	Learning Performance Rules in a Music Interpretation System	Article	Computers and the Humanities	31–40
1993	Pope, S. T.	Real-Time Performance via User Interfaces to Musical Structures	Article	Journal of Interface	195–212
1993	Carr, J. J.	Sensors and Circuits: Sensors, Transducers, and Supporting Circuits for Electronic Instrumentation, Measurement, and Control	Book	Prentice-Hall
1993	Smith, R. L.	Sensors	Book Section/Chapter	The Electrical Engineering Handbook
1993	Bailey, N. J. and Purvis, A. and Bowler, I. W. and Manning, P. D.	Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments	Article	Interface	259–275
1993	Chabot, X.	To Listen and to See: Making and Using Electronic Instruments	Article	Leonardo Music Journal	11–16
1993	Kabbash, P. and MacKenzie, I. S. and Buxton, W.	Human Performance Using Computer Input Devices in the Preferred and Non-Preferred Hands	Conference Proceedings	Proceedings of the ACM INTERCHI	474–481
1993	Moog, R.	Controller oddities	Article	Keyboard	44–49
1993	Waisvisz, M. and Ryan, J. and Collins, N.	STEIM - de zoetgevooisde Bliksem	Book	STEIM
1993	Barfield, W. and Weghorst, S.	The sense of presence within virtual environment: A conceptual framework	Conference Proceedings	Proceedings of the International Conference on Human-computer Interaction	699–704
1993	Kalawasky, R. S.	The science of virtual reality and virtual environments	Book	Addison-Wesley
1993	Laurel, B.	Computers as Theatre	Book	Addison-Wesley
1993	Pimentel, K. and Teixeira, K.	The science of virtual reality: through the new looking glass	Book	McGraw-Hill
1993	Putnam, W.	The Use of the Electromyogram for the Control of Musical Performance	Master's Thesis	San Jose State University, CA
1993	Dubost, G.	Technologies de capteurs et leurs applications musicales	Master's Thesis	Université Paris-Sud Orsay
1993	Hand, C.	A Survey of 3-D Input Devices	Technical Report	De Montfort University, Leicester, UK		Link
1993	Matsumoto, F.	Using Simple Controls to Manipulate Complex Objects: Application to the Drum-Boy Interactive Percussion System	Master's Thesis	Massachusetts Institute of Technology
1994	Jaffe, David A. and Schloss, W. Andrew	The Computer-Extended Ensemble	Article	Computer Music Journal	78–86	Link
1994	Wright, Matthew	A Comparison of MIDI and ZIPI	Article	Computer Music Journal	86–91	Link
1994	Impett, Jonathan	A Meta-Trumpet(er)	Conference Proceedings	Proceedings of the International Computer Music Conference	147-150	Link
1994	Hartono, Pitoyo and Asano, Kazumi and Inoue, Wataru and Hashimoto, Shuji	Adaptive Timbre Control Using Gesture	Conference Proceedings	Proceedings of the International Computer Music Conference	151-158	Link
1994	Vertegaal, Roel and Eaglestone, Barry and Michael, Clarke	An Evaluation of Input Devices for Use in the ISEE Human-Synthesizer Interface	Conference Proceedings	Proceedings of the International Computer Music Conference	159-162	Link
1994	Cariou, Brad	The aXi¯ MIDI Controller	Conference Proceedings	Proceedings of the International Computer Music Conference	163-166	Link
1994	Gillespie, Brent	The Virtual Piano Action : Design and Implementation	Conference Proceedings	Proceedings of the International Computer Music Conference	167-170	Link
1994	Bongers, Bert	The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments	Conference Proceedings	Proceedings of the International Computer Music Conference	171-174	Link
1994	Favilla, Stuart	Live Performance and Virtuosic Pitch-Bend Technique for the Synthesizer	Conference Proceedings	Proceedings of the International Computer Music Conference	175-176	Link
1994	Favilla, Stuart	The LDR controler	Conference Proceedings	Proceedings of the International Computer Music Conference	177-180	Link
1994	Anderson, Tim and Hearn, Debbie	Using Hyper-Instruments for the re-distribution od the performance control interface	Conference Proceedings	Proceedings of the International Computer Music Conference	183-184	Link
1994	Jaffe, David A. and Schloss, W. Andrew	A Virtual Piano Concerto Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in “ The Seven Wonders of the Ancient World ”	Conference Proceedings	Proceedings of the International Computer Music Conference	192-195	Link
1994	Katayose, Haruyose and Kanamori, Tsutomu and Simura, Satosi and Inokuchi, Seiji	Demonstration of Gesture Sensors for the Shakuhachi	Conference Proceedings	Proceedings of the International Computer Music Conference	196-199	Link
1994	Curtin, Steven	The SoundLab : a wearable computer music instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	200-201	Link
1994	Mulder, A.	Virtual musical instruments: Accessing the Sound Synthesis Universe as a Performer	Conference Proceedings	Proceedings of the first Brazilian Symposium on Computer Music	243–250
1994	Garrett, P. H.	Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering	Book	IEEE Press
1994	Anderton, C.	STEIM: In the Land of Alternate Controllers	Article	Keyboard	54–62
1994	Jacob, R. J. K. and Sibert, L. and McFarlane, D. and Mullen, Jr., M.	Integrality and Separability of Input Devices	Article	ACM Transactions on Human-Computer Interaction	3–26
1994	Mulder, A.	How to Build an Instrumented Glove based on the Powerglove Flex Sensors	Article	PCVR Magazine	10–14
1994	Ramstein, C. and Hayward, V.	The Pantograph: a Large Workspace Haptic Device for a Multi-Modal Human-Computer Interaction	Conference Proceedings	Proceedings of the CHI’94 Conference on Human factors in Computing Systems
1994	Vertegaal, R. and Bonis, E.	ISEE: An Intuitive Sound Editing Environment	Article	Computer Music Journal	21–29
1994	Polana, R. and Nelson, R.	Low level recognition of human motion	Conference Proceedings	Proc. of IEEE Workshop on Motion of Non-Rigid and Articulated Objects	77–82
1994	Rohr, K.	Towards model-based recognition of human movements in image sequences	Article	CGVIP: Image Understanding	94–115
1994	Slater, M. and Usoh, M. and Steed, A.	Depth of presence in virtual environment	Article	Presence	130–144
1994	Fels, S.	Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces	PhD Thesis	University of Toronto, Canada
1994	Giraudon, F.	Contrôle de paramètres de synthèse issus d’une analyse par une interface gestuelle	Master's Thesis	Centre National de la Recherche Scientifique
1994	Mulder, A.	Human Movement Tracking Technology	Technical Report	Simon Fraser University
1994	Vertegaal, R.	An Evaluation of Input Devices for Timbre Space Navigation	Master's Thesis	Department of Computing, University of Bradford
1995	Van den Berghe, Guido and De Moor, Bart and Minten, Willem	Modeling a Grand Piano Key Action	Article	Computer Music Journal	15–22	Link
1995	Lopez-Lezcano, Fernando	PadMaster : an improvisation environment for real-time performance	Conference Proceedings	Proceedings of the International Computer Music Conference	104-105	Link
1995	Aono, Yushi and Katayose, Haruhiro and Inokuchi, Seiji	An Improvisational Accompaniment System Observing Performer’s Musical Gesture	Conference Proceedings	Proceedings of the International Computer Music Conference	106-107	Link
1995	Cariou, Brad	Vidolin, Alvise A Demonstration of the aXiØ Controller	Conference Proceedings	Proceedings of the International Computer Music Conference	183-184	Link
1995	Brecht, Bennett and Garnett, Guy E.	Conductor Follower	Conference Proceedings	Proceedings of the International Computer Music Conference	185-186	Link
1995	Fortuin, Harold	The Clavette: A Generalized Microtonal MIDI Keyboard Controller	Conference Proceedings	Proceedings of the International Computer Music Conference	223.	Link
1995	Pinkston, Russell and Kerkhoff, Jim and McQuilken, Mark	A Touch Sensitive Dance Floor/MIDI Controller	Conference Proceedings	Proceedings of the International Computer Music Conference	224-225	Link
1995	Camurri, Antonio	Interactive Dance/Music Systems	Conference Proceedings	Proceedings of the International Computer Music Conference	245-252	Link
1995	Vertegaal, Roel and Ungvary, Tamas	The Sentograph: Input Devices and the Communication of Bodily Expression	Conference Proceedings	Proceedings of the International Computer Music Conference	253-256	Link
1995	Sawada, Hideyuki and Ohkura, Shin’ya and Hashimoto, ShujiMaking	Gesture Analysis Using 3-D Acceleration Sensor for Music Control	Conference Proceedings	Proceedings of the International Computer Music Conference	257-260	Link
1995	Winkler, Todd	Motion Musical: Gesture Mapping Strategies for Interactive Computer Music	Conference Proceedings	Proceedings of the International Computer Music Conference	261-264	Link
1995	Kanamori, Tsutomu and Katayose, Haruhiro and Aono, Yushi and Inokuchi, Seiji and Sakaguchi, Takasi	Sensor Integration for Interactive Digital Art	Conference Proceedings	Proceedings of the International Computer Music Conference	265-268	Link
1995	Todoroff, Todor	Real-Time Granular Morphing and Spatialisation of Sounds With Gestual Control Within MAX/FTS	Conference Proceedings	Proceedings of the International Computer Music Conference	315-318	Link
1995	Bromwich, Mark A.	A Single Performer Controlled Interface for Electronic Fance/Music Theatre	Conference Proceedings	Proceedings of the International Computer Music Conference	491-492	Link
1995	Cadoz, Claude and Florens, Jean-Loup and Luciani, Annie	Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces	Conference Proceedings	Proceedings of the International Computer Music Conference	531-532	Link
1995	Chadabe, Joel	Interactive Performance	Conference Proceedings	Proceedings of the International Computer Music Conference	589.	Link
1995	Kirk, Ross and Hunt, Andy and Orton, Richard	Audio-Visual Instruments in Live Performance	Conference Proceedings	Proceedings of the International Computer Music Conference	595-596	Link
1995	Choi, I. and Bargar, R. and Goudeseune, C.	A Manifold Interface for a High Dimensional Control Space	Conference Proceedings	Proceedings of the International Computer Music Conference	385–392	Link
1995	Polfreman, R. and Sapsford-Francis, J.	A Human Factors Approach to Computer Music Systems User-Interface Design	Conference Proceedings	Proceedings of the International Computer Music Conference	381–384	Link
1995	Tobey, F.	The Ensemble Member and the Conducted Computer	Conference Proceedings	Proceedings of the International Computer Music Conference	529–530	Link
1995	Battier, M.	Entre l’idée et l’œuvre. Parcours de l’informatique musicale	Book Section/Chapter	Esthétique des arts médiatiques, tome 1	319–334
1995	Akamatsu, M. and MacKenzie, I. S. and Hasbrouc, T.	A Comparison of Tactile, Auditory and Visual Feedback in a Pointing Task using a Mouse-Type Device	Article	Ergonomics	816–827
1995	Baecker, R. M. and Grudin, J. and Buxton, W. A. S. and Greenberg, S.	Readings in Human-Computer Interaction: Toward the Year 2000	Book	Morgan-Kauffmann Publishers, Inc.
1995	Hayward, V.	Toward a Seven Axis Haptic Interface	Conference Proceedings	Proceedings of the IROS’95, Int. Workshop on Intelligent Robots and Systems	133–139
1995	Barrass, S.	Personify: A Toolkit for Perceptually Meaningful Sonification	Conference Proceedings	Proceedings of the Australian Conference on Computer Music (ACCM-95)
1995	Biocca, F. and Delaney, B.	Immersive virtual reality technology	Book Section/Chapter	Communication in the age of virtual reality
1995	Biocca, F. and Kim, T. and Levy, M.	The vision of virtual reality	Book Section/Chapter	Communication in the age of virtual reality	3–14
1995	Gavrilla, D. M. and Davis, L. S.	3-D model based tracking of human upper body movement: a multi-view approach	Conference Proceedings	Proc. of the IEEE-PAMI International Symposium on Computer Vision	253–258
1995	Hodges, M.	Computers and dance	Article	Technology Review	20–21
1995	Maes, P. and Darrell, T. and Blumberg, B. and Pentland, A.	The ALIVE system: Full-body interaction with autonomous agents	Conference Proceedings	Proc. of the Computer Animation ’95 Conference
1995	Mitchell, J. D. and Lovell, R.	Environment for the Interactive Design of Emergent Art	Conference Proceedings	International Symposium on Electronic Art
1995	Mitchell, J. D. and Lovell, R.	Using Human Movement to Control Activities in Theatrical Environments	Conference Proceedings	Third International Conference on Dance and Technology
1995	Pulfer, J. K.	Man-Machine Communication in Creative Applications	Article	International Journal of Man-Machine Studies
1995	Rogala, Miroslaw and Hovestadt, L and Oxaal, F	Lovers Leap	Article	The Complete artintact
1995	Smith, A.	Dance and Technology III: Transcending Boundaries. Proceedings of the Third Annual Conference	Proceedings	York University
1995	Wechsler, R.	Analysis of "reversals" in the Cunningham Dance Technique. Issues concerning the perception of symmetry in dance	Conference Proceedings	Proceedings of the first International Dance and Technology Conference
1995	Egozy, E. B.	Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet	Master's Thesis	Massachusetts Institute of Technology
1995	Mulder, A.	Human Movement Tracking Technology: Resources	Technical Report	Simon Fraser University
1996	Hirano, Karl	A Review of Electronic Musical Instruments	Article	Computer Music Journal	28–30	Link
1996	Chu, Lonny	Haptic feedback in a computer music performance interface	Conference Proceedings	Proceedings of the International Computer Music Conference	57-58	Link
1996	Favilla, Stuart	Non-linear controlled mapping for gestural control of gamaka	Conference Proceedings	Proceedings of the International Computer Music Conference	89-92	Link
1996	Lippe, Cort	A look at performer/machine interaction using real-time systems	Conference Proceedings	Proceedings of the International Computer Music Conference	116-117	Link
1996	Katayose, Haruhiro and Kanamori, Tsutomu and Inokushi, Seiji	An environment for interactive art- sensor integration and applications	Conference Proceedings	Proceedings of the International Computer Music Conference	173-176	Link
1996	Tobey, Forrest and Fujinaga, Ichiro	Extraction of conducting gesture in 3D space	Conference Proceedings	Proceedings of the International Computer Music Conference	305-307	Link
1996	Vertegaal, Roel and Ungary, Tamas and Kieslinger, Michael	Towards a musician’s cockpit : Transducers, feedback and musical function	Conference Proceedings	Proceedings of the International Computer Music Conference	308-311	Link
1996	Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji	Acceleration sensor as an input device for musical environment	Conference Proceedings	Proceedings of the International Computer Music Conference	421-424	Link
1996	Lopez-Lezcano, Fernando	PadMaster : Banging on algorithms with alternative controllers	Conference Proceedings	Proceedings of the International Computer Music Conference	425-427	Link
1996	Chafe, Chris and O’Modhrain, Sile	Musical muscle memory and the Harpic display of performance nuance	Conference Proceedings	Proceedings of the International Computer Music Conference	428-431	Link
1996	Sawada, Hideyuki and Hashimoto, Shuji	Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments	Conference Proceedings	Proceedings of the International Computer Music Conference	444-447	Link
1996	Lusted, H. S. and Knapp, R. B.	Controlling Computers with Neural Signals	Article	Scientific American	58–63
1996	Risset, J. and van Duyne, S.	Real-time performance interaction with a computer-controlled acoustic piano	Article	Computer Music Journal	62–75
1996	Burdea, G.	Force and Touch Feedback for Virtual Reality	Book	John Wiley and Sons
1996	Fletcher, R.	Force Transduction Materials for Human-Technology Interfaces	Article	IBM Systems Journal	630–638
1996	Verplaetse, C.	Inertial Proprioceptive Devices: Self-Motion-Sensing Toys and Tools	Article	IBM Systems Journal	639–650
1996	Akamatsu, M. and MacKenzie, I. S.	Movement Characteristics Using a Mouse with Tactile and Force Feedback	Article	International Journal of Human-Computer Studies	483–493
1996	Almeida, A. G.	Methodologies for Design and Evaluation of Interactive Musical Interfaces	Conference Proceedings	Proceedings of the 3rd Brazilian Symposium on Computer Music	68–73
1996	Auer, V. and Maes, M. M. and Bonfim, M. C. and Wanderley, M. M. and Lamar, M. V.	3D Position Signal Acquisition System with Application in Real-Time Processing	Conference Proceedings	Proceedings of the ICSPAT ’96 - International Congress on Signal Processing Applications Technology	505–509
1996	Jacob, R. J. K.	Human-Computer Interaction: Input Devices	Article	ACM Computing Surveys	177–179
1996	Lima, G. H. T. and Maes, M. and Bonfim, M. and Lamar, M. V. and Wanderley, M. M.	Dance-Music Interface based on Ultrasound Sensors and Computers	Conference Proceedings	Proceedings of the 3rd Brazilian Symposium on Computer Music	12–16
1996	Linz, R.	Towards the Design of a Real-Time Interactive Performance Sound System	Article	Leonardo Music Journal	99–107
1996	Liu, Fang and Picard, Rosalind W	Detecting and segmenting periodic motion	Article	Media Lab Vision and Modelling TR-400, MIT
1996	Mulder, A.	Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design	Article	Leonardo Music Journal	33–40
1996	Paradiso, J. A.	The Interactive Ballon: Sensing, Actuation, and Behavior in a Common Object	Article	IBM Systems Journal	473–487
1996	Putnam, William and Knapp, R Benjamin	Input/data acquisition system design for human computer interfacing	Article	Unpublished Lecture Notes, October
1996	Roads, C.	The Computer Music Tutorial	Book	The MIT Press
1996	Smith, J. R.	Field Mice: Extracting Hand Geometry from Electric Field Measurements	Article	IBM Systems Journal	587–608
1996	Vertegaal, R. and Eaglestone, B.	Comparison of Input Devices in an ISEE Direct Timbre Manipulation Task	Article	Interacting with Computers	113–30
1996	Zhai, S. and Milgram, P. and Buxton, W.	The Influence of Muscle Groups on Performance of Multiple Degree-of-Freedom Input	Conference Proceedings	Proceedings of the CHI’96 Conference on Human factors in Computing Systems	308–315
1996	Kramer, G.	Mapping a single data stream to multiple auditory variables: A subjective approach to creating a compelling design	Conference Proceedings	Proceedings of International Conference on Auditory Display - ICAD’96
1996	Puckette, M.	Pure Data: Another Integrated Computer Music Environment	Conference Proceedings	Proceedings of the Second Intercollege Computer Music Concerts	37–41
1996	Essa, I. and Basu, S. and Darrell, T. and Pentland, A.	Modeling, tracking and interactive animation of faces and heads using input from video	Conference Proceedings	Proceedings of Computer Animation ’96 Conference
1996	Fassler, M.	Mediale Interaktion	Book	Fink Verlag
1996	Matuck, A.	Tele-transmissão no contexto artístico; Perspectivas da televisão interativa; Telemática e interatividade; Crítica ao futuro iminente	Book Section/Chapter	O potencial dialógico da televisão - Comunicação e arte na perspectiva do receptor
1996	Moser, M. and MacLeod, D.	Immersed in Technology: Art and Virtual Environments	Book	MIT Press
1996	Reaney, M.	Virtual scenography: The actor, audience, computer interface	Article	Theatre Design and Technology	36–43
1996	Mulder, A.	Hand Gestures for HCI	Technical Report	Simon Fraser University
1996	Keyson, D. V.	Touch in User Interface Navigation	PhD Thesis	Technische Universiteit Eindhoven
1996	Marrin, T. A.	Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton	Master's Thesis	Massachusetts Institute of Technology
1996	Métois, E.	Musical Sound Information: Musical Gestures and Embedding Systems	PhD Thesis	MIT Media Lab
1997	Kroepfl, Francisco	Electronic Music: From Analog Control to Computers	Article	Computer Music Journal	26–28	Link
1997	Paradiso, Joseph A. and Gershenfeld, Neil	Musical Applications of Electric Field Sensing	Article	Computer Music Journal	69–89	Link
1997	Orio, Nicola	A gesture interface controlled by the oral cavity	Conference Proceedings	Proceedings of the International Computer Music Conference	141-144	Link
1997	Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji	Sounds in hands	Conference Proceedings	Proceedings of the International Computer Music Conference	309-312
1997	Marrin, Teresa and Paradiso, Joseph	The digital baton : a versatile performance instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	313-316	Link
1997	O’Modhrain, Maura Sile	Feel the music : narration in touch and sound	Conference Proceedings	Proceedings of the International Computer Music Conference	321-324	Link
1997	Haken, Lippold and Fitz, Kelly and Tellman, Ed and Wolfe, Patrick and Christensen, Paul	A continous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators	Conference Proceedings	Proceedings of the International Computer Music Conference	375-378	Link
1997	Wright, Matthew and Wessel, David and Freed, Audrain	New musical control structures from standard gestual controllers	Conference Proceedings	Proceedings of the International Computer Music Conference	387-390	Link
1997	Boulanger, Richard and Mathews, Max	The 1997 Mathews’ radio baton and improvisation modes	Conference Proceedings	Proceedings of the International Computer Music Conference	395-398	Link
1997	Politis, Dionysios V. and Tsoukalas, Ioannis A. and Linardis, Panagiotis and Bakalakos, Alexandros	VIDI – a voice instrument digital interface of Byzantine music	Conference Proceedings	Proceedings of the International Computer Music Conference	403-407	Link
1997	Bromwich, Marc Alexander	The metabone : an interactive sensory control mechanism for virtuoso trombone	Conference Proceedings	Proceedings of the International Computer Music Conference	473-475	Link
1997	Katayose, Haruhiro and Shirakabe, Hirotsugu and Kanamori, Tsutomu and Inokuchi, Seiji	A toolkit for interactive digital art	Conference Proceedings	Proceedings of the International Computer Music Conference	476-478	Link
1997	Sawada, H. and Onoe, N. and Hashimoto, S.	Sounds in Hands - a Sound Modifier using Datagloves and Twiddle Interface	Conference Proceedings	Proceedings of the International Computer Music Conference	309–312	Link
1997	Tarabella, L.	Studio Report of the Computer Music Lab of CNUCE/C.N.R.	Conference Proceedings	Proceedings of the International Computer Music Conference	86–88
1997	Chadabe, J.	Electric sound - the past and promise of electronic music	Book	Prentice Hall
1997	Zannos, I. and Modler, P. and Naoi, K.	Gesture Controlled Music Performance in a Real-Time Network	Conference Proceedings	Proceedings of KANSEI - The Technology of Emotion Workshop	60–63
1997	Carr, J. J.	Electronic Circuit Guidebook. Volume 1: Sensors	Book	Prompt Publications – Howard W. Sams & Company
1997	Paradiso, J.	Electronic Music: New Ways to play	Article	IEEE Spectrum	18–30
1997	Accot, J. and Zhai, S.	Beyond Fitts’ Law: Models for Trajectory-Based HCI Tasks	Conference Proceedings	Proceedings of the 1997 ACM Conference on Human Factors in Computing Systems	295–302
1997	Balakrishnan, R. and MacKenzie, I. S.	Performance Differences in the Fingers, Wrist and Forearm in Computer Input Control	Conference Proceedings	Proceedings of the CHI’97 Conference on Human factors in Computing Systems	303–310
1997	Borchers, J. O.	WorldBeat: Designing a Baton-Based Interface for an Interactive Music Exhibit	Conference Proceedings	Proceedings of the CHI’97 Conference on Human Factors in Computing Systems	131–138
1997	Camurri, A.	Network Models for Music and Motor Control	Book Section/Chapter	Self-Organization, Computational Maps and Motor Control
1997	Choi, I. and Ricii, C.	Foot-Mounted Gesture Detection and its Application in Virtual Environments	Conference Proceedings	Proceedings of the IEEE International Conference on Systems, Man and Cybernetics
1997	Favilla, S.	Real-time Control of Synthesis Parameters for LightHarp MIDI Controller	Conference Proceedings	Proceedings of the 1997 ACMA Conference
1997	Fitzmaurice, G. W. and Buxton, W.	An Empirical Evaluation of Graspable User Interfaces: towards specialized, space-multiplexed input	Conference Proceedings	Proceedings of the CHI’97 Conference on Human factors in Computing Systems	43–50
1997	Hinckley, K. and Pausch, R. and Proffitt, D. and Patten, J. and Kassell, N.	Cooperative Bimanual Action	Conference Proceedings	Proceedings of the CHI’97 Conference on Human Factors in Computing Systems	27–34
1997	Marrin, T. A.	Possibilities for the Digital Baton as a General-Purpose Gestural Interface	Conference Proceedings	Proceedings of the CHI’97 Conference on Human factors in Computing Systems	311–312
1997	Mulder, A. and Fels, S. and Mase, K.	Empty-Handed Gesture Analysis in Max/FTS	Conference Proceedings	Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop	87–91
1997	Mulder, A. and Fels, S. and Mase, K.	Mapping Virtual Object Manipulation to Sound Variation	Article	IPSJ SIG notes	63–68
1997	Rovan, J. and Wanderley, M. and Dubnov, S. and Depalle, P.	Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance	Conference Proceedings	Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop	68–73
1997	Tarabella, L. and Bertini, G.	Original Gesture Interfaces for Live Interactive Multimedia Performances	Conference Proceedings	Proceedings of the Journées d’Informatique Musicale	41–45
1997	Kieslinger, M. and Ungvary, T.	Aspects of Visualizing Information for a Realtime Hypermedia Musical Environment	Book Section/Chapter	Multimedia Technology and Applications
1997	Modler, P. and Zannos, I.	Emotional Aspects of Gesture Recognition by a Neural Network, using Dedicated Input Devices	Conference Proceedings	Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop	79–86
1997	Biocca, F.	Cyborg’s dilemma: Progressive embodiment in virtual environments	Article	Journal of Computer Mediated-Communication
1997	Biocca, F	Presence of mind in virtual environments,"	Conference Proceedings	Second International Conference on Cognitive Technology, CT97 Humanising the Information Age
1997	Dinkla, S.	Pioniere interaktiver Kunst	Book	Cantz Verlag
1997	Domingues, D.	Arte no Séc. XXI: A Humanização das Tecnologias	Book	Ed. da Unesp
1997	Hünnekens, A.	Der bewegte Betrachter. Theorien der Interaktiven Medienkunst	Book	Wienand
1997	Levy, P.	Cyberculture: Rapport au Conseil de l’Europe dans le cadre du projet Nouvelles technologies: cooperation culturelle et communication	Book	Odile Jacob
1997	Morse, M.	Hardware, Software, Artware: Confluence of Art and Technology–Art Practice at the ZKM Institute for Visual Media	Book	ZKM
1997	Naugle, L. and Iris, G.	A University Dance Course in Cyberspace: The Telelearning Experience	Article	Journal of Distance Education
1997	Paradiso, J. and Hu, E.	Expressive Footwear for Computer-Augmented Dance Performance	Conference Proceedings	Proc. of the Int. Symp. on Wearable Computers	165–166
1997	Paradiso, J. and Abler, C. and Hsiao, K. and Reynolds, M.	The Magic Carpet: Physical Sensing for Immersive Environments	Conference Proceedings	CHI ’97 Extended Abstracts on Human Factors in Computing Systems	277–278
1997	Prado, G.	Cronologias de experiências artísticas nas redes de telecomunicações	Article	Trilhas	77–103
1997	Wechsler, R.	Computers and Art: a Dancer’s Perspective	Article	IEEE Technology and Society Magazine
1997	Wechsler, R.	Computer im Tanz: Medium oder Werkzeug?	Article	Ballett International
1997	Wechsler, R.	O Body Swayed to Music… (and vise versa)	Article	Leonardo Magazine
1997	Winkler, T.	Creating Interactive Dance with the Very Nervous System	Conference Proceedings	Proceedings of the 1997 Connecticut College Symposium on Art and Technology
1997	Bobick, A.	Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion	Technical Report	MIT Media Laboratory Perceptual Computing Section
1997	Fléty, E.	Sonars à ultrasons	Technical Report	Ircam Centre Pompidou
1998	Bongers, Bert	An Interview with Sensorband	Article	Computer Music Journal	13–24	Link
1998	de Laubier, Serge	The Meta-Instrument	Article	Computer Music Journal	25–29	Link
1998	Haken, Lippold and Tellman, Ed and Wolfe, Patrick	An Indiscrete Music Keyboard	Article	Computer Music Journal	30–48	Link
1998	Siegel, Wayne and Jacobsen, Jens	The Challenges of Interactive Dance: An Overview and Case Study	Article	Computer Music Journal	29–43	Link
1998	Usa, Satoshi and Mochida, Yasunori	A multi-modal conducting simulator	Conference Proceedings	Proceedings of the International Computer Music Conference	25-32	Link
1998	Costantini, Giovanni and Giorgio, Nottoli	A new interactive performance system for real- time sound synthesis	Conference Proceedings	Proceedings of the International Computer Music Conference	33-36	Link
1998	Nagashima, Yoichi	BioSensorFusion : new interfaces for interactive multimedia art	Conference Proceedings	Proceedings of the International Computer Music Conference	129-132	Link
1998	Katayose, Haruhiro and Hirai, Shigeyuki and Kanamoni, Tsutomu	Physiological measurement of performer’s tension and its utilization for media control	Conference Proceedings	Proceedings of the International Computer Music Conference	211-214	Link
1998	Marrin, Teresa and Picard, Rosalind	The "conductor’s Jacket" : a device for recording expressive musical gestures	Conference Proceedings	Proceedings of the International Computer Music Conference	215-219	Link
1998	Freed, Adrian and Wessel, David	Communication of musical gesture using the AES/EBU digital audio standard	Conference Proceedings	Proceedings of the International Computer Music Conference	220-223	Link
1998	Wright, Matthew	Implementation and performance issues with OpenSound control	Conference Proceedings	Proceedings of the International Computer Music Conference	224-227	Link
1998	Tarabella, Leonello and Magrini, Massimo	A system for recognizing shape, position and rotation of the hands	Conference Proceedings	Proceedings of the International Computer Music Conference	288-291	Link
1998	Bromwich, Mark and Wilson-Bokowiec, Julie	Bodycoder’s : a sensor suit and vocal performance mechanism for real-time performance	Conference Proceedings	Proceedings of the International Computer Music Conference	292-295	Link
1998	Takanishi, Atsuo and Maeda, Manabu	Development of an anthropomorphic flutist robot WF-3RIV	Conference Proceedings	Proceedings of the International Computer Music Conference	328-331	Link
1998	Cook, Perry and Trueman, Daniel	NBody : interactive multidirectional musical instrument body radiation simulators, and a database of measured impulse resonses	Conference Proceedings	Proceedings of the International Computer Music Conference	353-356	Link
1998	Gamper, David and Oliveros, Pauline	Expended instrument system : recent development	Conference Proceedings	Proceedings of the International Computer Music Conference	357-360	Link
1998	Winkler, Todd	Motion-sensing music : artistic and technical challenges in two works for dance	Conference Proceedings	Proceedings of the International Computer Music Conference	471-474	Link
1998	Griffith, Niall and Fernstrom, Mikael	LiveFoot	Conference Proceedings	Proceedings of the International Computer Music Conference	475-481
1998	Hirai, Shigeyuki and Katayose, Haruhiro and Kanamori, Tsutomu	Software sensors for interactive digital art	Conference Proceedings	Proceedings of the International Computer Music Conference	514-517	Link
1998	Florens, Jean-Loup and Cadoz, Claude and Lucianni, Annie	A real-time workstation for complex physical models of multi-sensorial and gesturally controlled instrumants	Conference Proceedings	Proceedings of the International Computer Music Conference	518-526	Link
1998	Griffith, N. and Fernstrom, M.	Litefoot - a Floor Space for Recording Dance and Controlling Media	Conference Proceedings	Proceedings of the International Computer Music Conference	475–481	Link
1998	Zicarelli, D.	An Extensible Real-Time Signal Processing Environment for Max	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
1998	Winkler, T.	Composing Interactive Music. Techniques and ideas using MAX	Book	MIT Press
1998	Choi, I.	From Motion to Emotion: Synthesis of Interactivity with Gestural Primitives	Conference Proceedings	Emotional and Intelligent: The Tangled Knot of Cognition, AAAI Fall Symposium	22–25
1998	Goldstein, M.	Gestural Coherence and Musical Interaction Design	Conference Proceedings	Proceedings of IEEE Systems, Man and Cybernetics Conference
1998	Bongers, B.	Tactual display of sound properties in electronic musical instruments	Article	Displays	129–133
1998	Artaud, A.	Big Briar Wavefront. Ethervox and Travel case theremins provide gestural MIDI control	Article	Electronic Musician	120–128
1998	Borchers, J. O. and Muhlheuser, M.	Design Patterns for Interactive Musical Systems	Article	IEEE Multimedia	36–46
1998	Fels, S. and Nishimoto, K. and Mase, K.	MusiKalscope: A Graphical Musical Instrument	Article	IEEE Multimedia	26–35
1998	Fléty, E. and Serra, M.-H.	Utilisations récentes de capteurs gestuels en création musicale à l’Ircam	Conference Proceedings	Proceedings of the Journées d’Informatique Musicale	D3-1–D3-4
1998	Harrison, B. L. and Fishkin, K. P. and Gujar, A. and Mochon, C. and Want, R.	Squeeze Me, Hold Me, Tilt Me! An Exploration of Manipulative User Interfaces	Conference Proceedings	Proceedings of the CHI’98 Conference on Human Factors in Computing Systems	17–24
1998	Hashimoto, S. and Sawada, H.	Musical Performance Control Using Gesture: Toward Kansei Technology for Art	Book Section/Chapter	Controlling Creative Processes in Music	93–106
1998	Hinckley, K. and Czerwinski, M. and Sinclair, M.	Interaction and Modeling Techniques for Desktop Two-Handed Input	Conference Proceedings	Proceedings of the UIST’98	49–58
1998	Hinckley, K. and Pausch, R. and Proffitt, D. and Kassell, N.	Two-Handed Virtual Manipulation	Article	ACM Transactions on Computer-Human Interaction	260–302
1998	Hummels, C. and Smets, G. and Overbeeke, K.	An Intuitive Two-Handed Gestural interface for Computer Supported Product Design	Conference Proceedings	Gesture and Sign Language in Human-Computer Interaction, Proceedings of the II Gesture Workshop	197–208
1998	Marrin, T. A. and Picard, R.	The Conductor’s Jacket: a Testbed for Research on Gestural and Affective Expression	Conference Proceedings	Proceedings of the XII Colloquium for Musical Informatics
1998	Menzies, D. and Howard, D.	The CyberWhistle: An Instrument For Live Performance	Conference Proceedings	Proceedings of the XII Colloquium for Musical Informatics
1998	Mihalic, A.	Pédalophone	Conference Proceedings	Proceedings of the Journées d’Informatique Musicale	D4-1–D4-13
1998	Mulder, A. and Fels, S.	Sound Sculpting: Manipulating Sound through Virtual Sculpting	Conference Proceedings	Proceedings of the 1998 Western Computer Graphics Symposium	15–23
1998	Mulder, A. and Fels, S.	Sound Sculpting: Performing with Virtual Musical Instruments	Conference Proceedings	Proceedings of the Fifth Brazilian Symposium on Computer Music	151–164
1998	Naugle, L.	Digital Dancing	Article	IEEE Multimedia	8–12
1998	Ungvary, T. and Vertegaal, R.	The SensOrg: A Musical Cyberinstrument with a Cognitive Ergonomical Touch	Conference Proceedings	Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98)	1066–1071
1998	Yokono, J. and Hashimoto, S.	Center of Gravity Sensing for Motion Interface	Conference Proceedings	Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98)	1113–1118
1998	Modler, P.	Interactive Control of Musical Structures by Hand Gestures	Conference Proceedings	Proceedings of the Fifth Brazilian Symposium on Computer Music	143–150
1998	Ungvary, T. and Kieslinger, M.	Creative and Interpretative Process milieu for Live-Computer music with the Sentograph	Book Section/Chapter	Controlling Creative Processes in Music	173–227
1998	Wanderley, M. and Schnell, N. and Rovan, J. B.	Escher - Modeling and Performing Composed Instruments in Real-Time	Conference Proceedings	Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98)	1080–1084
1998	Porcaro, N. and Jaffe, D. and Scandalis, P. and Smith, J. and Stilson, T. and Duyne, S. V.	SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms	Article	Computer Music Journal	35–43
1998	Ascott, R.	Art & Telematics: Toward the Construction of New Aesthetics	Book	NTT Publishing Co.
1998	Birringer, J.	Media and Performance: along the border	Book	Johns Hopkins
1998	Cunningham, H.	Digital Culture – the View from the Dance Floor	Book Section/Chapter	Digital Diversions: Youth Culture in the Age of Multimedia
1998	Naugle, L.	The Cassandra Project: In the Mediascape of the Internet	Conference Proceedings	Proceedings of the 31st Annual Conference Congress on Research in Dance	101–108
1998	Naugle, L.	Internet Performance: Reflections on Dancing in Cyberspace	Conference Proceedings	Proceedings of the Multimedia Technology and Applications Conference	14–18
1998	Paradiso, J. and Hu, E. and Hsiao, K.	Instrumented Footwear for Interactive Dance	Conference Proceedings	Proceedings of the XII Colloquium on Musical Informatics	89–92
1998	Wechsler, R. and Zwiauer, H.	Computer und Tanz	Article	Der Tanz der Dinge
1998	Wechsler, R. and Zwiauer, H.	Computers and Dance: Back to the Future?	Article	Dance Research Journal
1998	Wechsler, R.	Symmetrie und Tanz	Article	Tanz Aktuell
1998	Wood, J.	The Virtual Embodied: Presence, Practice, Technology	Book	Routledge
1998	Mulder, A.	Design of Virtual Three-Dimensional Instruments for Sound Control	PhD Thesis	Simon Fraser University
1998	Orio, N.	Progetto di un controllore gestuale azionato dal cavo orale	Master's Thesis	Università di Padova, Italy
1998	Buescher, M. and O’Brien, J. and Hughes, J.	Interaction and Presence in Shared Electronic Environments (Fieldwork at ZKM)	Technical Report	Lancaster University
1999	Hsiao, Kai-yuh and Paradiso, Joseph	A new continuous multimodal musical controller using wireless magnetic tags	Conference Proceedings	Proceedings of the International Computer Music Conference	24-27	Link
1999	Modler, Paul and Kirk, Ross	Evaluation of architecture for sound generation systems with respect to interactive gestural control and realtime performance	Conference Proceedings	Proceedings of the International Computer Music Conference	28-31	Link
1999	Yoichi, Nagashima and Tamami, Tono-Ito	"It’s SHO time"	Conference Proceedings	Proceedings of the International Computer Music Conference	32-35
1999	Ritis, Anthony De	Cathedral : an interactive work for the web	Conference Proceedings	Proceedings of the International Computer Music Conference	224-227	Link
1999	Ystad, Solvi and Voinier, Thierry	Design of a flute interface to control synthesis models	Conference Proceedings	Proceedings of the International Computer Music Conference	228-231	Link
1999	Trueman, Den and Cook, Perry	BoSSA : the deconstructed violin reconstructed	Conference Proceedings	Proceedings of the International Computer Music Conference	232-239	Link
1999	Garnett, Guy and Goudeseume, Camille	Performance factors in control of hight- dimentional spaces	Conference Proceedings	Proceedings of the International Computer Music Conference	268-271	Link
1999	Siegel, Wayne and Jacobsen, Jens	Composing for the digital dance interface	Conference Proceedings	Proceedings of the International Computer Music Conference	276-277	Link
1999	Ilmonen, Tommi and Takala, Tapio	Conductor following with artificial neural networks	Conference Proceedings	Proceedings of the International Computer Music Conference	367-370	Link
1999	Garnett, Guy and Malvar-Ruiz, Fernando and Stoltzfus, Fred	Virtual conducting practice environment	Conference Proceedings	Proceedings of the International Computer Music Conference	371-374	Link
1999	Serafin, Stefania and Rodet, Xavier and Dudas, Richard and Wanderley, Marcelo	Gestural control of a real-time physical model of a bowed string instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	375-378	Link
1999	Orio, Nicola	The timbre space of the classical guitar and its relationship with the plucking techniques	Conference Proceedings	Proceedings of the International Computer Music Conference	391-394	Link
1999	Suzuki, Kenji and Ohashi, Takeshi and Hashimoto, Shuji	Interactive multimodal mobile robot for musical performance	Conference Proceedings	Proceedings of the International Computer Music Conference	407-410	Link
1999	Wanderley, Marcelo and Depalle, Philippe and Warufel, Olivier	Improving instrumental sound synthesis by modeling the effects of performer gesture	Conference Proceedings	Proceedings of the International Computer Music Conference	418-421	Link
1999	Chu, Lonny	MusiCloth : a design methodology for the development of a performance interface	Conference Proceedings	Proceedings of the International Computer Music Conference	449-452	Link
1999	Paradiso, Joseph and Hu, Eric and Hsiao, Kai-Yuh	Interactive music for instrumented dancing shoes	Conference Proceedings	Proceedings of the International Computer Music Conference	453-456	Link
1999	Tanaka, Atau	Network audio performance and installation	Conference Proceedings	Proceedings of the International Computer Music Conference	519-522	Link
1999	Nagashima, Y. and Tanami, T.-I.	It’s SHO time - An Interactive Environment for SHO (Sheng) Performance	Conference Proceedings	Proceedings of the International Computer Music Conference	32–35	Link
1999	Ungvary, T. and Vertegaal, R.	The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument	Conference Proceedings	Proceedings of the International Computer Music Conference	363–366	Link
1999	Appleton, J.	Reflections of a former perfomer of electroacoustic music	Article	Contemporary Music Review	5–8
1999	Chadabe, J.	The performer is us	Article	Contemporary Music Review	25–30
1999	Chafe, C.	Interplay(er) machines	Article	Contemporary Music Review	89–97
1999	Chusid, I.	Beethoven-in-a-Box: Raymond Scott’s Electronium	Article	Contemporary Music Review	9–14
1999	Eaton, J.	This is an instrument!	Article	Contemporary Music Review	21–24
1999	Harvey, J.	The metaphysics of live electronics	Article	Contemporary Music Review	79–82
1999	Lewis, G.	Interacting with latter-day musical	Article	Contemporary Music Review	99–112
1999	Risset, J. C.	Composing in real-time?	Article	Contemporary Music Review	31–39
1999	Risset, J.-C.	Nouveaux gestes musicaux: quelques points de repère historiques	Book Section/Chapter	Les nouveaux gestes de la musique	19–33
1999	Rowe, R.	The aesthetics of interactive music systems	Article	Contemporary Music Review	83–87
1999	Stroppa, M.	Live electronics or… live music? Towards a critique of interaction	Article	Contemporary Music Review	41–77
1999	Subotnick, M.	The use of computer technology in an interactive or ’real-time’ performance environment	Article	Contemporary Music Review	113–117
1999	Theremin, L.	Recollections	Article	Contemporary Music Review	15–19
1999	Vinet, H. and Delalande, F.	Interfaces homme-machine et création musicale	Book	Hermes Science Publications
1999	Waisvisz, M.	Riding the Sphinx - lines about ’live’	Article	Contemporary Music Review	119–126
1999	Camurri, A.	Music content processing and multimedia: Case studies and emerging applications of intelligent interactive systems	Article	Journal of New Music Research	351–363
1999	Paradiso, J.	The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance	Article	Journal of New Music Research	130
1999	Accot, J. and Zhai, S.	Performance Evaluation of Input Devices in Trajectory-based Tasks: An Application of The Steering Law	Conference Proceedings	Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems	466–472
1999	Bongers, B.	Exploring Novel Ways of Interaction in Musical Performance	Conference Proceedings	Proceedings of the Creativity & Cognition Conference	76–81
1999	Genevois, H. and de Vivo, R.	Les nouveaux gestes de la musique	Book	Editions Parenthèses
1999	Genevois, H.	Geste et pensée musicale: de l’outil à l’instrument	Book Section/Chapter	Les nouveaux gestes de la musique	35–45
1999	Guiard, Y. and Beaudouin-Lafon, M. and Mottet, D.	Navigation as a Multiscale Pointing: Extending Fitts’ Model to very high Precision Tasks	Conference Proceedings	Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems	450–457
1999	Hunt, A. and Kirk, R.	Radical User Interfaces for Real-time Control	Conference Proceedings	Proceedings of the Euromicro Conference
1999	de Laubier, S.	Le Méta-Instrument a-t-il un son? Emergence de lois ou de constantes dans le développement d’instruments virtuels	Book Section/Chapter	Les nouveaux gestes de la musique	151–156
1999	Orio, N.	A Model for Human-Computer Interaction Based on the Recognition of Musical Gestures	Conference Proceedings	Proceedings of the 1999 IEEE International Conference on Systems, Man and Cybernetics	333–338
1999	Pottier, L.	Contrôle interactif d’une voix chantée de synthèse	Book Section/Chapter	Les nouveaux gestes de la musique	175–180
1999	Toulemonde, O. and Möenne-Loccoz, P. and Donzel-Gargand, B.	Des nouvelles lutheries informatiques	Book Section/Chapter	Les nouveaux gestes de la musique	169–174
1999	Wanderley, M. M. and Depalle, P.	Contrôle Gestuel de la Synthèse Sonore	Book Section/Chapter	Interfaces Homme-Machine et Création Musicale	145–163
1999	Anderson, T.	Using Music Performance Software with Flexible Control Interfaces for Live Performance by Severely Disabled Musicians	Conference Proceedings	Proceedings of the 25th EUROMICRO Conference	20–27
1999	Déchelle, F. and Borghesi, R. and Cecco, M. D. and Maggi, E. and Rovan, B. and Schnell, N.	jMax: An Environment for Real-Time Musical Applications	Article	Computer Music Journal	50–58
1999	Manning, P. D.	The evolution of interactive graphical control interfaces for music applications	Article	Organised Sound	45–59
1999	Albertini, R.	Technological Rituals. Stories from the Annenberg Dialogues	Book	Annenberg Center for Communications
1999	Ascott, R.	Reframing Consciousness: Art, Mind and Technology	Book	Intellect Books
1999	Birringer, J.	Contemporary Performance/Technology	Article	Theatre Journal	361–81
1999	Bolter, J. D. and Grusin, R.	Remediation: Understanding New Media	Book	MIT Press
1999	Brickwood, C. and others	New Media Culture in Europe	Book	DeBalle and the Virtual Platform
1999	Camurri, A. and Hashimoto, S. and Suzuki, K. and Trocca, R.	KANSEI analysis of dance performance	Conference Proceedings	Proceedings of the 1999 IEEE Intl Conf on Systems Man and Cybernetics SMC’99, Tokyo
1999	Grau, O.	The history of telepresence: automata, illusion, and the rejection of the body	Book Section/Chapter	The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet	94–99
1999	Loveless, Richard and Goodman, Lizbeth	Utterance 6 Live and Media Performance—the Next Frontier	Article	Performance Research	72–77
1999	Lunenfeld, P.	The Digital Dialectic: New Essays on New Media	Book	MIT Press
1999	Naugle, L. and Claudia, G.	Reconstructing a Late Work of Hanya Holm: Stage Success and Electronic Heartache	Conference Proceedings	Proceedings of the Society of Dance History Scholars	63–67
1999	Paradiso, J. and Hu, E. and Hsiao, K.	The CyberShoe: A Wireless Multisensor Interface for a Dancer’s Feet	Conference Proceedings	Proc. Intl. Dance and Technology 99
1999	Siegel, W.	The Digital Dance Interface	Conference Proceedings	Proceedings of the Interantional Music Conference
1999	Smith, A.	Dance and Technology IV. Proceedings of the Fourth Annual Conference	Proceedings	Arizona State University
1999	Wechsler, R. and Zwiauer, H.	Les ordinateurs et la danse: retour vers l’avenier?	Article	Nouvelles de Danse	40–41
1999	Battier, M.	Aesthetics of Live Electronic Music	Book
1999	Hunt, A.	Radical User Interfaces for Real-time Musical Control	PhD Thesis	University of York UK
1999	Menzies, D.	New Performance Instruments for Electroacoustic Music	PhD Thesis	University of York UK
1999	Vigier, F.	Étude et réalisation de dispositifs de captation du jeu instrumental	Technical Report	Ircam - Centre Pompidou/ENSEA
1999	Viollet, J. P.	Étude de Dispositifs de Contrôle Gestuel de la Synthèse Sonore	Technical Report	École Nationale Supérieure des Télécommunications de Paris
1999	Siegel, W.	Two Compositions for Interactive Dance	Technical Report	The Danish Institute of Electroacoustic Music DIEM. Musikhuset. DK-8000 C, Aarhus, Denmark
2000	Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Ricci, Andrea and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero	EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems	Article	Computer Music Journal	57–69	Link
2000	Battier, Marc	Electronic Music and Gesture	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Dudon, Jacques and Arfib, Daniel	Photosonic Disk: Interactions between Graphic Research and Gestural Controls	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Chadabe, Joel	Devices I Have Known and Loved	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Auzet, Roland	Gesture-following Devices for Percussionists	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Cadoz, Claude and Wanderley, Marcelo M.	Gesture – Music	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	de Laubier, Serge	The Méta-instrument: How the Project Started	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Serafin, Stefania and Dudas, Richard	An Alternative Controller for a Virtual Bowed String Instrument	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Goldstein, Michael	Playing Electronics with Mallets: Extending the Gestural Possibilities	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Goto, S.	Virtual Musical Instruments: Technological Aspects and Interactive Performance Issues	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Iazzetta, Fernando	Meaning in Musical Gesture	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Marrin Nakra, Teresa	Searching for Meaning in Gestural Data: Interpretive Feature Extraction and Signal Processing for Affective and Expressive Content	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Pottier, Laurent and Stalla, Olivier	Interpretation and Space	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Rovan, Joseph and Hayward, Vincent	Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Tarabella, Luca	Gestural and Visual Approaches to Performance	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Ungvary, Tamas and Vertegaal, Roel	Cognition and Physicality in Musical CyberInstruments	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	O’Modhrain, M. Sile and Srafin, Stefania and Chafe, Chris and Smith, Julius O.	Qualitative and quantitative assessment of a virtual bowed string instrument	Conference Proceedings	Proceedings of the International Computer Music Conference	66-69	Link
2000	Winkler, Todd	Participation and response in movement-sensing installations	Conference Proceedings	Proceedings of the International Computer Music Conference	137-140	Link
2000	Choi, Insook and Zheng, Geoffrey and Cheng, Ken	Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system	Conference Proceedings	Proceedings of the International Computer Music Conference	141-144	Link
2000	O’Modhrain, M. Sile and Chafe, Chris	The performer-instrument interaction : a sensory motor perspective	Conference Proceedings	Proceedings of the International Computer Music Conference	145-148	Link
2000	Wanderley, Marcelo M. and Isart, Jean-Philippe Viollet Fabrice and Rodet, Xavier	On the choice of transducer technologies for specific musical functions	Conference Proceedings	Proceedings of the International Computer Music Conference	244-247	Link
2000	Trueman, Dan and Bahn, Curtis and Cook, Perry R.	Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs)	Conference Proceedings	Proceedings of the International Computer Music Conference	248-251	Link
2000	Camurri, Antonio and Coletta, Paolo and Peri, Massimiliano and Ricchetti, Matteo and Ricci, Andrea and Trocca, Riccardo and Volpe, Gualtiero	A real-time platform for interactive dance and music systems	Conference Proceedings	Proceedings of the International Computer Music Conference	262-265	Link
2000	Nichols, Charles	The vBow : a haptic musical controller human-computer interface	Conference Proceedings	Proceedings of the International Computer Music Conference	274-276	Link
2000	Paradiso, Joseph A. and Hsio, Kai-Yuh and Strickon, Joshua and Rice, Peter	New sensor and music systems for large interactive surfaces	Conference Proceedings	Proceedings of the International Computer Music Conference	277-280	Link
2000	Ng, Kia and Popat, Sita and Ong, Bee and Stefani, Ewan and Ppat, Kris and Cooper, David	Trans- domain mapping : areal-time interactive system for motion acquisition and musical mapping	Conference Proceedings	Proceedings of the International Computer Music Conference	485-488	Link
2000	Smirnov, Andrei	Music and gesture : sensor technologies in interactive music and the Theremin based space control systems	Conference Proceedings	Proceedings of the International Computer Music Conference	511-514	Link
2000	Freed, Adrian and Avizienis, Rimas	A new music Keyboard with continous key-position sensing and high-speed communication	Conference Proceedings	Proceedings of the International Computer Music Conference	515-516	Link
2000	Cook, Perry R. and Leider, Colby N.	SqueezeVox : a new controller for vocal synthesis models	Conference Proceedings	Proceedings of the International Computer Music Conference	519-522	Link
2000	Suzuki, Kenji and Tabe, Keishiro and Hashimoto, Shuji	A mobile robot platform for music and dance performance	Conference Proceedings	Proceedings of the International Computer Music Conference	539-542	Link
2000	Freed, Adrian and Isvan, Osman	Musical applications of new, multi-axis guitar string sensors	Conference Proceedings	Proceedings of the International Computer Music Conference	543-546	Link
2000	Yonezawa, Tomoko and Mase, Kenji	Tangible sound : musical instrument using fluid media	Conference Proceedings	Proceedings of the International Computer Music Conference	551-554	Link
2000	Boulanger, R. and Choi, Y. J. and Castelli, L.	Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System	Conference Proceedings	Proceedings of the International Computer Music Conference	547–550	Link
2000	Hunt, A. and Wanderley, M. M. and Kirk, R.	Towards a Model for Instrumental Mapping for Expert Musical Performance	Conference Proceedings	Proceedings of the International Computer Music Conference	209–212	Link
2000	Kuivila, R.	Forests and Trees: Distinguishing Many from Few with a Video Camera	Conference Proceedings	Proceedings of the International Computer Music Conference	281–283	Link
2000	Wasserman, K. C. and Blanchard, M. and Bernardet, U. and Manzolli, J. and Verschure, P.	Roboser - An Autonomous Interactive Musical Composition System	Conference Proceedings	Proceedings of the International Computer Music Conference	535–538	Link
2000	Cerana, C.	Gesture Control of Musical processes: A MAX Environment for Buchla’s Lightning	Article	Organised Sound	3–7
2000	Cronkite, D.	Mediating Gesture: An Interactive Approach to Computer-Assisted Music	Article	Musicworks: Explorations in Sound	20
2000	Fléty, E.	3D Gesture Acquisition Using Ultrasonic Sensors	Book Section/Chapter	Trends in Gestural Control of Music	193–208	Link
2000	Mulder, A.	Toward a choice of gestural constraints for instrumental performers	Book Section/Chapter	Trends in Gestural Control of Music	315–335
2000	Tanaka, A.	Musical Performance Practice on Sensor-Based Instruments	Book Section/Chapter	Trends in Gestural Control of Music	389–406	Link
2000	Ungvary, T. and Vertegaal, R.	Designing Musical Cyberinstruments with body and soul in mind	Article	Journal of New Music Research	245–255
2000	Bongers, B.	Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Vecchi, F. and Freschi, C. and Micera, S. and Sabatini, A. M. and Dario, P. and Sacchetti, R.	Experimental Evaluation of Two Commercial Force Sensors for Applications in Biomechanics and Motor Control	Conference Proceedings	Proceedings of the 5th Annual Conference of the International Functional Electrical Stimulation Society
2000	Blaine, T. and Perkis, T.	The Jam-O-Drum Interactive Music System: A Study in Interaction Design	Conference Proceedings	Proceedings of the ACM Symposium on Designing Interactive Systems	165–173
2000	Buchla, D. and Buxton, W. and Chafe, C. and Machover, T. and Matthews, M. V. and Moog, R. and Risset, J.-C. and Sonami, L. and Waisvisz, M.	Round Table	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Hunt, A. and Kirk, R.	Mapping Strategies for Musical Performance	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Wanderley, M. M. and Battier, M.	Trends in Gestural Control of Music	Book	Ircam - Centre Pompidou
2000	Choi, I.	A Manifold Interface for Kinesthetic Notation for High-Dimensional Systems	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Modler, P.	Neural Networks for Mapping Gestures to Sound Synthesis Parameters	Book Section/Chapter	Trends in Gestural Control of Music		Link
2000	Rovan, J. and Wechsler, R.	The Multi-Dimensional Mapping of Movement-to-Sound within an Integrated Eyecon and Max Environment. Performance of "Seine Hohle Form..."	Conference Proceedings	Proc. of the 10e Symposium International des Arts Electroniques, ISEA 2000
2000	Bouwer, J.	Machine Times	Book	V2_ and NAI Publishers
2000	Brandstetter, G. and Voelkers, H.	ReMembering the Body	Book	Cantz
2000	Goldberg, K.	The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet	Book	MIT Press
2000	Menache, A.	Understanding Motion Capture for Computer Animation and Video Games	Book	Academic Press
2000	Paradiso, J. and others	Design and Implementation of Expressive Footwear	Article	IBM Systems Journal	511–529
2000	Suzuki, R. and Iwadate, Y. and Inoue, M. and Woo, W.	MIDAS: MIC Interactive Dance System	Conference Proceedings	Proc. IEEE Int’l Conf. Systems, Man, and Cybernetics	751–756
2000	Tanzi, Dante	Time, proximity and meaning on the net	Article	CTheory	3–8
2000	Arfib, D. and Kessous, L.	From ’Music V’ to ’creative gestures in computer music’	Conference Proceedings	Proceedings of the VII Brazilian Symposium on Computer Music (SBCM 2000), Curitiba, Brazil		Link
2000	Marrin (Nakra), T. A.	Inside the Conductor’s Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gesture	PhD Thesis	Massachusetts Institute of Technology
2000	Vergez, C.	Trompette et trompettiste: un systeme dynamique non lineaire analyse, modelise et simule dans un contexte musical	PhD Thesis	Université de Paris VI
2001	Ystad, Sølvi and Voinier, Thierry	A Virtually Real Flute	Article	Computer Music Journal	13–24	Link
2001	Morales-Manzanares, Roberto and Morales, Eduardo F. and Dannenberg, Roger and Berger, Jonathan	SICIB: An Interactive Music Composition System Using Body Movements	Article	Computer Music Journal	25–36	Link
2001	Weinberg, Gil and Gan, Seum-Lim	The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument	Article	Computer Music Journal	37–45	Link
2001	Laurson, Mikael and Erkut, Cumhur and Välimäki, Vesa and Kuuskankare, Mika	Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis	Article	Computer Music Journal	38–49	Link
2001	Clozier, Christian	The Gmebaphone Concept and the Cybernéphone Instrument	Article	Computer Music Journal	81–90	Link
2001	Bahn, C. and Hahn, T. and Trueman, D.	Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Florens, J.-L. and Henry, C.	Bowed String Synthesis with Force Feedback Gesture Interaction	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Gurevich, M. and von Muehlen, S.	The Accordiatron: A Gestural Interface for Interactive Music	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Jorda, S.	Improvising with Computers: A Personal Survey (1989-2001)	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Misdariis, N. and Nicolas, F. and Warusfel, O. and Causse, R.	Radiation Control on Multi-Loudspeaker Device: La Timee	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Overholt, D.	The MATRIX: A New Musical Instrument for Interactive Performance	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Schloss, W. A. and Driessen, P.	Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Vergez, C. and Rodet, X.	Trumpet and Trumpet Player: Model and Simulation in a Musical Context	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Wright, M. and Freed, A. and Lee, A. and Madden, T. and Momeni, A.	Managing Complexity with Explicit Mapping of Gestures to Sound Control in OSC	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2001	Garnett, G. E.	The Aesthetics of Interactive Computer Music	Article	Computer Music Journal	21–33
2001	Pallàs-Areny, R. and Webster, J. G.	Sensors and Signal Conditioning	Book	Wiley Interscience
2001	Accot, J. and Zhai, S.	Scale Effects in Steering Law Tasks	Conference Proceedings	Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems	1–8
2001	Guiard, Y.	Disentangling Relative from Absolute Amplitude in Fitts’ Law Experiments	Conference Proceedings	Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems	315–316
2001	Lyons, M. J. and Tetsutani, N.	Facing the Music. A Facial Action Controlled Musical Interface	Conference Proceedings	Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems	309–310
2001	Rowe, R.	Machine Musicianship	Book	MIT Press
2001	Baumgärtel, T.	net.art 2.0. new materials towards net art	Book	Verlag für moderne Kunst
2001	Bevilacqua, F. and Naugle, L. and Valverde, I.	Virtual dance and music environment using motion capture	Conference Proceedings	IEEE Multimedia Technology and Applications Conference Proceedings
2001	Birringer, J.	Dance and New Environments	Article	Newsletter, Congress of Research in Dance
2001	Birringer, J.	The intelligent stage	Article	Performance Research	116–22
2001	Dreyfus, H.	On the Internet	Book	Routledge
2001	Gendolla, P. and Schmitz, N. and Schneider, I. and Spangenberg, P.	Formen interaktiver Medienkunst	Book	Suhrkamp
2001	LaBelle, B. and Migone, C.	Writing Aloud: The Sonics of Language	Book	Errant Bodies Press
2001	Leeker, M.	Medien, Maschinen, Performances. Theater an der Schnittstelle zu digitalen Welten	Book	Alexander Verlag
2001	Manovich, L.	The Language of New Media	Book	MIT Press
2001	Menicacci, A. and Quinz, E.	La scena digital: Nuovi media per la danza	Book	Marsilio
2001	Oosterling, H.	Hypo-critical Theatre: Holandia’s Intermedial Multiverse	Article	Performance Research	61–67
2001	Paraguai, D. and Prado, L. Gilberto	Artistic Environments of Telepresence on the World Wide Web	Article	Leonardo	437–442
2001	Saltz, D.	The Collaborative Subject: Telerobotic Performance and Identity	Article	Performance Research	70–83
2001	Scholder, A. and Crandall, J.	Interaction: Artistic Practice in the Network	Book	D.A.P.
2001	Tholen, G.	In Between: Time, Space and Image in Cross-Media Performance	Article	Performance Research	52–60
2001	Valverde, I. and Naugle, L. and Bevilacqua, F.	Embodied Shifts: Towards an experiential approach to dance-technology interfaces	Conference Proceedings	MTAC Proceeding
2001	Wanderley, M. M.	Performer-instrument interaction: Applications to gestural control of sound synthesis	PhD Thesis	Université Pierre et Marie Curie—Paris VI
2001	Goudeseune, C.	Composing with Parameters for Synthetic Instruments	PhD Thesis	University of Illinois at Urbana-Champaign
2001	Piringer, J.	Elektronische Musik und Interaktivität. Prinzipien, Konzepte, Anwendungen	Master's Thesis	Technische Universität Wien
2002	Wessel, David and Wright, Matthew	Problems and Prospects for Intimate Musical Control of Computers	Article	Computer Music Journal	11–22	Link
2002	Jorda, Sergi	FMOL: Toward User-Friendly, Sophisticated New Musical Instruments	Article	Computer Music Journal	23–39	Link
2002	Ulyate, Ryan and Bianciardi, David	The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment	Article	Computer Music Journal	40–49	Link
2002	Robson, Dominic	PLAY!: Sound Toys for Non-Musicians	Article	Computer Music Journal	50–61	Link
2002	Wanderley, Marcelo Mortensen and Orio, Nicola	Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI	Article	Computer Music Journal	62–76	Link
2002	Barbosa, A. and Kaltenbrunner, M.	Public sound objects: A shared musical space on the web	Conference Proceedings	Second International Conference on Web Delivering of Music, Proceedings
2002	Goudeseune, C.	Interpolated Mappings for Musical Instruments	Article	Organised Sound	85–96
2002	Hunt, A. and Wanderley, M.	Mapping performer parameters to synthesis engines	Article	Organised Sound	97–108
2002	Sapir, S.	Gestural Control of Digital Audio Environments	Article	Journal of New Music Research	119
2002	Paradiso, J. and Leo, C. K. and Checka, N. and Hsiao, K.	Passive Acoustic Knock Tracking for Interactive Windows	Conference Proceedings	Proceedings of the CHI’02 Conference on Human Factors in Computing Systems	732–733
2002	Arfib, D. and Couturier, J. M. and Kessous, L. and Verfaille, V.	Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces	Article	Organised Sound	127–144
2002	Burtner, M.	The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument	Article	Organised Sound	201–213
2002	Doornbusch, P.	Composers’ Views on Mapping in Algorithmic Composition	Article	Organised Sound	145–156
2002	Fels, S. and Gadd, A. and Mulder, A.	Mapping Transparency through Metaphor: towards more expressive musical instruments	Article	Organised Sound	109–126
2002	Levitin, D. and McAdams, S. and Adams, R.	Control Parameters for Musical Instruments: a foundation for new mappings of gesture to sound	Article	Organised Sound	171–189
2002	Myatt, T.	Strategies for Interaction in Construction 3	Article	Organised Sound	157–169
2002	Ng, K.	Sensing and Mapping for Interactive Performance	Article	Organised Sound	191–200
2002	Nichols, C.	The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback	Article	Organised Sound	215–220
2002	Cook, P. R.	Real Sound Synthesis for Interactive Applications	Book	A K Peters
2002	Huron, D.	Music Information Processing Using the Humdrum Toolkit: Concepts, Examples, and Lessons	Article	Computer Music Journal	11–26
2002	Barabási, A.	Linked: The New Science of Networks	Book	Perseus Publ.
2002	Birringer, J.	Dance and Digital Media	Article	Performing Arts Journal	84–93
2002	Birringer, J.	Experimentelle Tanzmedien, Interaktive Systeme	Book Section/Chapter	Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung 2002	477–98
2002	Bromberg, E. and Birringer, J.	ADAPT: Telepresent Artistic Collaborations	Article	Center for High Performance Computing Newsletter
2002	De, M. and Beatriz, M.	Arte e tecnologia na cultura contemporânea	Book	Universidade de Brasilia
2002	Evers, F. and der Velden, L. and van der Wenden, J. P.	The Art of Programming (Sonic Acts 2001 conference on digital art)	Book	Sonic Arts
2002	Glesner, J.	Web Dance: Konvergenzen zwischen Tanz und Internet?	Book Section/Chapter	Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung	509–2
2002	Grzinic, M.	Stelarc: Political Prosthesis and Knowledge of the Body	Book	Maska/MKC
2002	Lovink, G.	Dark Fibre: Tracking Critical Internet Culture	Book	MIT Press
2002	Lovink, G.	Uncanny Networks: Dialogues with the Virtual Intelligentsia	Book	MIT Press
2002	Mackenzie, A.	Transductions: Bodies and Machines at Speed	Book	Continuum
2002	Naugle, L.	Distributed Choreography in a Video-Conference Environment	Article	Performance Art Journal	56–61
2002	Popat, S. and Smith-Autard, J.	Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the User-Participant?	Article	Leonardo	31–36
2002	Preece, J. and Rogers, Y. and Sharp, H.	Interaction Design: Beyond Human-Computer Interaction	Book	John Wiley & Sons, Inc.
2002	Rieser, M. and Andrea, Z.	New Screen Media/Cinema/Art/Narrative	Book	BFI
2002	Santana, I.	Corpo Aberto: Cunningham, dança e novas tecnologias	Book	EDUC/FAPESC
2002	Seaman, B.	Recombinant Poetics: Emergent Explorations of Digital Video in Virtual Space	Book Section/Chapter	New Screen Media/Cinema/Art/Narrative	237–55
2002	Wilson, S.	Information Arts: A Survey of Art and Research at the Intersection of Art, Science, and Technology	Book	MIT Press
2002	Naugle, L.	A Study of On-line Collaborative Choreography Using Life Forms and Internet Communication	PhD Thesis	New York University, Department of Music and Performing Arts Professions, Dance Education Program
2003	Giomi, Francesco and Meacci, Damiano and Schwoon, Kilian	Live Electronics in Luciano Berio’s Music	Article	Computer Music Journal	30–46	Link
2003	Miranda, Eduardo Reck and Sharman, Ken and Kilborn, Kerry and Duncan, Alexander	On Harnessing the Electroencephalogram for the Musical Braincap	Article	Computer Music Journal	80–102	Link
2003	Wang, G. and Cook, P. R.	ChucK: A Concurrent, On-the-fly Audio Programming Language	Conference Proceedings	Proceedings of the International Computer Music Conference	219–226	Link
2003	Belet, B.	Live performance interaction for humans and machines in the early twenty-first century: One composer’s aesthetics for composition and performance practice	Article	Organised sound: An international journal of music technology	305
2003	Canazza, S. and others	An abstract control space for communication of sensory expressive intentions in music performance	Article	Journal of New Music Research	281–294
2003	Paradiso, J. and Ó Modhrain, M.	Current Trends in Electronic Music Interfaces	Article	Journal of New Music Research	345
2003	Burdea, G. and Coiffet, P.	Virtual Reality Technology	Book	John Wiley and Sons
2003	Arnold, A.	Deanimated	Book	Springer
2003	Ascott, R.	Telematic Embrace: Visionary Theories of Art, Technology and Consciousness	Book	Univ. of California
2003	Birringer, J.	Dance and Interactivity	Article	Dance Research Journal	88–111
2003	Birringer, J.	Performance Systems	Article	South African Theatre Journal	79–113
2003	Brouwer, J. and Mulder, A. and Charlton, S.	Information is Alive - Art and Theory on Archiving and Retrieving Data	Book	V2_Publishing/NAI Publishers
2003	Copier, M. and Raessens, J.	Level Up: Digital Games Research Conference	Book	Diagra/University of Utrecht
2003	Davcev, D. and Trajkovic, V. and Kalajdziski, S. and Celakoski, S.	Augmented Reality Environment for Dance Learning	Conference Proceedings	Proc. Int’l Conf. Information Technology: Research and Education	189–193
2003	Dinkla, S. and Leeker, M.	Dance and Technology / Tanz und Technologie: Moving towards Media Productions - Auf dem Weg zu medialen Inszenierungen	Book	Alexander Verlag
2003	Grau	Virtual Art: From Illusion to Immersion	Book	MIT Press
2003	Hromin, D. and Chladil, M. and Vanatta, N. and Naumann, D. and Wetzel, S. and Anjum, F. and Jain, R.	CodeBLUE: a bluetooth interactive dance club system	Conference Proceedings	GLOBECOM ’03. IEEE Global Telecommunications Conference
2003	Liestøl, G. and Morrison, A. and Rasmussen, T.	Digital Media Revisited	Book	MIT Press
2003	Malloy, J.	Women, Art & Technology	Book	MIT Press
2003	Sundén, J.	Material Virtualities: Approaching Online Textual Embodiment	Book	Peter Lang
2003	Wardrip-Fruin, N. and Montfort, N.	The New Media Reader	Book	MIT Press
2003	Isaacs, D.	Evaluating input devices for musical expression	Master's Thesis	University of Queensland
2004	Schmeder, A.	Mapping Spectral Frames to Pitch with Support Vector Machine	Conference Proceedings	Proceedings of the International Computer Music Conference		Link
2004	Katayose, H. and Okudaira, K.	iFP: A Music Interface Using an Expressive Performance Template	Conference Proceedings	Entertainment Computing - ICEC 2004	529–540
2004	Kirlik, A. and Maruyama, S.	Human-technology Interaction and Music Perception and Performance: Toward the Robust Design of Sociotechnical Systems	Article	Proceedings of the IEEE	616–631
2004	Ng, K. C.	Music via Motion: Transdomain Mapping of Motion and Sound for Interactive Performances	Article	Proceedings of the IEEE	645–655
2004	Suzuki, K. and Hashimoto, S.	Robotic Interface for Embodied Interaction Via Dance and Musical Performance	Article	Proceedings of the IEEE	656–671
2004	Fraden, J.	Handbook of Modern Sensors. Physics, Design and Applications	Book	Springer-Verlag
2004	Janocha, H.	Actuators: basics and applications	Book	Springer
2004	Nyce, D. S.	Linear Position Sensors: Theory and Application	Book	John Wiley and Sons
2004	O’Sullivan, D. and Igoe, T.	Physical computing: sensing and controlling the physical world with computers	Book	Thomson Course Technology
2004	Wanderley, M. and Depalle, P.	Gestural Control of Sound Synthesis	Article	Proceedings of the IEEE
2004	Boulanger, R.	The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming	Book	MIT Press
2004	Camurri, A. and Mazzarino, B. and Volpe, G.	Analysis of Expressive Gesture: The Eyesweb Expressive Gesture Processing Library	Conference Proceedings	Gesture-based Communication in Human-Computer Interaction, LNAI 2915	460–467
2004	Birringer, J.	Der transmediale Tanz	Book Section/Chapter	Tanz Anders Wo: Tanz intra- und interkulturell. Jahrbuch der Gesellschaft für Tanzforschung
2004	Birringer, J.	Wechselwirkung: Internationales Interaktionslabor	Book	SDV
2004	Birringer, J.	Transspacial Light and Virtual Choreography	Article	ballettanz	30–32
2004	Bromberg, E. and Birringer, J.	ADaPT: Telepresent Artistic Collaborations	Article	Interdisciplinary Humanities	87–93
2004	Buck, B. and Miller, G. and Niehaus, A. J. and Seech, A.	ADAPT (The Association for Dance and Performance Telematics): Multiple definitions of distributed performance	Conference Proceedings	Hawaii International Conference on Arts and Humanities
2004	Camurri, A. and Mazzarino, B. and Ricchetti, M. and Timmers, R. and Volpe, G.	Multimodal analysis of expressive gesture in music and dance performances	Book Section/Chapter	Gesture-based Communication in Human-Computer Interaction
2004	Feldmeier, M. and Paradiso, J.	Giveaway wireless sensors for large-group interaction	Conference Proceedings	Proceedings of CHI 2004, CHI Extended Abstracts	1291–1292
2004	Hachimura, K. and Kato, H. and Tamura, H.	A Prototype Dance Training Support System with Motion Capture and Mixed Reality Technologies	Conference Proceedings	Proc. IEEE Int’l Workshop Robot and Human Interactive Comm.	217–222
2004	Hansen, M.	New Philosophy for New Media	Book	MIT Press
2004	Mitchell, R. and Phillip, T.	Data made Flesh: Embodying Information	Book	Routledge
2004	Newman, J.	Videogames	Book	Routledge
2004	Qian, G. and Guo, F. and Ingalls, T. and Olson, L. and James, J. and Rikakis, T.	A Gesture-Driven Multimodal Interactive Dance System	Conference Proceedings	Proc. IEEE Int’l Conf. Multimedia and Expo (ICME ’04)	1579–1582
2004	Smith, J.	I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games	Article	Journal of Popular Music Studies	58–84
2004	Weschler, R. and Weiß, F. and Dowling, P.	EyeCon – A motion sensing tool for creating interactive dance, music and video projections	Conference Proceedings	Proceedings of the Society for the Study of Artificial Intelligence and the Simulation of Behavior (SSAISB)’s convention: Motion, Emotion and Cognition
2004	Wechsler, R. and Weiss, F.	Motion Sensing for Interactive Dance	Article	IEEE-Pervasive Computing, Mobile and Ubiquitous Systems
2004	Whitelaw, M.	Metacreation: Art and Artificial Life	Book	MIT Press
2005	Weinberg, Gil	Interconnected Musical Networks: Toward a Theoretical Framework	Article	Computer Music Journal	23–39	Link
2005	Manzolli, Jonatas and Verschure, Paul F. M. J.	Roboser: A Real-World Composition System	Article	Computer Music Journal	55–74	Link
2005	Dannenberg, Roger B.	Interactive Visual Music: A Personal Perspective	Article	Computer Music Journal	25–35	Link
2005	Magnusson, T.	ixi software: Open Controllers for Open Source Audio Software	Conference Proceedings	Proceedings of the International Computer Music Conference
2005	Gluck, R. J.	Sounds of a community: Cultural identity and interactive art	Article	Leonardo Music Journal	37–43
2005	Hashimoto, S. and Sawada, H.	A Grasping Device to Sense Hand Gesture for Expressive Sound Generation	Article	Journal of New Music Research	115
2005	Kapur, A. and others	Wearable sensors for real-time musical signal processing	Conference Proceedings	2005 IEEE Pacific Rim Conference on Communications, Computers and Signal Processing
2005	Leman, M. and Camurri, A.	Understanding Musical Expressiveness using Interactive Multimedia Platforms	Article	Journal of Musicae Scientiae	209–233
2005	Obrenovic, Z.	A flexible system for creating music while interacting with the computer	Conference Proceedings	13th Annual ACM International Conference on Multimedia	996–1004
2005	Tindale, A. R. and Kapur, A. and Tzanetakis, G. and Schloss, W. A.	Indirect Acquisition of Percussion Gestures Using Timbre Recognition	Conference Proceedings	Proceedings of the Conference on Interdisciplinary Musicology
2005	Weinberg, G.	Voice Networks: The Human Voice as a Creative Medium for Musical Collaboration	Article	Leonardo Music Journal	23–26
2005	Wilson, J. S.	Sensor Technology Handbook	Book	Newnes (Elsevier)
2005	Sorensen, A.	Impromptu: An Interactive Programming Environment for Composition and Performance	Conference Proceedings	Proceedings of the Australasian Computer Music Conference	149–153
2005	Alankus, G. and Bayazit, A. A. and Bayazit, O. B.	Automated Motion Synthesis for Dancing Characters: Motion Capture and Retrieval	Article	Computer Animation and Virtual Worlds	259–271
2005	Bayliss, A. and Sheridan, J. and Villar, N.	New shapes on the dance floor: influencing ambient sound and vision with computationally augmented poi	Article	International Journal of Performance Arts and Digital Media	67–82
2005	Ebeweuter, N.	Dance movement: a focus on the technology	Article	Computer Graphics and Applications, IEEE	80–83
2005	Hachimura, K. and Takashina, K. and Yoshimura, M.	Analysis and Evaluation of Dancing Movement Based on LMA	Conference Proceedings	Proc. IEEE Int’l Workshop Robots and Human Interactive Comm.	294–299
2005	Kwon, D. Y. and Cross, M.	Combining Body Sensors and Visual Sensors for Motion Training	Conference Proceedings	Proc. ACM SIGCHI	94–101
2005	Nakamura, A. and Tabata, S. and Ueda, T. and Kiyofuji, S. and Kuno, Y.	Dance Training System with Active Vibro-Devices and a Mobile Image Display	Conference Proceedings	Proc. IEEE/RSJ Int’l Conf. Intelligent Robots and Systems (IROS ’05)	3075–3080
2005	Srinivasan, P. and Birchfield, D. and Qian, G. and Kidane, A.	A pressure sensing floor for interactive media applications	Conference Proceedings	ACE ’05: Proceedings of the 2005 ACM SIGCHI International Conference on Advances in computer entertainment technology	265
2005	Birringer, Johannes	New environments for interactive dance	Technical Report	Nottingham Trent University
2006	Lee, Eric and Karrer, Thorsten and Borchers, Jan	Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams	Article	Computer Music Journal	21–36	Link
2006	Momeni, Ali and Henry, Cyrille	Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis	Article	Computer Music Journal	49–66	Link
2006	Oboe, Roberto	A Multi-Instrument, Force-Feedback Keyboard	Article	Computer Music Journal	38–52	Link
2006	Solis, Jorge and Chida, Keisuke and Taniguchi, Koichi and Hashimoto, Shinichiro Michael and Suefuji, Kei and Takanishi, Atsuo	The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist	Article	Computer Music Journal	12–27	Link
2006	Weinberg, Gil and Driscoll, Scott	Toward Robotic Musicianship	Article	Computer Music Journal	28–45	Link
2006	Overholt, D.	Musical Interaction Design with the CREATE USB Interface: Teaching HCI with CUIs instead of GUIs	Conference Proceedings	Proceedings of the International Computer Music Conference	6–11	Link
2006	Zadel, M. and Scavone, G.	Laptop Performance: Techniques, Tools, and a New Interface Design	Conference Proceedings	Proceedings of the International Computer Music Conference	643–648	Link
2006	Karjalainen, M. and Maki-patola, T. and Kanerva, A. and Huovilainen, A.	Virtual Air Guitar	Article	Journal of Audio Engineering Society	964–980
2006	Malloch, J. and Birnbaum, D. and Sinyor, E. and Wanerley, M. M.	Towards a New Conceptual Framework for Digital Musical Instruments	Conference Proceedings	Proceedings of the 9th International Conference on Digital Audio Effects	49–52
2006	Weinberg, G. and Thatcher, T.	Interactive Sonification: Aesthetics, Functionality and Performance	Article	Leonardo Music Journal	9–12
2006	Marshall, M. T. and Wanderley, M. M.	Evaluation of Sensors as Input Devices for Computer Music Interfaces	Book Section/Chapter	Computer Music Modeling and Retrieval	130–139
2006	Miranda, E. R. and Wanderley, M. M.	New digital musical instruments: control and interaction beyond the keyboard	Book	A-R Editions Inc.
2006	Pendharkar, C. and Gurevich, M. and Wyse, L.	Parameterized Morphing as a Mapping Technique for Sound Synthesis	Conference Proceedings	Proceedings of the 9th International Conference on Digital Audio Effects - DAFx-06
2006	Guedes, C.	Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch Tracking Techniques to a Video Signal	Conference Proceedings	Proceedings of the 2006 Sound and Music Computing Conference
2006	Shiratori, T. and Nakazawa, A. and Ikeuchi, K.	Dancing-To-Music Character Animation	Article	Computer Graphics Forum	449–458
2006	Yang, Z. and Yu, B. and Diankov, R. and Wu, W. and Bajscy, R.	Collaborative Dancing in Tele-Immersive Environment	Conference Proceedings	Proc. Ann. ACM Int’l Conf. Multimedia	723–726
2006	Zadel, M.	A Software System for Laptop Performance and Improvisation	Master's Thesis	McGill University
2006	Enke, U.	DanSense: Rhythmic Analysis of Dance Movements Using Acceleration-Onset Times	Master's Thesis	RWTH Aachen University
2007	Feldmeier, Mark and Paradiso, Joseph A.	An Interactive Music Environment for Large Groups with Giveaway Wireless Motion Sensors	Article	Computer Music Journal	50–67	Link
2007	Gorman, Mikhail and Lahav, Amir and Saltzman, Elliot and Betke, Margrit	A Camera-Based Music-Making Tool for Physical Rehabilitation	Article	Computer Music Journal	39–53	Link
2007	Milne, Andrew and Sethares, William and Plamondon, James	Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum	Article	Computer Music Journal	15–32	Link
2007	Maestre, E. and others	Acquisition of Violin Instrumental Gestures Using a Commercial EMF Tracking Device	Conference Proceedings	Proceedings of the International Computer Music Conference	386–393
2007	Malloch, J. and Sinclair, S. and Wanderley, M. M.	From controller to sound: Tools for collaborative development of digital musical instruments	Conference Proceedings	Proceedings of the International Computer Music Conference	65–72
2007	Bayreuther, R.	Contemporary composition as musical disciplina - The example of sound installations of Robin Minard	Article	Musiktheorie	357–364
2007	Lovischach, J.	Music at Your Fingertips: An Electrotactile Fader	Conference Proceedings	Proceedings of the 123rd Audio Engineering Society Convention
2007	Hayward, V. and MacLean, K. E.	Do it yourself haptics: Part I	Article	IEEE Robotics & Automation Magazine
2007	Vlasic, D. and Adelsberger, R. and Vannucci, G. and Barnwell, J. and G., Markus	Practical Motion Capture in Everyday Surroundings	Conference Proceedings	Proceedings of the International Conference and Exhibition on Computer Graphics and Interactive Technologies (SIGGRAPH)
2007	Amatriain, X.	CLAM: A Framework for Audio and Music Application Development	Article	Software, IEEE	82–85
2007	Kaltenbrunner, M. and Bencina, R.	reacTIVision: a computer-vision framework for table-based tangible interaction	Conference Proceedings	Proceedings of the 1st International Conference on Tangible and Embedded Interaction (TEI ’07)	69–74
2007	Sànchez, A. and Pantrigo, J. J. and Virseda, J. and Pérez, G.	Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks	Conference Proceedings	Proceedings of the 2nd International work-conference on The Interplay Between Natural and Artificial Computation (IWINAC-2007)	617–626
2007	Sinclair, S. and Wanderley, M.	Using PureData to Control a Haptically-enabled Virtual Environment	Conference Proceedings	PureData Convention 2007
2007	Sinclair, S. and Wanderley, M.	Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound	Conference Proceedings	Proceedings of the the 4th International Conference on Enactive Interfaces (ENACTIVE’07)
2007	Aylward, R. and Paradiso, J.	A compact, high-speed, wearable sensor network for biomotion capture and interactive media	Conference Proceedings	Proceedings of the 6th international conference on Information processing in sensor networks	380–389
2007	Bakogianni, J. S. and Kavakli, E. and Karkou, V. and Tsakogianni, M.	Teaching Traditional Dance Using E-Learning Tools: Experience from the WebDANCE Project	Conference Proceedings	Proc. 21st World Congress on Dance Research: Dancers without Frontiers
2007	Crampton, N. and Fox, K. and Johnston, H. and Whitehead, A.	Dance, Dance Evolution: Accelerometer Sensor Networks as Input to Video Games	Conference Proceedings	2007 IEEE International Workshop on Haptic, Audio and Visual Environments and Games	107–112
2007	Dixon, S.	Digital Performance – A History of New Media in Theater, Dance, Performance, Art, and Installation	Book	The MIT Press
2007	Magnenat-Thalmann, N. and Joslin, C.	Learning How to Dance on the Internet	Conference Proceedings	Proc. Sixth Int’l Conf. Web-Based Learning (ICWL ’07)
2007	Magnenat-Thalmann, N. and Protopsaltou, D. and Kavakli, E.	Learning How to Dance Using a Web 3D Platform	Conference Proceedings	Proc. Sixth Int’l Conf. Web-Based Learning	1–12
2007	Birnbaum, D.	Musical vibrotactile feedback	Master's Thesis	McGill University
2008	Smallwood, Scott and Trueman, Dan and Cook, Perry R. and Wang, Ge	Composing for Laptop Orchestra	Article	Computer Music Journal	9–25	Link
2008	Wang, Ge and Trueman, Dan and Smallwood, Scott and Cook, Perry R.	The Laptop Orchestra as Classroom	Article	Computer Music Journal	26–37	Link
2008	Pakarinen, Jyri and Puputti, Tapio and Valimaki, Vesa	Virtual Slide Guitar	Article	Computer Music Journal	42–54	Link
2008	Anderson, S.	Microsound in public space: compositional methods to enhance site-specific sound	Article	Organised Sound	51–60
2008	Cascella, D.	Carl Michael von Hausswolff	Article	Organised Sound	21–29
2008	Grossmann, R.	The tip of the iceberg: laptop music and the information-technological transformation of music	Article	Organised Sound	5–11
2008	Jean, F. and Albu, A. B.	The Visual Keyboard: Real-Time Feet Tracking for the Control of Musical Meta-Instruments	Article	Signal Processing: Image Communication	505–515
2008	Johnston, A. and Candy, L. and Edmonds, E.	Designing and evaluating virtual musical instruments: facilitating conversational user interaction	Article	Design Studies	556–571
2008	Merrill, D. and Raffle, H. and Aimi, R.	The Sound of Touch: Physical Manipulation of Digital Sound	Conference Proceedings	Proceedings of CHI (2008)	739–742
2008	Petersen, K. and Solis, J. and Takanishi, A.	Development of a Real-Time Instrument Tracking System for Enabling the Musical Interaction with the Waseda Flutist Robot	Conference Proceedings	IEEE/RSJ International Conference on Intelligent Robots and Systems	313–318
2008	Richards, J.	Getting the Hands Dirty	Article	Leonardo Music Journal	25–31
2008	Grunwald, Martin and Verlag, Birkhauser	Human haptic perception: Basics and applications	Book	Birkhauser Basel
2008	Hayward, V. and MacLean, K. E.	Do it yourself haptics: Part II [Tutorial]	Article	IEEE Robotics & Automation Magazine
2008	Dahlstedt, P.	Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation	Conference Proceedings	Proceedings of the 2008 Computer Music Modeling and Retrieval conference - CMMR08
2008	Malloch, J. and Sinclair, S. and Wanderley, M. M.	A Network-based Framework for Collaborative Development and Performance of Digital Musical Instruments	Conference Proceedings	Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Revised Papers	401–425
2008	Fujimoto, M. and Fujita, N. and Takegawa, Y. and Terada, T. and Tsukamoto, M.	Musical B-boying: A Wearable Musical Instrument by Dancing	Article	Lecture Notes In Computer Science
2008	Kim, Y. and Jung, D. and Park, S. and Chi, J. and Kim, T. and Lee, S.	The Shadow Dancer: A New Dance Interface with Interactive Shoes	Conference Proceedings	International Conference on Cyberworlds
2008	Latulipe, C. and Huskey, S.	Dance. Draw: exquisite interaction	Conference Proceedings	Proceedings of the 22nd British CHI Group Annual Conferenc on HCI 2008: People and Computers XXII: Culture, Creativity, Interaction	47–51
2008	Naveda, L. and Leman, M.	Representation of Samba dance gestures, using a multi-modal analysis approach	Conference Proceedings	5th International Conference on Enactive Interfaces
2008	Marshall, M. T.	Physical Interface Design for Digital Musical Instruments	PhD Thesis	McGill University
2008	Sinnott, Laura	Mapping Strategies for the Augmented Tango Shoe	Master's Thesis	New York University, USA
2008	Gutknecht, J. and Kulka, I. and Lukowicz, P. and Strieker, T.	Advances in Expressive Animation in the Interactive Performance of a Butoh Dance	Conference Proceedings	Transdisciplinary Digital Art. Sound, Vision and the New Screen. Communications in Computer and Information Science	418–433	Link
2009	Park, Tae Hong	An Interview with Max Mathews	Article	Computer Music Journal	9–22	Link
2009	Overholt, Dan and Thompson, John and Putnam, Lance and Bell, Bo and Kleban, Jim and Sturm, Bob and Kuchera-Morin, JoAnn	A Multimodal System for Gesture Recognition in Interactive Music Performance	Article	Computer Music Journal	69–82	Link
2009	Boltz, M. G. and Ebendorf, B. and Field, B.	Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory	Article	Music Perception	43–59
2009	Bown, O. and Eldridge, A. and McCormack, J.	Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects	Article	Organised Sound	188–196
2009	Brown, A. R. and Sorensen, A.	Interacting with Generative Music through Live Coding	Article	Contemporary Music Review	17–29
2009	Cseres, J.	In Between as a Permanent Status: Milan Adamciak’s Version of Intermedia	Article	Leonardo Music Journal	31–34
2009	Dipper, G.	Interactive Interfaces: Installations produced at the ZKMIMA	Article	Organised Sound	286–298
2009	Drummond, J.	Understanding Interactive Systems	Article	Organised Sound	124–133
2009	Essl, G. and Rohs, M.	Interactivity for Mobile Music-Making	Article	Organised Sound	197–207
2009	Jordanous, A. and Smaill, A.	Investigating the Role of Score Following in Automatic Musical Accompaniment	Article	Journal of New Music Research	197–209
2009	Kim-Boyle, D.	Network Musics: Play, Engagement and the Democratization of Performance	Article	Contemporary Music Review	363–375
2009	Lehrman, P. D.	The Wii Remote as a Musical Instrument: Technology and Case Studies	Conference Proceedings	Proceedings of the 127th Audio Engineering Society Convention
2009	Magnusson, T.	Of Epistemic Tools: Musical Instruments as Cognitive Extensions	Article	Jounal of Organised Sound	168–176
2009	McAlpine, K. and Bett, M. and Scanlan, J.	Approaches to Creating Real-Time Adaptive Music in Interactive Entertainment: A Musical Perspective	Conference Proceedings	Proceedings of the AES 35th International Conference: Audio for Games
2009	Overholt, D. and Thompson, J. and Putnam, L. and Bell, B. and Kleban, J. and Sturm, B. and Kuchera-Morin, J.	A Multimodal System for Gesture Recognition in Interactive Music Performance	Article	Computer Music Journal	69–82
2009	Paine, G.	Gesture and Morphology in Laptop Music Performance	Book Section/Chapter	The Oxford Handbook of Computer Music and Digital Sound Culture	299–329
2009	Petersen, K. and Solis, J. and Takanishi, A.	Development of a Aural Real-Time Rhythmical and Harmonic Tracking to Enable the Musical Interaction with the Waseda Flutist Robot	Conference Proceedings	IEEE/RSJ International Conference on Intelligent Robots and Systems	2303–2308
2009	Shedel, M. and Rootberg, A.	Generative Techniques in Hypermedia Performance	Article	Contemporary Music Review	57–73
2009	Whalley, I.	Software Agents in Music and Sound Art Research/Creative Work: Current State adn a Possible Direction	Article	Journal of Organised Sound	156–167
2009	Yamaguchi, T. and Hashimoto, S.	Grasping Interface with Photo Sensor for a Musical Instrument	Conference Proceedings	Proceedings of the 13th International Conference on Human-Computer Interaction. Part II: Novel Interaction Methods and Techniques	542–547
2009	Marshall, M. T. and Hartshorn, M. and Wanderley, M. M. and Levitin, D. J.	Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation	Article	Journal of New Music Research	241–253
2009	Overholt, D.	The Musical Interface Technology Design Space	Article	Organised Sound	217–226
2009	Assayag, G. and Gerzso, A.	New Computational Paradigms for Computer Music	Book	Delatour
2009	Fujimoto, M. and Fujita, N. and Takegawa, Y. and Terada, T. and Tsukamoto, M.	A Motion Recognition Method for a Wearable Dancing Musical Instrument	Conference Proceedings	2009 International Symposium on Wearable Computers
2009	Liang, X. and Li, Q. and Zhang, X. and Zhang, S. and Geng, W.	Performance-driven motion choreographing with accelerometers	Article	Computer Animation and Virtual Worlds	89–99
2009	Majoe, D. and Kulka, I. and Schacher, J. C.	Towards An Interactive Multimedia Experience For Club Music And Dance	Conference Proceedings	Proceedings, International Conference on Mobile Computing and Multimedia MOMM
2009	Siegel, W.	Dancing the Music: Interactive Dance and Music	Book Section/Chapter	The Oxford Handbook of Computer Music	191–213
2009	Soga, A. and Umino, B. and Hirayama, M.	Automatic Composition for Contemporary Dance Using 3D Motion Clips: Experiment on Dance Training and System Evaluation	Conference Proceedings	Proc. Int’l Conf. CyberWorlds	171–176
2010	Hansen, Kjetil Falkenberg and Bresin, Roberto	The Skipproof Virtual Turntable for High-Level Control of Scratching	Article	Computer Music Journal	39–50	Link
2010	Gelineck, Steven and Serafin, Stefania	A Practical Approach towards an Exploratory Framework for Physical Modeling	Article	Computer Music Journal	51–65	Link
2010	Caceres, Juan-Pablo and Chafe, Chris	JackTrip/SoundWIRE Meets Server Farm	Article	Computer Music Journal	29–34	Link
2010	Duignan, Matthew and Noble, James and Biddle, Robert	Abstraction and Activity in Computer-Mediated Music Production	Article	Computer Music Journal	22–33	Link
2010	Wilkie, Katie and Holland, Simon and Mulholland, Paul	What Can the Language of Musicians Tell Us about Music Interaction Design?	Article	Computer Music Journal	34–48	Link
2010	Benford, Steve	Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances	Article	Computer Music Journal	49–61	Link
2010	Magnusson, Thor	Designing Constraints: Composing and Performing with Digital Musical Systems	Article	Computer Music Journal	62–73	Link
2010	Alexandraki, C. and Akoumanakis, D.	Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework	Article	Computer Music Journal	66–83
2010	Black, D. and Gohlke, K. and Lovischach, J.	Foley Sonic: Placing Sounds on a Timeline Through Gestures	Conference Proceedings	Proceedings of the 128th Audio Engineering Society Convention
2010	Coulter, J.	Electroacoustic Music with Moving Images: the art of media pairing	Article	Organised Sound	26–34
2010	Frank, M. and Mehr, L. and Sontacchi, A. and Zotter, F.	Flexible and Intuitive Pointing Method for 3D Auditory Localization Experiments	Conference Proceedings	Proceedings of the AES 38th International Conference: Sound Quality Evaluation
2010	Frengel, M.	A Multidimensional Approach to Relationships between Live and Non-live Sound Sources in Mixed Works	Article	Organised Sound	96–106
2010	Hoadley, R.	Implementation and Developments of Interfaces for Music Performance Through Analysis of Improvised Dance Movements	Conference Proceedings	Proceedings of the 128th Audio Engineering Society Convention
2010	Mion, L. and D’Inca, G. and de Gotzen, A. and Rapana, E.	Modeling Expression with Perceptual Audio Features to Enhance User Interaction	Article	Computer Music Journal	65–79
2010	Murray-Browne, T. and others	The Serendiptichord: A Wearable Instrument for Contemporary Dance Performance	Conference Proceedings	Proceedings of the 128th Audio Engineering Society Convention
2010	Petersen, K. and Solis, J. and Takanishi, A.	Musical-based interaction system for the Waseda Flutist Robot	Article	Autonomous Robots	471–488
2010	Dunn, P. F.	Measurement and Data Analysis for Engineering and Science	Book	CRC Press, Taylor & Francis Group
2010	Baalman, M. A. and d Belleval, V. and Salter, C. L. and Malloch, J. and Thibodeau, J. and Wanderley, M.	Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure for Liver Performance and Interactive, Real-Time Environments	Conference Proceedings	Proceedings of Linux Audio Conference (LAC 2010)	242–249
2010	Bresson, J. and Agon, C. and Schumacher, M.	Représentation des données de contrôle pour la spatialisation dans OpenMusic	Conference Proceedings	Actes des Journées d’Informatique Musicale
2010	Schumacher, M. and Bresson, J.	Compositional Control of Periphonic Sound Spatialization	Conference Proceedings	Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics
2010	Schumacher, M. and Bresson, J.	Spatial Sound Synthesis in Computer-Aided Composition	Article	Organised Sound	271–289
2010	Henning, Pohl	Motion Pattern Recognition For Interactive Dance	Master's Thesis	Darmstadt, Germany
2011	Peters, Nils and Marentakis, Georgios and McAdams, Stephen	Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis	Article	Computer Music Journal	10–27	Link
2011	O’Modhrain, Sile	A Framework for the Evaluation of Digital Musical Instruments	Article	Computer Music Journal	28–42	Link
2011	Gillespie, R. Brent and Yu, Bo and Grijalva, Robert and Awtar, Shorya	Characterizing the Feel of the Piano Action	Article	Computer Music Journal	43–57	Link
2011	Freeman, Jason and Van Troyer, Akito	Collaborative Textual Improvisation in a Laptop Ensemble	Article	Computer Music Journal	8–21	Link
2011	Maes, Pieter-Jan and Leman, Marc and Kochman, Katty and Lesaffre, Micheline and Demey, Michiel	The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human–Computer Interface	Article	Computer Music Journal	22–35	Link
2011	Jylha, Antti and Ekman, Inger and Erkut, Cumhur and Tahirouglu, Koray	Design and Evaluation of Human–Computer Rhythmic Interaction in a Tutoring System	Article	Computer Music Journal	36–48	Link
2011	Bouenard, Alexandre and Wanderley, Marcelo M. and Gibet, Sylvie and Marandola, Fabrice	Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises	Article	Computer Music Journal	57–72	Link
2011	Bown, Oliver	Experiments in Modular Design for the Creative Composition of Live Algorithms	Article	Computer Music Journal	73–85	Link
2011	Leitman, Sasha	Trimpin: An Interview	Article	Computer Music Journal	12–27	Link
2011	Maes, Laura and Raes, Godfried-Willem and Rogers, Troy	The Man and Machine Robot Orchestra at Logos	Article	Computer Music Journal	28–48	Link
2011	Kapur, Ajay and Darling, Michael and Diakopoulos, Dimitri and Murphy, Jim W. and Hochenbaum, Jordan and Vallis, Owen and Bahn, Curtis	The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments	Article	Computer Music Journal	49–63	Link
2011	Magnusson, T.	ixi lang: A SuperCollider Parasite for Live Coding	Conference Proceedings	Proceedings of the International Computer Music Conference	198–200	Link
2011	Andean, J.	Ecological Psychology and the Electroacoustic Concert Context	Article	Organised Sound	125–133
2011	Balin, W. and Lovischach, J.	Gestures to Operate DAW software	Conference Proceedings	Proceeding of the 130th Audio Engineering Society Convention
2011	Brown, N. G.	Being Among the Living: On the interrelations between performers, witnesses and environment in As I Have Now Memoyre	Article	Organised Sound	176–183
2011	Eigenfeldt, A.	Real-time Composition as Performance Ecosystem	Article	Organised Sound	145–153
2011	Green, O.	Agility and Playfulness: Technology and skill in the performance ecosystem	Article	Organised Sound	134–144
2011	Grollmisch, S. and Cano Ceron, E. and Dittmar, C.	Songs 2 See: Learn to Play by Playing	Conference Proceedings	Proceedings of the AES 41st International Conference: Audio for Games
2011	Gurevich, M. and Fyans, A. C.	Digital Musical Interactions: Performer-system relationships and their perception by spectators	Article	Organised Sound	166–175
2011	Iaird, I. and Murphy, D. and Capman, R. and Jouan, S.	Development of a Virtual Performance Studio with Application of Virtual Acoustic Recording Methods	Conference Proceedings	Proceedings of the 130th Audio Engineering Society Convention
2011	Newton, D. and Marshall, M. T.	The Augmentalist: Enabling Musicians to Develop Augmented Musical Instruments	Conference Proceedings	Proceedings of the 5th International Conference on Tangible, Embedded and Embodied Interaction	249–252
2011	O’Sullivan, L. and Boland, F.	Visualizing and Controlling Sound with Graphical Interfaces	Conference Proceedings	Proceedings of the AES 41st International Conference: Audio for Games
2011	Overholt, D. and Berdahl, E. and Hamilton, R.	Advancements in Actuated Musical Instruments	Article	Journal of Organised Sound	154–165
2011	Rasamimanana, N. and others	Modular Musical Objects Towards Embodied Control of Digital Music	Conference Proceedings	Proceedings of Tangible and Embedded Interaction	9–12
2011	Selfridge, R. and Reiss, J. D.	Interactive Mixing Using Wii Controller	Conference Proceedings	Proceedings of the 130th Audio Engineering Society Convention
2011	Spasov, M.	Music Composition as an Act of Cognition: ENACTIV - Interactive Multi-modal Composing System	Article	Journal of Organised Sound	69–86
2011	Brum Medeiros, C. and Wanderley, M. M.	Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument	Conference Proceedings	Proceedings of the Sound and Music Computing Conference (SMC-2011)
2011	Giordano, M. and Wanderley, M. M.	A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation	Conference Proceedings	Proceedings of the Sound and Music Computing Conference (SMC-2011)
2011	McGlynn, P.	Towards for Effective Mapping Strategies for Digital Musical Instruments	Conference Proceedings	Proceedings from the 2011 Linux Audio Conference - LAC11
2011	Boulanger, R. C. and Lazzarini, V.	The Audio Programming Book	Book	MIT Press
2011	Wilson, S. and Collins, N. and Cottle, D.	The SuperCollider Book	Book	MIT Press
2011	Birringer, J.	Connected Dance: Distributed Performance across Time Zones	Conference Proceedings	Transmigratory Moves/Dance in Global Circulation. Congress On Research in Dance Conference Proceedings	51–77
2011	Deng, L. Q. and Leung, H. and Gu, N. J. and Yang, Y.	Real-time mocap dance recognition for an interactive dancing game	Article	Computer Animation and Virtual Worlds	229–237
2012	Gurevich, Michael and Marquez-Borbon, Adnan and Stapleton, Paul	Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument	Article	Computer Music Journal	23–41	Link
2012	Maezawa, Akira and Itoyama, Katsutoshi and Komatani, Kazunori and Ogata, Tetsuya and Okuno, Hiroshi G.	Automated Violin Fingering Transcription Through Analysis of an Audio Recording	Article	Computer Music Journal	57–72	Link
2012	McPherson, Andrew P. and Kim, Youngmoo E.	The Problem of the Second Performer: Building a Community Around an Augmented Piano	Article	Computer Music Journal	10–27	Link
2012	Jensenius, Alexander Refsum and Johnson, Victoria	Performing the Electric Violin in a Sonic Space	Article	Computer Music Journal	28–39	Link
2012	Li, T. and Ogihara, M. and Tzanetakis, G.	Music Data Mining	Book	CRC Press
2013	Peters, Nils and Lossius, Trond and Schacher, Jan C.	The Spatial Sound Description Interchange Format: Principles, Specification, and Examples	Article	Computer Music Journal	11–22	Link