Off-NIME: NIME papers, chapters and books published outside of the NIME Conference Proceedings
What is this resource?
This website contains a table of vetted off-NIME references deemed to be relevant to the NIME community. This includes materials from conferences that predated NIME (CMJ, ICMC; so-called “prehistoric NIME”) as well as concurrent conferences, publications, and books, currently from around 1955 to 2012.
There are three primary datasets, represented by the radio buttons just above the table: CMJ, ICMC, and ISIDM (the Interactive Systems and Instrument Design in Music Working Group). If you would like to get involved with cleaning any references, or with adding new datasets/features, check out README.md in the GitHub repo.
Other features of this table include the search bar, column sorting (click the header to sort), and the download all button below.
Datasets:
| Year | Author(s) | Title | Type | Publication | URL | BibTeX |
|---|---|---|---|---|---|---|
| 1955 | Le Caine, Hugh | Touch-Sensitive Organ Based on an Electrostatic Coupling Device | Article | Journal of the Acoustical Society of America | Link | |
| 1956 | Le Caine, Hugh | Electronic Music | Article | Proceedings of the IRE | Link | |
| 1956 | Moog, Robert | Music From Electrons | Article | Audiocraft Magazine | ||
| 1961 | Bode, Harald | New Tool for the Exploration of Unknown Sound Resources for Composers | Article | Journal of the Acoustical Society of America | Link | |
| 1963 | Miessner, Benjamin F. | Music—Science and Art | Article | Sound: Its Uses & Control | Link | |
| 1963 | Mathews, Max V. | The Digital Computer as a Musical Instrument | Article | Science | Link | |
| 1964 | Moog, Robert A. | Voltage-Controlled Electronic Music Modules | Conference Proceedings | AES Convention 16 | ||
| 1964 | Macfadyen, K. A. | Electronic Melodic Instruments | Article | Radio and Electronic Engineer | Link | |
| 1966 | Howe, Hubert S. | Music and Electronics: A Report | Article | Perspectives of New Music | Link | |
| 1967 | Chadabe, Joel | New Approaches to Analog-Studio Design | Article | Perspectives of New Music | Link | |
| 1967 | Garner, L. | For that Different Sound, Music a la Theremin | Article | Popular Electronics | ||
| 1968 | Le Caine, Hugh | Commercial Keyboard Instruments | Article | Journal of the Acoustical Society of America | Link | |
| 1968 | Luening, Otto | An Unfinished History of Electronic Music | Article | Music Educators Journal | Link | |
| 1969 | Mathews, M. V. and Moore, R. | GROOVE, a Program for Realtime Control of a Sound Synthesizer by a Computer | Conference Proceedings | Proceedings of the 4th Annual Conference of the American Society of University Composers | ||
| 1970 | Mathews, M. and Moore, F. R. | GROOVE - a Program to Compose, Store, and Edit Functions of Time | Article | Communications of the ACM | ||
| 1974 | Mathews, Max V. and Moore, F. Richard and Risset, Jean-Claude | Computers and Future Music | Article | Science | Link | |
| 1975 | Milano, Dominic | Bob Moog: From Theremin to Synthesizer | Article | Contemporary Keyboard | ||
| 1975 | McCarty, F. L. | Electronic Music Systems: Structure, Control, Product | Article | Perspectives of New Music | Link | |
| 1975 | Chadabe, Joel | System Composing | Conference Proceedings | Proceedings of the Second Annual Music Computation Conference | Link | |
| 1975 | Rosenboom, David | A Model for Detection and Analysis of Information Processing Modalities in the Nervous System Through an Adaptive, Interactive, Computerized, Electronic Music Instrument | Conference Proceedings | Proceedings of the Second Annual Music Computation Conference | Link | |
| 1976 | Arveiller, Jacques and Battier, Marc and Englert, Giuseppe | A computer Music Repertory | Book | Groupe art et informatique de Vincennes | ||
| 1976 | Davidson, Philip W | Haptic perception | Article | Journal of pediatric psychology | ||
| 1977 | Lawson, James and Mathews, Max | Computer Program to Control a Digital Real-Time Sound Synthesizer | Article | Computer Music Journal | Link | |
| 1977 | Alles, H. G. | A 256-Channel Performer Input Device | Article | Computer Music Journal | Link | |
| 1977 | Laske, Otto E. | Toward a Theory of Interfaces for Computer Music Systems | Article | Computer Music Journal | Link | |
| 1977 | Dworak, Paul E. and Parker, Alice C. | Envelope Control with an Optical Keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1977 | Yantis, Michael A. | A Microprocessor Based Live-Performance Instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1977 | Buxton, W. | Computer Music 1976/77: a Directory to Current Work | Book | Canadian Commission for UNESCO | ||
| 1977 | Chadabe, J. | Some reflections on the Nature of the Landscape within which Computer Music Systems are Designed | Article | Computer Music Journal | ||
| 1978 | Andersen, Kurt H. | A Digital Sound Synthesizer Keyboard | Article | Computer Music Journal | Link | |
| 1978 | Buxton, William and Fogels, Allen and Fedorkow, Guy and Sasaki, Larry and Smith, Kenneth C. | An Introduction to the SSSP Digital Synthesizer | Article | Computer Music Journal | ||
| 1978 | Alles, H.G. | An Inexpensive Digital Sound Synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1978 | Buxton, William and Fogels, E.A. and Fedorkow, Guy and Sasaki, Lawrence and Smith, K.C. | An Introduction to the SSSP Digital Synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1978 | Bridwell, Nelson J. | Interactive Synthesis Without Obscure Diagnostics | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1978 | Buxton, W. and Fedorkow, G. and Baecker, R. and Reeves, W. and Smith, K.C. and Ciamaga, G. and Mezei, L. | An Overview of the Structured Sound Synthesis Project | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1978 | Boody, Charles G. | The Micro-computer as an Input Device for Music Analysis or Composition by Computer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1978 | Card, S. K. and English, W. K. and Burr, B. J. | Evaluation of Mouse, Rate-controlled Isometric Joystick, Step keys, and Text keys for Text Selection on a CRT | Article | Ergonomics | ||
| 1978 | Florens, J.-L. | Coupleur gestuel rétroactif pour la commande et le contrôle de sons de synthèse | PhD Thesis | Institut National Polytechnique de Grenoble | ||
| 1978 | Mathews, M. V. and Bennet, G. | Real-Time Synthesizer Control | Technical Report | Ircam Centre Pompidou | ||
| 1979 | Holtzman, S. R. | An Automated Digital Sound Synthesis Instrument | Article | Computer Music Journal | Link | |
| 1979 | Buxton, William and Sniderman, Ross and Reeves, William and Patel, Shobha and Baecker, Ronald | The Evolution of the SSSP Score Editing Tools | Article | Computer Music Journal | ||
| 1979 | Bielaswki, L. | Instrumentalmusik als Transformation der menschlichen Bewegung. Mensch - Instrument - Music | Article | Studia Instrumentorum Musicae Popularis VI | ||
| 1979 | Buxton, W. and others | A Computer-Based System for the Performance of Electroacoustic Music | Conference Proceedings | Proceedings of the 64th Annual Audio Engineering Society Convention | ||
| 1979 | Wessel, D. | Timbre Space as a Musical Control Structure | Article | Computer Music Journal | ||
| 1980 | Haynes, Stanley | The Musician-Machine Interface in Digital Sound Synthesis | Article | Computer Music Journal | Link | |
| 1980 | Mathews, Max V. and Abbott, Curtis | The Sequential Drum | Article | Computer Music Journal | Link | |
| 1980 | Buxton, William and Reeves, William and Fedorkow, Guy and Smith, Kenneth C. and Baecker, Ronald | A Microcomputer-Based Conducting System | Article | Computer Music Journal | Link | |
| 1980 | Federkow, G. and Buxton, W. and Patel, S. and Smith, K. C. | A microprocessor controlled clavier | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | Reeves, W. and Buxton, W. and Federkow, G. and Smith, K. C. and Baecker, R. | A microprocessor- based conducting system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | Moore, F. Richard | Computer audio research laboratory report | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | Levine, Steve and Mauchly, J. William | THE Fairlight computer musical instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | Yantis, Michael | SBASS-1 features | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | McKay, Blair D. and Wills, Barry L. and Carr, David W. | Polyphonic velocity-sensitive keyboard interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | Steele, Douglas J. and Wills, Barry L. | A microcomputer-based keyboard music system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1980 | Chadabe, J. | ’Solo’: a Specific Example of Realtime Performance | Book Section/Chapter | Computer Music - Composition musicale par ordinateur | ||
| 1980 | Englert, G. G. | « Musique: composition automatique - automation composée » | Article | Mathématiques et Sciences Humaines | ||
| 1981 | Banger, Colin and Pennycook, Bruce | GCOMP : graphic control of mixing and processing | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1981 | Snell, John | Real-time console for live performance of computer music and for recording studios | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1981 | McLean, Barton | The Fairlight CMI and its uses in advanced laser graphics | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1981 | Risberg, Jeffrey S. | Evolution of interactive control and rel-time synthesis in a digital music system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1981 | Sasaki, L. and Fedorkow, G. and Buxton, W. and Retterath, C. and Smith, K. C. | A touch- sensitive input device | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1981 | Cadoz, C. and Luciani, A. and Florens, J. L. | Synthèse musicale par simulation des mécanismes instrumentaux. Transducteurs Gestuels Rétroactifs pour l’étude du jeu instrumental | Article | Revue d’Acoustique | ||
| 1981 | Battier, M. | Les musiques électroacoustiques et l’environnement informatique | PhD Thesis | University of Paris X | ||
| 1982 | Buxton, William and Patel, Shobha and Reeves, William and Baecker, Ronald | Objed and the Design of Timbral Resources | Article | Computer Music Journal | ||
| 1982 | Sapir, S. and Kronland-Martinet, R. | Use of microprocessor in real-time synthesis of sounds | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1982 | Cadoz, C. and Luciani, A.L and Florens, J. L. and Berberyan, T. | The control channels of instrumental playing in computer music – real time in computer music incidence on the choice of the basic models | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1982 | Abbott, C. | Remembering performance gestures | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1982 | Allouis, J. F. and Bernier, J. Y. | The SYTER project : sound processor design and software overview | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1982 | Loye, M. De | Real-time control system for digital synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1982 | Swift, G. W. and Yunik, M. | A microprocessor based keyboard instrument for microtonal music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1982 | Moog, R. | A multiply touch-sensitive clavier for computer music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1983 | Nelson, Gary and Talbert, John | The alles machine revisited | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1983 | Snell, John | Sensor for playing compute music with expression | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1983 | Yunik, M. and Borys, M. and SWift, G. W. | A microprocessor based digital flute | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1983 | Kaegi, Werner | The MIDIM system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1983 | Chadabe, Joel | Interactive composing | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1983 | Haflich, S. and Burns, M. | Following a Conductor: the Engineering of an Input Device | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1983 | Gidney, E. | The Artist’s use of telecommunications: a review | Article | Leonardo | ||
| 1984 | Cadoz, C. and Luciani, A. and Florens, J. | Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System | Article | Computer Music Journal | Link | |
| 1984 | Dannenberg, R. B. and Avinney, P. | A functional approach to real-time control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1984 | Azzolini, F. and Sapir, S. | Score and/or gesture : The system RTI4I for real-time contyrol of the processor 4I | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1984 | Vercoe, B. | The synthetic performer in the context o live performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1984 | Jaffrennou, P. and Jaubert, P. and Champenois, L. | SINFONIE : numerical process command with gestural input control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1984 | Young, G. | Hugh Le Caine’s 1948 sackbut syntheziser : performance mode of electronic instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1984 | Teitelbaum, R. | The digital piano and the patch control language system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1984 | Ascott, R. | Art and Telematics | Book Section/Chapter | Art Telecommunications | ||
| 1985 | Yunik, M. and Borys, M. and Swift, G. W. | A Digital Flute | Article | Computer Music Journal | Link | |
| 1985 | Lohner, Henning and Moog, Robert | Interview with Robert Moog | Article | Computer Music Journal | Link | |
| 1985 | Vercoe, Barry and Puckette, Miller | Synthetic Rehearsal : Training the Synthetic Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Bloch, Joshua J. and Dannenberg, Roger B. | Real-Time Computer Accompaniment of Keyboard Performances | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Johnstone, Eric | The ROLKY : A Poly-Touch Controller For Electronic Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Waisvisz, Michel | The HANDS, a Set of Remote MIDI-Controllers | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Arfib, Daniel | Man-Machine Dialog Using MIDI Files | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Gillett, Ross and Smith, Kenneth C. and Pritchard, Bob | MADDM | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1985 | Debiasi, Giovanni B. | M.I.N.I. (Musical Instruments Numerical Interface) | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Kuivila, Ron | Untitled : An Interactive Installation | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Gillett, K. and Pritchard, R. | Maddm - Dance Directed Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1985 | Pennycook, B. W. | Computer-Music Interfaces: A Survey | Article | ACM Computing Surveys | ||
| 1985 | Wechsler, R. | Symmetry in Dance | Article | Contact Quarterly | ||
| 1986 | Roads, Curtis | The Second STEIM Symposium on Interactive Composition in Live Electronic Music | Article | Computer Music Journal | Link | |
| 1986 | Gualtieri, D. M. | MIDI Output Interface to a Parallel Printer Port | Article | Computer Music Journal | Link | |
| 1986 | Lohner, Henning | The UPIC System: A User’s Report | Article | Computer Music Journal | Link | |
| 1986 | Florens, Jean-Loup and Razafindrakoto, Aime and Luciani, Annie and Cadoz, Claude | Optimized Real Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1986 | Prevot, Philippe | Tele-detection and Large Dimension Gestual Control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1986 | Radier, J. C. and Deforeit, Ch. and Provost, D. | A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1986 | Baisnee, P.-F. and Barriere, J.B. and Koechlin, O. and Rowe, R. | Real-Time Interaction between Musicians and Computer : Live Performance Utilisations of the 4X Musical Workstation | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1986 | Starkier, Michel and Prevot, Philippe | Real-Time Gestural Control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1986 | Buxton, W. A. S. | Chuncking and Phrasing and the Design of Human-Computer Dialogues | Conference Proceedings | Information Processing ’86, Proceedings of the IFIP 10th World Computer Congress | ||
| 1986 | Buxton, W. A. S. | There’s More Interaction than Meets the Eye: Some Issues in Manual Input | Book Section/Chapter | User Centered System Design: New Perspectives on Human-Computer Interaction | ||
| 1986 | Camurri, A. and Morasso, P. and Tagliasco, V. and Zaccaria, R. | Dance and Movement Notation | Book Section/Chapter | Human Movement Understanding | ||
| 1986 | Maxwell, D. and Ginsberg, C. | Graphical marionette | Conference Proceedings | Motion: Representation and Perception, Proceedings ACM SIGGRAPH/SIGART Interdisciplinary Workshop on Motion | ||
| 1987 | Logemann, G. W. | Report on the Last STEIM Symposium on Interactive Composing in Live Electronic Music | Article | Computer Music Journal | Link | |
| 1987 | Wessel, David and Bristow, David and Settel, Zack | Control of Phrasing and Articulation in Synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1987 | Grossman, Gary | Instruments, Cybernetics, and Computer Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1987 | Moore, F. R. | The Disfunctions of MIDI | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1987 | Camurri, A. and others | Interactions between music and movement: A system for music generation from 3D animations | Conference Proceedings | Proceedings of the 4th international conference on event perception and action | ||
| 1987 | Baecker, R. M. and Buxton, W. A. S. | Readings in Human-Computer Interaction: A Multidisciplinary Approach | Book | Morgan-Kauffmann Publishers, Inc. | ||
| 1987 | Buxton, W. A. S. | The Haptic Channel | Book Section/Chapter | Readings in Human-Computer Interaction: A Multidisciplinary Approach | ||
| 1987 | Downes, P. | Motion Sensing in Music and Dance Performance | Conference Proceedings | Proceedings of the AES 5th International Conference: Music and Digital Technology | ||
| 1987 | Moog, R. | Position and Force Sensors and their Application to Keyboards and Related Controllers | Conference Proceedings | Proceedings of the AES 5th International Conference: Music and Digital Technology | ||
| 1988 | Kvifte, T. | Instruments and the Electronic Age | Book | Solum Forlag | ||
| 1988 | Cadoz, Claude | Instrumental gesture and musical composition | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1988 | Collinge, D. J. and Parkinson, S. M. | The Oculus Ranae | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1988 | Gibet, Sylvie and Florens, Jean-Loup | Machine Recognition of Music Information Composition Systems and Techniques Instrumental Gesture Modeling by Identification with Time-Varying Mechanical Models | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1988 | Dean, Rubine and McAvinney, Paul | The VideoHarp | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1988 | Raczinski, Jean-Michel and Marino, Gerard | A Real-Time Synthesis Unit | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1988 | Boulez, P. and Gerzso, A. | Computers in music | Article | Scientific American | ||
| 1988 | Forest, Fred and Sugarman, David and Weston, Joanna | Communication esthetics, interactive participation and artistic systems of communication and expression | Article | Design Issues | ||
| 1988 | Herbison-Evans, D. | Dance, Video, Notation and Computers | Article | Leonardo | ||
| 1988 | Castine, P. | An Evaluation of the User Interface in Digital Audio Systems | Master's Thesis | Technical University Berlin | ||
| 1989 | Allik, Kristi | The Interactive Arts System: Introduction to a Real-Time Performance Tool | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Chabot, Xavier | Performance with Electronics: Gesture Interfaces and Software Toolkit | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Eigenfeldt, Arnie | Contour: A Real-Time MIDI System Based on Gestural Input | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Keane, David and Gross, Peter | The Midi Baton | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Kramer, Gregory and Moog, Robert and Peevers, Alan | The Hybrid: A Music Performance System | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Logemman, George W. | Experiments with a Gestural Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Machover, Tod | Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Matsushima, Toshiaki and andShuji Hashimoto, Sadamu Ohteru | An Integrated Music Information Processing System: PSB-er | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Morita, H. and Ohteru, S. and Hashimoto, S. | Computer Music System which Follows a Human Conductor | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Morrill, Dexter and Cook, Perry R. | Hardware, Software, and Compositional Tools for Real Time Improvised Solo Trumpet Work | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Boie, R. and Mathews, M. and Schloss, A. | The Radio Drum as a Synthesizer Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1989 | Webster, J. | The Measurement, Instrumentation and Sensors Handbook | Book | CRC Press | ||
| 1989 | Appleton, J. | 21st-Century Musical Instruments: Hardware and Software | Book | Institute for Studies in American Music, Brooklyn College of the City University of New York | ||
| 1989 | Chafe, C. | Simulating Performance on a Bowed Instrument | Book Section/Chapter | Current Directions in Computer Music Research | ||
| 1989 | Mathews, M. V. and Pierce, J. R. | Current Directions in Computer Music Research | Book | The MIT Press | ||
| 1989 | Mathews, M. V. | The Conductor Program and the Mechanical Baton | Book Section/Chapter | Current Directions in Computer Music Research | ||
| 1989 | Gray, J. | Dance Technology: Current Applications and Future Trends | Book | National Dance Association | ||
| 1989 | Gray, J. | The Evolution of Dance Technology | Book Section/Chapter | Dance Technology: Current Applications and Future Trends | ||
| 1990 | Pressing, Jeff | Cybernetic Issues in Interactive Performance Systems | Article | Computer Music Journal | Link | |
| 1990 | Rubine, Dean and McAvinney, Paul | Programmable Finger-tracking Instrument Controllers | Article | Computer Music Journal | Link | |
| 1990 | Knapp, R. Benjamin and Lusted, Hugh | A Bioelectric Controller for Computer Music Applications | Article | Computer Music Journal | Link | |
| 1990 | Chabot, Xavier | Gesture Interfaces and a Software Toolkit for Performance with Electronics | Article | Computer Music Journal | Link | |
| 1990 | Krefeld, Volker | The Hand in the Web: An Interview with Michel Waisvisz | Article | Computer Music Journal | Link | |
| 1990 | Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup | A Modular Feedback Keyboard Design | Article | Computer Music Journal | Link | |
| 1990 | Moog, Robert and Rhea, Thomas | Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards | Article | Computer Music Journal | Link | |
| 1990 | Bosi, Marina | An Interactive Real-Time System for the Control of Sound Localization | Article | Computer Music Journal | Link | |
| 1990 | Cadoz, Claude and Ramstein, Christophe | Capture, Representation, and "Composition" of the Instrumental Gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Florens, Jean-Loup and Cadoz, Claude | Modular Modelisation and Stimulation of the Instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Bosi, Marina | An Interactive Real-time System for the Control of Sound Localization | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | McNabb, Michael | Ensemble: An Extensible Real-time Music Performance Environment | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Marino, Gerard and Raczinski, Jean-Michel and Serra, Marie-Helene | The New UPIC System | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Morita, Hideyuki and Watanabe, Hiroshi and Harada, Tsumotu and Ohteru, Sadamu and Watanabe, Shuji | Knowledge Information Processing in Conducting Computer Music Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup | Modular Feedback Keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Hunt, Andy and Kirk, Ross and Orton, Richard | MIDIGRID : An Innovative Computer- based and Composition System | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Riddell, Alistair M. | A Meta-Action for the Grand Piano | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Schloss, W. Andrew | Recent Advances in the Coupling of the Language MAX with the Matthew-Boie Radio Drum | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Gibet, S. and Marteau, P.-F. | Gestural control of sound synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Bowler, I. and Purvis, A. and Manning, P. and Bailey, N. | On Mapping N Articulation onto M Synthesiser-Control Parameters | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Minnick, M. | A Graphical Editor for Building Unit Generator Patches | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1990 | Appleton, Jon | Composer pour de nouveaux instruments | Article | Contrechamps | ||
| 1990 | Rosenboom, D. | Extended Musical Interface with the Human Nervous System | Book | International Society for the Arts, Sciences, and Technology | ||
| 1990 | Mackinlay, J. D. and Card, S. K. and Robertson, G. G. | A Semantic Analysis of the Design Space of Input Devices | Article | Human-Computer Interaction | ||
| 1990 | Brightman, P. | Computer Dancemakers | Article | Leonardo | ||
| 1990 | Politis, George | Computers and dance: a bibliography | Article | Leonardo | ||
| 1990 | Politis, G. | A survey of Computers in Dance | Technical Report | University of Sydney, Basser Department of Computer Science | ||
| 1991 | Tanaka, Atau | CyberArts International | Article | Computer Music Journal | Link | |
| 1991 | Pennycook, Bruce | Machine Songs II: The PRAESCIO Series - Composition-Driven Interactive Software | Article | Computer Music Journal | Link | |
| 1991 | Mathews, Max V. | The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music | Article | Computer Music Journal | Link | |
| 1991 | Wessel, David L. | Instruments That Learn, Refined Controllers, Source Model Loudspeakers | Article | Computer Music Journal | Link | |
| 1991 | Johnstone, Eric | A MIDI foot controller | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1991 | Sato, Akio and Harada, Tsutomu and Hashimoto, Shuji and Ohteru, Sadamu | Singing and playing in musical virtual space | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Cook, Perry R. | Tbone : an interactive waveguide brass instrument synthesis workbench for the NeXT machine | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Oliveros, Pauline | The expanded instrument system (EIS) | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Demers, Louis-Philippe | A performance instrument for lighting | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Dannenberg, Roger B. and Bookstein, Kenneth | Practical aspects of a MIDI conducting system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Keane, David and Wood, Kevin | The MIDI baton III | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Raczinski, J. M. | New UPIC system demonstration | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Lee, M. and Freed, A. and Wessel, D. | Real-Time Neural Network Processing of Gestural and Acoustic Signals | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Johnstone, E. | A MIDI Foot Controller - The PodoBoard | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1991 | Cadoz, C. | Timbre et causalité | Book Section/Chapter | Le timbre: métaphore pour la composition | ||
| 1991 | Friberg, A. | Generative rules for music performance: A formal description of a rule system | Article | Computer Music Journal | ||
| 1991 | Friberg, A. and others | Performance Rules for Computer-Controlled Contemporary Keyboard Music | Article | Computer Music Journal | ||
| 1991 | Mulder, A. | Viewing dance as instrumental to music | Article | Interface | ||
| 1991 | Card, S. K. and Mackinlay, J. D. and Robertson, G. G. | A Morphological Analysis of the Design Space of Input Devices | Article | ACM Transactions on Information Systems | ||
| 1991 | Collins, N. | Low Brass: the Evolution of the Trombone Propelled Electronics | Article | Leonardo Music Journal | ||
| 1991 | Ellis, S. R. | Nature and Origins of Virtual Environments: A Bibliographical Essay | Book Section/Chapter | Human-Computer Interaction: Towards the Year 2000 | ||
| 1991 | Ryan, J. | Some Remarks on Musical Instrument Design at STEIM | Article | Contemporary Music Review | ||
| 1991 | Fadon, C. | StillLife/Alive | Article | Leonardo | ||
| 1991 | Kac, E. | Ornitorrinco: Exploring Telepresence and Remote Sensing | Article | Leonardo | ||
| 1991 | Ramstein, C. | Analyse, représentation et traitement du geste instrumental | PhD Thesis | Institut National Polytechnique de Grenoble | ||
| 1992 | Bauer, Will and Foss, Bruce | GAMS: An Integrated Media Controller System | Article | Computer Music Journal | Link | |
| 1992 | Czeiszperger, Michael and Tanaka, Atau | CyberArts International | Article | Computer Music Journal | Link | |
| 1992 | Kvifte, Tellef | Musical Instruments and Man-Machine-Interaction or Why Play the Tin Whistle When You Got a Synthesizer | Article | Cybernetics & Human Knowing | ||
| 1992 | Mathews, Max | My view of the future of real-time computer music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Bertini, Graziano and Carosi, Paolo | The light baton : a system for conducting computer music performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Gillespie, Brent | Dynamical modeling of the grand piano action | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Haken, Lippold and Abdullah, Radi and Smart, Mark | The continuum : a continuous music keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Harada, Tsutomu and Sato, Akio and Hashimoto, Shuji and Ohteru, Sadamu | Real time control of 3D sound space by gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Marchany, Randy C. and Tront, Joseph G. | A programmable MIDI instrument controller emulating a hammer dulcimer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Tobenfeld, Emile | A system for computer assisted gestural improvisation | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Kusu, Koji and Ino, Masaoki and Skin, Donguk and Hashimoto, Shuji and Ohteru, Sadama | Computer noh system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Jaffe, David A. and Schloss, W. Andrew | The making of "Wildlife" : species of interaction | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Cook, Perry R. | A meta-wind-instrument physical model, and a meta-controller for real-time performance control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Lee, Michael and Wessel, David | Connectionist models for real-time control of synthesis and compositional algorithms | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Ryan, Joel | The STEIM studio report | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Bolas, Mark and Stone, Phil | Virtual mutant Theremin | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1992 | Cariou, Brad | Designof an alternative controller from an industrial design perspective | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Farrett, Peter W. | A system for acquiring a composer’s actions | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Ryan, Joel | Effort and expression | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Gillespie, Brent | Touch back keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Lee, Michael and Garnett, Guy and Wessel, David | An adaptive conductor follower | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Pennycook, Bruce and Johnstone, Eric | A remote messaging device for interactive performance | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Raczinski, Jean-Michel | UPIC demonstration | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Keane, David | SOUND LODGE : a touch-sensitive, interactive sound installation | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1992 | Foellmer, G. and Franck, Roland and Hein, Folmar | Dokumentation Elektroakustischer Musik in Europ | Book | Inventionen ’92 | ||
| 1992 | Pressing, J. | Synthesizer Performance and Real-Time Techniques | Book | A-R Editions | ||
| 1992 | Cook, P. R. and Morrill, D. and Smith, J. O. | An Automatic Pitch Detection and MIDI Control System for Brass Instruments | Conference Proceedings | Acoustical Society of America Conference | ||
| 1992 | Machover, T. | Hyperinstruments - a Composer’s Approach to the Evolution of Intelligent Musical Instruments | Book Section/Chapter | Cyberarts: Exploring Arts and Technology | ||
| 1992 | MacKenzie, I. S. | Movement Time Prediction in Human-Computer Interfaces | Conference Proceedings | Proceedings Graphics Interface ’92 | ||
| 1992 | MacKenzie, I. S. and Buxton, W. | Extending Fitts’ Law to Two Dimensional Tasks | Conference Proceedings | Proceedings of the 1992 ACM Conference on Human Factors in Computing Systems | ||
| 1992 | Bates, J. and Loyall, A. Bryan and Reilly, W. Scott | An architecture for action, emotion, and social behaviour | Conference Proceedings | Proceedings of the Fourth European Workshop on Modeling Autonomous Agents in a Multi-Agent World | ||
| 1992 | Held, R. and Durlach, N. | Telepresence | Article | Presence | ||
| 1992 | Kac, E. | Aspects of the Aesthetics of Telecomommunications | Conference Proceedings | Siggraph Visual Proceedings | ||
| 1992 | Kahlich, L. | Dance Technology – Moving into the Future | Article | Dance Research Journal | ||
| 1992 | Smith, A. | Dance and Technology I: Moving Toward the Future. Proceedings of the First Annual Conference | Proceedings | University of Wisconsin | ||
| 1992 | Ungvary, T. and Waters, S. and Rajka, P. | Nuntius – A Computer System for the Interactive Composition and Analysis of Music and Dance | Article | Leonardo | ||
| 1992 | Machover, T. | Hyperinstruments - a Progress Report 1987 - 1991 | Technical Report | Massachusetts Institute of Technology | ||
| 1992 | Pousset, D. | La flûte-MIDI, l’histoire et quelques applications | Master's Thesis | Université Paris-Sorbonne | ||
| 1993 | Chafe, Chris | Tactile Audio Feedback | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Tanaka, Atau | Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Kanamori, Tsutomu and Katayose, Haruhiro and Simura, Satosi and Inokuchi, Seiji | Gesture Sensor in Virtual Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Cook, Perry and Morrill, Dexter and Smith, Julius 0. | A MIDI Control and Performance System for Brass Instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Puckette, Miller and Settel, Zack | Non-obvious roles for electronics in performance enhancement | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Katayose, Haruhro and Kanamori, Tsutomu and Kamei, Katsuyuki and Nagashima, Yoichi and Sato, Kosuke and Inokuchi, Seiji and Simura, Satosi | Virtual Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Inoue, Wataru and Hashimoto, Shuji and Ohteru, Sadamu | A Computer Music System for Human Singing | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Hayashi, Eiji and Ishikawa, Tatuya and Yamane, Masami | The Development of a Piano Player | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Sekiguchi, Koichi and Amemiya, Ryoji and Kubota, Hiroshi and Yamane, Masami | The Development of an Automatic Drum Playing Device | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Ohta, Hirohisa and Akita, Hiroshi and Ohtani, Motomu and Ishicado, Satosi and Yamane, Masami | The Development of an Automatic Bagpipe Playing Device | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1993 | Dannenberg, R. | Computer music at Carnegie Mellon University | Book Section/Chapter | Music Processing | ||
| 1993 | Rowe, R. | Interactive Music Systems - Machine Listening and Composing | Book | The MIT Press | ||
| 1993 | Katayose, H. and Inokuchi, S. | Learning Performance Rules in a Music Interpretation System | Article | Computers and the Humanities | ||
| 1993 | Pope, S. T. | Real-Time Performance via User Interfaces to Musical Structures | Article | Journal of Interface | ||
| 1993 | Carr, J. J. | Sensors and Circuits: Sensors, Transducers, and Supporting Circuits for Electronic Instrumentation, Measurement, and Control | Book | Prentice-Hall | ||
| 1993 | Smith, R. L. | Sensors | Book Section/Chapter | The Electrical Engineering Handbook | ||
| 1993 | Bailey, N. J. and Purvis, A. and Bowler, I. W. and Manning, P. D. | Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments | Article | Interface | ||
| 1993 | Chabot, X. | To Listen and to See: Making and Using Electronic Instruments | Article | Leonardo Music Journal | ||
| 1993 | Kabbash, P. and MacKenzie, I. S. and Buxton, W. | Human Performance Using Computer Input Devices in the Preferred and Non-Preferred Hands | Conference Proceedings | Proceedings of the ACM INTERCHI | ||
| 1993 | Moog, R. | Controller oddities | Article | Keyboard | ||
| 1993 | Waisvisz, M. and Ryan, J. and Collins, N. | STEIM - de zoetgevooisde Bliksem | Book | STEIM | ||
| 1993 | Barfield, W. and Weghorst, S. | The sense of presence within virtual environment: A conceptual framework | Conference Proceedings | Proceedings of the International Conference on Human-computer Interaction | ||
| 1993 | Kalawasky, R. S. | The science of virtual reality and virtual environments | Book | Addison-Wesley | ||
| 1993 | Laurel, B. | Computers as Theatre | Book | Addison-Wesley | ||
| 1993 | Pimentel, K. and Teixeira, K. | The science of virtual reality: through the new looking glass | Book | McGraw-Hill | ||
| 1993 | Putnam, W. | The Use of the Electromyogram for the Control of Musical Performance | Master's Thesis | San Jose State University, CA | ||
| 1993 | Dubost, G. | Technologies de capteurs et leurs applications musicales | Master's Thesis | Université Paris-Sud Orsay | ||
| 1993 | Hand, C. | A Survey of 3-D Input Devices | Technical Report | De Montfort University, Leicester, UK | Link | |
| 1993 | Matsumoto, F. | Using Simple Controls to Manipulate Complex Objects: Application to the Drum-Boy Interactive Percussion System | Master's Thesis | Massachusetts Institute of Technology | ||
| 1994 | Jaffe, David A. and Schloss, W. Andrew | The Computer-Extended Ensemble | Article | Computer Music Journal | Link | |
| 1994 | Wright, Matthew | A Comparison of MIDI and ZIPI | Article | Computer Music Journal | Link | |
| 1994 | Impett, Jonathan | A Meta-Trumpet(er) | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Hartono, Pitoyo and Asano, Kazumi and Inoue, Wataru and Hashimoto, Shuji | Adaptive Timbre Control Using Gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Vertegaal, Roel and Eaglestone, Barry and Michael, Clarke | An Evaluation of Input Devices for Use in the ISEE Human-Synthesizer Interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Cariou, Brad | The aXi¯ MIDI Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Gillespie, Brent | The Virtual Piano Action : Design and Implementation | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Bongers, Bert | The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Favilla, Stuart | Live Performance and Virtuosic Pitch-Bend Technique for the Synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Favilla, Stuart | The LDR controler | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Anderson, Tim and Hearn, Debbie | Using Hyper-Instruments for the re-distribution od the performance control interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Jaffe, David A. and Schloss, W. Andrew | A Virtual Piano Concerto Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in “ The Seven Wonders of the Ancient World ” | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Katayose, Haruyose and Kanamori, Tsutomu and Simura, Satosi and Inokuchi, Seiji | Demonstration of Gesture Sensors for the Shakuhachi | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Curtin, Steven | The SoundLab : a wearable computer music instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1994 | Mulder, A. | Virtual musical instruments: Accessing the Sound Synthesis Universe as a Performer | Conference Proceedings | Proceedings of the first Brazilian Symposium on Computer Music | ||
| 1994 | Garrett, P. H. | Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering | Book | IEEE Press | ||
| 1994 | Anderton, C. | STEIM: In the Land of Alternate Controllers | Article | Keyboard | ||
| 1994 | Jacob, R. J. K. and Sibert, L. and McFarlane, D. and Mullen, Jr., M. | Integrality and Separability of Input Devices | Article | ACM Transactions on Human-Computer Interaction | ||
| 1994 | Mulder, A. | How to Build an Instrumented Glove based on the Powerglove Flex Sensors | Article | PCVR Magazine | ||
| 1994 | Ramstein, C. and Hayward, V. | The Pantograph: a Large Workspace Haptic Device for a Multi-Modal Human-Computer Interaction | Conference Proceedings | Proceedings of the CHI’94 Conference on Human factors in Computing Systems | ||
| 1994 | Vertegaal, R. and Bonis, E. | ISEE: An Intuitive Sound Editing Environment | Article | Computer Music Journal | ||
| 1994 | Polana, R. and Nelson, R. | Low level recognition of human motion | Conference Proceedings | Proc. of IEEE Workshop on Motion of Non-Rigid and Articulated Objects | ||
| 1994 | Rohr, K. | Towards model-based recognition of human movements in image sequences | Article | CGVIP: Image Understanding | ||
| 1994 | Slater, M. and Usoh, M. and Steed, A. | Depth of presence in virtual environment | Article | Presence | ||
| 1994 | Fels, S. | Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces | PhD Thesis | University of Toronto, Canada | ||
| 1994 | Giraudon, F. | Contrôle de paramètres de synthèse issus d’une analyse par une interface gestuelle | Master's Thesis | Centre National de la Recherche Scientifique | ||
| 1994 | Mulder, A. | Human Movement Tracking Technology | Technical Report | Simon Fraser University | ||
| 1994 | Vertegaal, R. | An Evaluation of Input Devices for Timbre Space Navigation | Master's Thesis | Department of Computing, University of Bradford | ||
| 1995 | Van den Berghe, Guido and De Moor, Bart and Minten, Willem | Modeling a Grand Piano Key Action | Article | Computer Music Journal | Link | |
| 1995 | Lopez-Lezcano, Fernando | PadMaster : an improvisation environment for real-time performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Aono, Yushi and Katayose, Haruhiro and Inokuchi, Seiji | An Improvisational Accompaniment System Observing Performer’s Musical Gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Cariou, Brad | Vidolin, Alvise A Demonstration of the aXiØ Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Brecht, Bennett and Garnett, Guy E. | Conductor Follower | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Fortuin, Harold | The Clavette: A Generalized Microtonal MIDI Keyboard Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Pinkston, Russell and Kerkhoff, Jim and McQuilken, Mark | A Touch Sensitive Dance Floor/MIDI Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Camurri, Antonio | Interactive Dance/Music Systems | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Vertegaal, Roel and Ungvary, Tamas | The Sentograph: Input Devices and the Communication of Bodily Expression | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Sawada, Hideyuki and Ohkura, Shin’ya and Hashimoto, ShujiMaking | Gesture Analysis Using 3-D Acceleration Sensor for Music Control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Winkler, Todd | Motion Musical: Gesture Mapping Strategies for Interactive Computer Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Kanamori, Tsutomu and Katayose, Haruhiro and Aono, Yushi and Inokuchi, Seiji and Sakaguchi, Takasi | Sensor Integration for Interactive Digital Art | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Todoroff, Todor | Real-Time Granular Morphing and Spatialisation of Sounds With Gestual Control Within MAX/FTS | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Bromwich, Mark A. | A Single Performer Controlled Interface for Electronic Fance/Music Theatre | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Cadoz, Claude and Florens, Jean-Loup and Luciani, Annie | Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Chadabe, Joel | Interactive Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Kirk, Ross and Hunt, Andy and Orton, Richard | Audio-Visual Instruments in Live Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Choi, I. and Bargar, R. and Goudeseune, C. | A Manifold Interface for a High Dimensional Control Space | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Polfreman, R. and Sapsford-Francis, J. | A Human Factors Approach to Computer Music Systems User-Interface Design | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Tobey, F. | The Ensemble Member and the Conducted Computer | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1995 | Battier, M. | Entre l’idée et l’œuvre. Parcours de l’informatique musicale | Book Section/Chapter | Esthétique des arts médiatiques, tome 1 | ||
| 1995 | Akamatsu, M. and MacKenzie, I. S. and Hasbrouc, T. | A Comparison of Tactile, Auditory and Visual Feedback in a Pointing Task using a Mouse-Type Device | Article | Ergonomics | ||
| 1995 | Baecker, R. M. and Grudin, J. and Buxton, W. A. S. and Greenberg, S. | Readings in Human-Computer Interaction: Toward the Year 2000 | Book | Morgan-Kauffmann Publishers, Inc. | ||
| 1995 | Hayward, V. | Toward a Seven Axis Haptic Interface | Conference Proceedings | Proceedings of the IROS’95, Int. Workshop on Intelligent Robots and Systems | ||
| 1995 | Barrass, S. | Personify: A Toolkit for Perceptually Meaningful Sonification | Conference Proceedings | Proceedings of the Australian Conference on Computer Music (ACCM-95) | ||
| 1995 | Biocca, F. and Delaney, B. | Immersive virtual reality technology | Book Section/Chapter | Communication in the age of virtual reality | ||
| 1995 | Biocca, F. and Kim, T. and Levy, M. | The vision of virtual reality | Book Section/Chapter | Communication in the age of virtual reality | ||
| 1995 | Gavrilla, D. M. and Davis, L. S. | 3-D model based tracking of human upper body movement: a multi-view approach | Conference Proceedings | Proc. of the IEEE-PAMI International Symposium on Computer Vision | ||
| 1995 | Hodges, M. | Computers and dance | Article | Technology Review | ||
| 1995 | Maes, P. and Darrell, T. and Blumberg, B. and Pentland, A. | The ALIVE system: Full-body interaction with autonomous agents | Conference Proceedings | Proc. of the Computer Animation ’95 Conference | ||
| 1995 | Mitchell, J. D. and Lovell, R. | Environment for the Interactive Design of Emergent Art | Conference Proceedings | International Symposium on Electronic Art | ||
| 1995 | Mitchell, J. D. and Lovell, R. | Using Human Movement to Control Activities in Theatrical Environments | Conference Proceedings | Third International Conference on Dance and Technology | ||
| 1995 | Pulfer, J. K. | Man-Machine Communication in Creative Applications | Article | International Journal of Man-Machine Studies | ||
| 1995 | Rogala, Miroslaw and Hovestadt, L and Oxaal, F | Lovers Leap | Article | The Complete artintact | ||
| 1995 | Smith, A. | Dance and Technology III: Transcending Boundaries. Proceedings of the Third Annual Conference | Proceedings | York University | ||
| 1995 | Wechsler, R. | Analysis of "reversals" in the Cunningham Dance Technique. Issues concerning the perception of symmetry in dance | Conference Proceedings | Proceedings of the first International Dance and Technology Conference | ||
| 1995 | Egozy, E. B. | Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet | Master's Thesis | Massachusetts Institute of Technology | ||
| 1995 | Mulder, A. | Human Movement Tracking Technology: Resources | Technical Report | Simon Fraser University | ||
| 1996 | Hirano, Karl | A Review of Electronic Musical Instruments | Article | Computer Music Journal | Link | |
| 1996 | Chu, Lonny | Haptic feedback in a computer music performance interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Favilla, Stuart | Non-linear controlled mapping for gestural control of gamaka | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Lippe, Cort | A look at performer/machine interaction using real-time systems | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Katayose, Haruhiro and Kanamori, Tsutomu and Inokushi, Seiji | An environment for interactive art- sensor integration and applications | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Tobey, Forrest and Fujinaga, Ichiro | Extraction of conducting gesture in 3D space | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Vertegaal, Roel and Ungary, Tamas and Kieslinger, Michael | Towards a musician’s cockpit : Transducers, feedback and musical function | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji | Acceleration sensor as an input device for musical environment | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Lopez-Lezcano, Fernando | PadMaster : Banging on algorithms with alternative controllers | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Chafe, Chris and O’Modhrain, Sile | Musical muscle memory and the Harpic display of performance nuance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Sawada, Hideyuki and Hashimoto, Shuji | Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1996 | Lusted, H. S. and Knapp, R. B. | Controlling Computers with Neural Signals | Article | Scientific American | ||
| 1996 | Risset, J. and van Duyne, S. | Real-time performance interaction with a computer-controlled acoustic piano | Article | Computer Music Journal | ||
| 1996 | Burdea, G. | Force and Touch Feedback for Virtual Reality | Book | John Wiley and Sons | ||
| 1996 | Fletcher, R. | Force Transduction Materials for Human-Technology Interfaces | Article | IBM Systems Journal | ||
| 1996 | Verplaetse, C. | Inertial Proprioceptive Devices: Self-Motion-Sensing Toys and Tools | Article | IBM Systems Journal | ||
| 1996 | Akamatsu, M. and MacKenzie, I. S. | Movement Characteristics Using a Mouse with Tactile and Force Feedback | Article | International Journal of Human-Computer Studies | ||
| 1996 | Almeida, A. G. | Methodologies for Design and Evaluation of Interactive Musical Interfaces | Conference Proceedings | Proceedings of the 3rd Brazilian Symposium on Computer Music | ||
| 1996 | Auer, V. and Maes, M. M. and Bonfim, M. C. and Wanderley, M. M. and Lamar, M. V. | 3D Position Signal Acquisition System with Application in Real-Time Processing | Conference Proceedings | Proceedings of the ICSPAT ’96 - International Congress on Signal Processing Applications Technology | ||
| 1996 | Jacob, R. J. K. | Human-Computer Interaction: Input Devices | Article | ACM Computing Surveys | ||
| 1996 | Lima, G. H. T. and Maes, M. and Bonfim, M. and Lamar, M. V. and Wanderley, M. M. | Dance-Music Interface based on Ultrasound Sensors and Computers | Conference Proceedings | Proceedings of the 3rd Brazilian Symposium on Computer Music | ||
| 1996 | Linz, R. | Towards the Design of a Real-Time Interactive Performance Sound System | Article | Leonardo Music Journal | ||
| 1996 | Liu, Fang and Picard, Rosalind W | Detecting and segmenting periodic motion | Article | Media Lab Vision and Modelling TR-400, MIT | ||
| 1996 | Mulder, A. | Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design | Article | Leonardo Music Journal | ||
| 1996 | Paradiso, J. A. | The Interactive Ballon: Sensing, Actuation, and Behavior in a Common Object | Article | IBM Systems Journal | ||
| 1996 | Putnam, William and Knapp, R Benjamin | Input/data acquisition system design for human computer interfacing | Article | Unpublished Lecture Notes, October | ||
| 1996 | Roads, C. | The Computer Music Tutorial | Book | The MIT Press | ||
| 1996 | Smith, J. R. | Field Mice: Extracting Hand Geometry from Electric Field Measurements | Article | IBM Systems Journal | ||
| 1996 | Vertegaal, R. and Eaglestone, B. | Comparison of Input Devices in an ISEE Direct Timbre Manipulation Task | Article | Interacting with Computers | ||
| 1996 | Zhai, S. and Milgram, P. and Buxton, W. | The Influence of Muscle Groups on Performance of Multiple Degree-of-Freedom Input | Conference Proceedings | Proceedings of the CHI’96 Conference on Human factors in Computing Systems | ||
| 1996 | Kramer, G. | Mapping a single data stream to multiple auditory variables: A subjective approach to creating a compelling design | Conference Proceedings | Proceedings of International Conference on Auditory Display - ICAD’96 | ||
| 1996 | Puckette, M. | Pure Data: Another Integrated Computer Music Environment | Conference Proceedings | Proceedings of the Second Intercollege Computer Music Concerts | ||
| 1996 | Essa, I. and Basu, S. and Darrell, T. and Pentland, A. | Modeling, tracking and interactive animation of faces and heads using input from video | Conference Proceedings | Proceedings of Computer Animation ’96 Conference | ||
| 1996 | Fassler, M. | Mediale Interaktion | Book | Fink Verlag | ||
| 1996 | Matuck, A. | Tele-transmissão no contexto artístico; Perspectivas da televisão interativa; Telemática e interatividade; Crítica ao futuro iminente | Book Section/Chapter | O potencial dialógico da televisão - Comunicação e arte na perspectiva do receptor | ||
| 1996 | Moser, M. and MacLeod, D. | Immersed in Technology: Art and Virtual Environments | Book | MIT Press | ||
| 1996 | Reaney, M. | Virtual scenography: The actor, audience, computer interface | Article | Theatre Design and Technology | ||
| 1996 | Mulder, A. | Hand Gestures for HCI | Technical Report | Simon Fraser University | ||
| 1996 | Keyson, D. V. | Touch in User Interface Navigation | PhD Thesis | Technische Universiteit Eindhoven | ||
| 1996 | Marrin, T. A. | Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton | Master's Thesis | Massachusetts Institute of Technology | ||
| 1996 | Métois, E. | Musical Sound Information: Musical Gestures and Embedding Systems | PhD Thesis | MIT Media Lab | ||
| 1997 | Kroepfl, Francisco | Electronic Music: From Analog Control to Computers | Article | Computer Music Journal | Link | |
| 1997 | Paradiso, Joseph A. and Gershenfeld, Neil | Musical Applications of Electric Field Sensing | Article | Computer Music Journal | Link | |
| 1997 | Orio, Nicola | A gesture interface controlled by the oral cavity | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji | Sounds in hands | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1997 | Marrin, Teresa and Paradiso, Joseph | The digital baton : a versatile performance instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | O’Modhrain, Maura Sile | Feel the music : narration in touch and sound | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Haken, Lippold and Fitz, Kelly and Tellman, Ed and Wolfe, Patrick and Christensen, Paul | A continous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Wright, Matthew and Wessel, David and Freed, Audrain | New musical control structures from standard gestual controllers | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Boulanger, Richard and Mathews, Max | The 1997 Mathews’ radio baton and improvisation modes | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Politis, Dionysios V. and Tsoukalas, Ioannis A. and Linardis, Panagiotis and Bakalakos, Alexandros | VIDI – a voice instrument digital interface of Byzantine music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Bromwich, Marc Alexander | The metabone : an interactive sensory control mechanism for virtuoso trombone | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Katayose, Haruhiro and Shirakabe, Hirotsugu and Kanamori, Tsutomu and Inokuchi, Seiji | A toolkit for interactive digital art | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Sawada, H. and Onoe, N. and Hashimoto, S. | Sounds in Hands - a Sound Modifier using Datagloves and Twiddle Interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1997 | Tarabella, L. | Studio Report of the Computer Music Lab of CNUCE/C.N.R. | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1997 | Chadabe, J. | Electric sound - the past and promise of electronic music | Book | Prentice Hall | ||
| 1997 | Zannos, I. and Modler, P. and Naoi, K. | Gesture Controlled Music Performance in a Real-Time Network | Conference Proceedings | Proceedings of KANSEI - The Technology of Emotion Workshop | ||
| 1997 | Carr, J. J. | Electronic Circuit Guidebook. Volume 1: Sensors | Book | Prompt Publications – Howard W. Sams & Company | ||
| 1997 | Paradiso, J. | Electronic Music: New Ways to play | Article | IEEE Spectrum | ||
| 1997 | Accot, J. and Zhai, S. | Beyond Fitts’ Law: Models for Trajectory-Based HCI Tasks | Conference Proceedings | Proceedings of the 1997 ACM Conference on Human Factors in Computing Systems | ||
| 1997 | Balakrishnan, R. and MacKenzie, I. S. | Performance Differences in the Fingers, Wrist and Forearm in Computer Input Control | Conference Proceedings | Proceedings of the CHI’97 Conference on Human factors in Computing Systems | ||
| 1997 | Borchers, J. O. | WorldBeat: Designing a Baton-Based Interface for an Interactive Music Exhibit | Conference Proceedings | Proceedings of the CHI’97 Conference on Human Factors in Computing Systems | ||
| 1997 | Camurri, A. | Network Models for Music and Motor Control | Book Section/Chapter | Self-Organization, Computational Maps and Motor Control | ||
| 1997 | Choi, I. and Ricii, C. | Foot-Mounted Gesture Detection and its Application in Virtual Environments | Conference Proceedings | Proceedings of the IEEE International Conference on Systems, Man and Cybernetics | ||
| 1997 | Favilla, S. | Real-time Control of Synthesis Parameters for LightHarp MIDI Controller | Conference Proceedings | Proceedings of the 1997 ACMA Conference | ||
| 1997 | Fitzmaurice, G. W. and Buxton, W. | An Empirical Evaluation of Graspable User Interfaces: towards specialized, space-multiplexed input | Conference Proceedings | Proceedings of the CHI’97 Conference on Human factors in Computing Systems | ||
| 1997 | Hinckley, K. and Pausch, R. and Proffitt, D. and Patten, J. and Kassell, N. | Cooperative Bimanual Action | Conference Proceedings | Proceedings of the CHI’97 Conference on Human Factors in Computing Systems | ||
| 1997 | Marrin, T. A. | Possibilities for the Digital Baton as a General-Purpose Gestural Interface | Conference Proceedings | Proceedings of the CHI’97 Conference on Human factors in Computing Systems | ||
| 1997 | Mulder, A. and Fels, S. and Mase, K. | Empty-Handed Gesture Analysis in Max/FTS | Conference Proceedings | Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop | ||
| 1997 | Mulder, A. and Fels, S. and Mase, K. | Mapping Virtual Object Manipulation to Sound Variation | Article | IPSJ SIG notes | ||
| 1997 | Rovan, J. and Wanderley, M. and Dubnov, S. and Depalle, P. | Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance | Conference Proceedings | Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop | ||
| 1997 | Tarabella, L. and Bertini, G. | Original Gesture Interfaces for Live Interactive Multimedia Performances | Conference Proceedings | Proceedings of the Journées d’Informatique Musicale | ||
| 1997 | Kieslinger, M. and Ungvary, T. | Aspects of Visualizing Information for a Realtime Hypermedia Musical Environment | Book Section/Chapter | Multimedia Technology and Applications | ||
| 1997 | Modler, P. and Zannos, I. | Emotional Aspects of Gesture Recognition by a Neural Network, using Dedicated Input Devices | Conference Proceedings | Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop | ||
| 1997 | Biocca, F. | Cyborg’s dilemma: Progressive embodiment in virtual environments | Article | Journal of Computer Mediated-Communication | ||
| 1997 | Biocca, F | Presence of mind in virtual environments," | Conference Proceedings | Second International Conference on Cognitive Technology, CT97 Humanising the Information Age | ||
| 1997 | Dinkla, S. | Pioniere interaktiver Kunst | Book | Cantz Verlag | ||
| 1997 | Domingues, D. | Arte no Séc. XXI: A Humanização das Tecnologias | Book | Ed. da Unesp | ||
| 1997 | Hünnekens, A. | Der bewegte Betrachter. Theorien der Interaktiven Medienkunst | Book | Wienand | ||
| 1997 | Levy, P. | Cyberculture: Rapport au Conseil de l’Europe dans le cadre du projet Nouvelles technologies: cooperation culturelle et communication | Book | Odile Jacob | ||
| 1997 | Morse, M. | Hardware, Software, Artware: Confluence of Art and Technology–Art Practice at the ZKM Institute for Visual Media | Book | ZKM | ||
| 1997 | Naugle, L. and Iris, G. | A University Dance Course in Cyberspace: The Telelearning Experience | Article | Journal of Distance Education | ||
| 1997 | Paradiso, J. and Hu, E. | Expressive Footwear for Computer-Augmented Dance Performance | Conference Proceedings | Proc. of the Int. Symp. on Wearable Computers | ||
| 1997 | Paradiso, J. and Abler, C. and Hsiao, K. and Reynolds, M. | The Magic Carpet: Physical Sensing for Immersive Environments | Conference Proceedings | CHI ’97 Extended Abstracts on Human Factors in Computing Systems | ||
| 1997 | Prado, G. | Cronologias de experiências artísticas nas redes de telecomunicações | Article | Trilhas | ||
| 1997 | Wechsler, R. | Computers and Art: a Dancer’s Perspective | Article | IEEE Technology and Society Magazine | ||
| 1997 | Wechsler, R. | Computer im Tanz: Medium oder Werkzeug? | Article | Ballett International | ||
| 1997 | Wechsler, R. | O Body Swayed to Music… (and vise versa) | Article | Leonardo Magazine | ||
| 1997 | Winkler, T. | Creating Interactive Dance with the Very Nervous System | Conference Proceedings | Proceedings of the 1997 Connecticut College Symposium on Art and Technology | ||
| 1997 | Bobick, A. | Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion | Technical Report | MIT Media Laboratory Perceptual Computing Section | ||
| 1997 | Fléty, E. | Sonars à ultrasons | Technical Report | Ircam Centre Pompidou | ||
| 1998 | Bongers, Bert | An Interview with Sensorband | Article | Computer Music Journal | Link | |
| 1998 | de Laubier, Serge | The Meta-Instrument | Article | Computer Music Journal | Link | |
| 1998 | Haken, Lippold and Tellman, Ed and Wolfe, Patrick | An Indiscrete Music Keyboard | Article | Computer Music Journal | Link | |
| 1998 | Siegel, Wayne and Jacobsen, Jens | The Challenges of Interactive Dance: An Overview and Case Study | Article | Computer Music Journal | Link | |
| 1998 | Usa, Satoshi and Mochida, Yasunori | A multi-modal conducting simulator | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Costantini, Giovanni and Giorgio, Nottoli | A new interactive performance system for real- time sound synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Nagashima, Yoichi | BioSensorFusion : new interfaces for interactive multimedia art | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Katayose, Haruhiro and Hirai, Shigeyuki and Kanamoni, Tsutomu | Physiological measurement of performer’s tension and its utilization for media control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Marrin, Teresa and Picard, Rosalind | The "conductor’s Jacket" : a device for recording expressive musical gestures | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Freed, Adrian and Wessel, David | Communication of musical gesture using the AES/EBU digital audio standard | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Wright, Matthew | Implementation and performance issues with OpenSound control | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Tarabella, Leonello and Magrini, Massimo | A system for recognizing shape, position and rotation of the hands | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Bromwich, Mark and Wilson-Bokowiec, Julie | Bodycoder’s : a sensor suit and vocal performance mechanism for real-time performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Takanishi, Atsuo and Maeda, Manabu | Development of an anthropomorphic flutist robot WF-3RIV | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Cook, Perry and Trueman, Daniel | NBody : interactive multidirectional musical instrument body radiation simulators, and a database of measured impulse resonses | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Gamper, David and Oliveros, Pauline | Expended instrument system : recent development | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Winkler, Todd | Motion-sensing music : artistic and technical challenges in two works for dance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Griffith, Niall and Fernstrom, Mikael | LiveFoot | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1998 | Hirai, Shigeyuki and Katayose, Haruhiro and Kanamori, Tsutomu | Software sensors for interactive digital art | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Florens, Jean-Loup and Cadoz, Claude and Lucianni, Annie | A real-time workstation for complex physical models of multi-sensorial and gesturally controlled instrumants | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Griffith, N. and Fernstrom, M. | Litefoot - a Floor Space for Recording Dance and Controlling Media | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Zicarelli, D. | An Extensible Real-Time Signal Processing Environment for Max | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1998 | Winkler, T. | Composing Interactive Music. Techniques and ideas using MAX | Book | MIT Press | ||
| 1998 | Choi, I. | From Motion to Emotion: Synthesis of Interactivity with Gestural Primitives | Conference Proceedings | Emotional and Intelligent: The Tangled Knot of Cognition, AAAI Fall Symposium | ||
| 1998 | Goldstein, M. | Gestural Coherence and Musical Interaction Design | Conference Proceedings | Proceedings of IEEE Systems, Man and Cybernetics Conference | ||
| 1998 | Bongers, B. | Tactual display of sound properties in electronic musical instruments | Article | Displays | ||
| 1998 | Artaud, A. | Big Briar Wavefront. Ethervox and Travel case theremins provide gestural MIDI control | Article | Electronic Musician | ||
| 1998 | Borchers, J. O. and Muhlheuser, M. | Design Patterns for Interactive Musical Systems | Article | IEEE Multimedia | ||
| 1998 | Fels, S. and Nishimoto, K. and Mase, K. | MusiKalscope: A Graphical Musical Instrument | Article | IEEE Multimedia | ||
| 1998 | Fléty, E. and Serra, M.-H. | Utilisations récentes de capteurs gestuels en création musicale à l’Ircam | Conference Proceedings | Proceedings of the Journées d’Informatique Musicale | ||
| 1998 | Harrison, B. L. and Fishkin, K. P. and Gujar, A. and Mochon, C. and Want, R. | Squeeze Me, Hold Me, Tilt Me! An Exploration of Manipulative User Interfaces | Conference Proceedings | Proceedings of the CHI’98 Conference on Human Factors in Computing Systems | ||
| 1998 | Hashimoto, S. and Sawada, H. | Musical Performance Control Using Gesture: Toward Kansei Technology for Art | Book Section/Chapter | Controlling Creative Processes in Music | ||
| 1998 | Hinckley, K. and Czerwinski, M. and Sinclair, M. | Interaction and Modeling Techniques for Desktop Two-Handed Input | Conference Proceedings | Proceedings of the UIST’98 | ||
| 1998 | Hinckley, K. and Pausch, R. and Proffitt, D. and Kassell, N. | Two-Handed Virtual Manipulation | Article | ACM Transactions on Computer-Human Interaction | ||
| 1998 | Hummels, C. and Smets, G. and Overbeeke, K. | An Intuitive Two-Handed Gestural interface for Computer Supported Product Design | Conference Proceedings | Gesture and Sign Language in Human-Computer Interaction, Proceedings of the II Gesture Workshop | ||
| 1998 | Marrin, T. A. and Picard, R. | The Conductor’s Jacket: a Testbed for Research on Gestural and Affective Expression | Conference Proceedings | Proceedings of the XII Colloquium for Musical Informatics | ||
| 1998 | Menzies, D. and Howard, D. | The CyberWhistle: An Instrument For Live Performance | Conference Proceedings | Proceedings of the XII Colloquium for Musical Informatics | ||
| 1998 | Mihalic, A. | Pédalophone | Conference Proceedings | Proceedings of the Journées d’Informatique Musicale | ||
| 1998 | Mulder, A. and Fels, S. | Sound Sculpting: Manipulating Sound through Virtual Sculpting | Conference Proceedings | Proceedings of the 1998 Western Computer Graphics Symposium | ||
| 1998 | Mulder, A. and Fels, S. | Sound Sculpting: Performing with Virtual Musical Instruments | Conference Proceedings | Proceedings of the Fifth Brazilian Symposium on Computer Music | ||
| 1998 | Naugle, L. | Digital Dancing | Article | IEEE Multimedia | ||
| 1998 | Ungvary, T. and Vertegaal, R. | The SensOrg: A Musical Cyberinstrument with a Cognitive Ergonomical Touch | Conference Proceedings | Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) | ||
| 1998 | Yokono, J. and Hashimoto, S. | Center of Gravity Sensing for Motion Interface | Conference Proceedings | Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) | ||
| 1998 | Modler, P. | Interactive Control of Musical Structures by Hand Gestures | Conference Proceedings | Proceedings of the Fifth Brazilian Symposium on Computer Music | ||
| 1998 | Ungvary, T. and Kieslinger, M. | Creative and Interpretative Process milieu for Live-Computer music with the Sentograph | Book Section/Chapter | Controlling Creative Processes in Music | ||
| 1998 | Wanderley, M. and Schnell, N. and Rovan, J. B. | Escher - Modeling and Performing Composed Instruments in Real-Time | Conference Proceedings | Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) | ||
| 1998 | Porcaro, N. and Jaffe, D. and Scandalis, P. and Smith, J. and Stilson, T. and Duyne, S. V. | SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms | Article | Computer Music Journal | ||
| 1998 | Ascott, R. | Art & Telematics: Toward the Construction of New Aesthetics | Book | NTT Publishing Co. | ||
| 1998 | Birringer, J. | Media and Performance: along the border | Book | Johns Hopkins | ||
| 1998 | Cunningham, H. | Digital Culture – the View from the Dance Floor | Book Section/Chapter | Digital Diversions: Youth Culture in the Age of Multimedia | ||
| 1998 | Naugle, L. | The Cassandra Project: In the Mediascape of the Internet | Conference Proceedings | Proceedings of the 31st Annual Conference Congress on Research in Dance | ||
| 1998 | Naugle, L. | Internet Performance: Reflections on Dancing in Cyberspace | Conference Proceedings | Proceedings of the Multimedia Technology and Applications Conference | ||
| 1998 | Paradiso, J. and Hu, E. and Hsiao, K. | Instrumented Footwear for Interactive Dance | Conference Proceedings | Proceedings of the XII Colloquium on Musical Informatics | ||
| 1998 | Wechsler, R. and Zwiauer, H. | Computer und Tanz | Article | Der Tanz der Dinge | ||
| 1998 | Wechsler, R. and Zwiauer, H. | Computers and Dance: Back to the Future? | Article | Dance Research Journal | ||
| 1998 | Wechsler, R. | Symmetrie und Tanz | Article | Tanz Aktuell | ||
| 1998 | Wood, J. | The Virtual Embodied: Presence, Practice, Technology | Book | Routledge | ||
| 1998 | Mulder, A. | Design of Virtual Three-Dimensional Instruments for Sound Control | PhD Thesis | Simon Fraser University | ||
| 1998 | Orio, N. | Progetto di un controllore gestuale azionato dal cavo orale | Master's Thesis | Università di Padova, Italy | ||
| 1998 | Buescher, M. and O’Brien, J. and Hughes, J. | Interaction and Presence in Shared Electronic Environments (Fieldwork at ZKM) | Technical Report | Lancaster University | ||
| 1999 | Hsiao, Kai-yuh and Paradiso, Joseph | A new continuous multimodal musical controller using wireless magnetic tags | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Modler, Paul and Kirk, Ross | Evaluation of architecture for sound generation systems with respect to interactive gestural control and realtime performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Yoichi, Nagashima and Tamami, Tono-Ito | "It’s SHO time" | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 1999 | Ritis, Anthony De | Cathedral : an interactive work for the web | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Ystad, Solvi and Voinier, Thierry | Design of a flute interface to control synthesis models | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Trueman, Den and Cook, Perry | BoSSA : the deconstructed violin reconstructed | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Garnett, Guy and Goudeseume, Camille | Performance factors in control of hight- dimentional spaces | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Siegel, Wayne and Jacobsen, Jens | Composing for the digital dance interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Ilmonen, Tommi and Takala, Tapio | Conductor following with artificial neural networks | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Garnett, Guy and Malvar-Ruiz, Fernando and Stoltzfus, Fred | Virtual conducting practice environment | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Serafin, Stefania and Rodet, Xavier and Dudas, Richard and Wanderley, Marcelo | Gestural control of a real-time physical model of a bowed string instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Orio, Nicola | The timbre space of the classical guitar and its relationship with the plucking techniques | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Suzuki, Kenji and Ohashi, Takeshi and Hashimoto, Shuji | Interactive multimodal mobile robot for musical performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Wanderley, Marcelo and Depalle, Philippe and Warufel, Olivier | Improving instrumental sound synthesis by modeling the effects of performer gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Chu, Lonny | MusiCloth : a design methodology for the development of a performance interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Paradiso, Joseph and Hu, Eric and Hsiao, Kai-Yuh | Interactive music for instrumented dancing shoes | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Tanaka, Atau | Network audio performance and installation | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Nagashima, Y. and Tanami, T.-I. | It’s SHO time - An Interactive Environment for SHO (Sheng) Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Ungvary, T. and Vertegaal, R. | The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 1999 | Appleton, J. | Reflections of a former perfomer of electroacoustic music | Article | Contemporary Music Review | ||
| 1999 | Chadabe, J. | The performer is us | Article | Contemporary Music Review | ||
| 1999 | Chafe, C. | Interplay(er) machines | Article | Contemporary Music Review | ||
| 1999 | Chusid, I. | Beethoven-in-a-Box: Raymond Scott’s Electronium | Article | Contemporary Music Review | ||
| 1999 | Eaton, J. | This is an instrument! | Article | Contemporary Music Review | ||
| 1999 | Harvey, J. | The metaphysics of live electronics | Article | Contemporary Music Review | ||
| 1999 | Lewis, G. | Interacting with latter-day musical | Article | Contemporary Music Review | ||
| 1999 | Risset, J. C. | Composing in real-time? | Article | Contemporary Music Review | ||
| 1999 | Risset, J.-C. | Nouveaux gestes musicaux: quelques points de repère historiques | Book Section/Chapter | Les nouveaux gestes de la musique | ||
| 1999 | Rowe, R. | The aesthetics of interactive music systems | Article | Contemporary Music Review | ||
| 1999 | Stroppa, M. | Live electronics or… live music? Towards a critique of interaction | Article | Contemporary Music Review | ||
| 1999 | Subotnick, M. | The use of computer technology in an interactive or ’real-time’ performance environment | Article | Contemporary Music Review | ||
| 1999 | Theremin, L. | Recollections | Article | Contemporary Music Review | ||
| 1999 | Vinet, H. and Delalande, F. | Interfaces homme-machine et création musicale | Book | Hermes Science Publications | ||
| 1999 | Waisvisz, M. | Riding the Sphinx - lines about ’live’ | Article | Contemporary Music Review | ||
| 1999 | Camurri, A. | Music content processing and multimedia: Case studies and emerging applications of intelligent interactive systems | Article | Journal of New Music Research | ||
| 1999 | Paradiso, J. | The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance | Article | Journal of New Music Research | ||
| 1999 | Accot, J. and Zhai, S. | Performance Evaluation of Input Devices in Trajectory-based Tasks: An Application of The Steering Law | Conference Proceedings | Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems | ||
| 1999 | Bongers, B. | Exploring Novel Ways of Interaction in Musical Performance | Conference Proceedings | Proceedings of the Creativity & Cognition Conference | ||
| 1999 | Genevois, H. and de Vivo, R. | Les nouveaux gestes de la musique | Book | Editions Parenthèses | ||
| 1999 | Genevois, H. | Geste et pensée musicale: de l’outil à l’instrument | Book Section/Chapter | Les nouveaux gestes de la musique | ||
| 1999 | Guiard, Y. and Beaudouin-Lafon, M. and Mottet, D. | Navigation as a Multiscale Pointing: Extending Fitts’ Model to very high Precision Tasks | Conference Proceedings | Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems | ||
| 1999 | Hunt, A. and Kirk, R. | Radical User Interfaces for Real-time Control | Conference Proceedings | Proceedings of the Euromicro Conference | ||
| 1999 | de Laubier, S. | Le Méta-Instrument a-t-il un son? Emergence de lois ou de constantes dans le développement d’instruments virtuels | Book Section/Chapter | Les nouveaux gestes de la musique | ||
| 1999 | Orio, N. | A Model for Human-Computer Interaction Based on the Recognition of Musical Gestures | Conference Proceedings | Proceedings of the 1999 IEEE International Conference on Systems, Man and Cybernetics | ||
| 1999 | Pottier, L. | Contrôle interactif d’une voix chantée de synthèse | Book Section/Chapter | Les nouveaux gestes de la musique | ||
| 1999 | Toulemonde, O. and Möenne-Loccoz, P. and Donzel-Gargand, B. | Des nouvelles lutheries informatiques | Book Section/Chapter | Les nouveaux gestes de la musique | ||
| 1999 | Wanderley, M. M. and Depalle, P. | Contrôle Gestuel de la Synthèse Sonore | Book Section/Chapter | Interfaces Homme-Machine et Création Musicale | ||
| 1999 | Anderson, T. | Using Music Performance Software with Flexible Control Interfaces for Live Performance by Severely Disabled Musicians | Conference Proceedings | Proceedings of the 25th EUROMICRO Conference | ||
| 1999 | Déchelle, F. and Borghesi, R. and Cecco, M. D. and Maggi, E. and Rovan, B. and Schnell, N. | jMax: An Environment for Real-Time Musical Applications | Article | Computer Music Journal | ||
| 1999 | Manning, P. D. | The evolution of interactive graphical control interfaces for music applications | Article | Organised Sound | ||
| 1999 | Albertini, R. | Technological Rituals. Stories from the Annenberg Dialogues | Book | Annenberg Center for Communications | ||
| 1999 | Ascott, R. | Reframing Consciousness: Art, Mind and Technology | Book | Intellect Books | ||
| 1999 | Birringer, J. | Contemporary Performance/Technology | Article | Theatre Journal | ||
| 1999 | Bolter, J. D. and Grusin, R. | Remediation: Understanding New Media | Book | MIT Press | ||
| 1999 | Brickwood, C. and others | New Media Culture in Europe | Book | DeBalle and the Virtual Platform | ||
| 1999 | Camurri, A. and Hashimoto, S. and Suzuki, K. and Trocca, R. | KANSEI analysis of dance performance | Conference Proceedings | Proceedings of the 1999 IEEE Intl Conf on Systems Man and Cybernetics SMC’99, Tokyo | ||
| 1999 | Grau, O. | The history of telepresence: automata, illusion, and the rejection of the body | Book Section/Chapter | The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet | ||
| 1999 | Loveless, Richard and Goodman, Lizbeth | Utterance 6 Live and Media Performance—the Next Frontier | Article | Performance Research | ||
| 1999 | Lunenfeld, P. | The Digital Dialectic: New Essays on New Media | Book | MIT Press | ||
| 1999 | Naugle, L. and Claudia, G. | Reconstructing a Late Work of Hanya Holm: Stage Success and Electronic Heartache | Conference Proceedings | Proceedings of the Society of Dance History Scholars | ||
| 1999 | Paradiso, J. and Hu, E. and Hsiao, K. | The CyberShoe: A Wireless Multisensor Interface for a Dancer’s Feet | Conference Proceedings | Proc. Intl. Dance and Technology 99 | ||
| 1999 | Siegel, W. | The Digital Dance Interface | Conference Proceedings | Proceedings of the Interantional Music Conference | ||
| 1999 | Smith, A. | Dance and Technology IV. Proceedings of the Fourth Annual Conference | Proceedings | Arizona State University | ||
| 1999 | Wechsler, R. and Zwiauer, H. | Les ordinateurs et la danse: retour vers l’avenier? | Article | Nouvelles de Danse | ||
| 1999 | Battier, M. | Aesthetics of Live Electronic Music | Book | |||
| 1999 | Hunt, A. | Radical User Interfaces for Real-time Musical Control | PhD Thesis | University of York UK | ||
| 1999 | Menzies, D. | New Performance Instruments for Electroacoustic Music | PhD Thesis | University of York UK | ||
| 1999 | Vigier, F. | Étude et réalisation de dispositifs de captation du jeu instrumental | Technical Report | Ircam - Centre Pompidou/ENSEA | ||
| 1999 | Viollet, J. P. | Étude de Dispositifs de Contrôle Gestuel de la Synthèse Sonore | Technical Report | École Nationale Supérieure des Télécommunications de Paris | ||
| 1999 | Siegel, W. | Two Compositions for Interactive Dance | Technical Report | The Danish Institute of Electroacoustic Music DIEM. Musikhuset. DK-8000 C, Aarhus, Denmark | ||
| 2000 | Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Ricci, Andrea and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero | EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems | Article | Computer Music Journal | Link | |
| 2000 | Battier, Marc | Electronic Music and Gesture | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Dudon, Jacques and Arfib, Daniel | Photosonic Disk: Interactions between Graphic Research and Gestural Controls | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Chadabe, Joel | Devices I Have Known and Loved | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Auzet, Roland | Gesture-following Devices for Percussionists | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Cadoz, Claude and Wanderley, Marcelo M. | Gesture – Music | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | de Laubier, Serge | The Méta-instrument: How the Project Started | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Serafin, Stefania and Dudas, Richard | An Alternative Controller for a Virtual Bowed String Instrument | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Goldstein, Michael | Playing Electronics with Mallets: Extending the Gestural Possibilities | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Goto, S. | Virtual Musical Instruments: Technological Aspects and Interactive Performance Issues | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Iazzetta, Fernando | Meaning in Musical Gesture | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Marrin Nakra, Teresa | Searching for Meaning in Gestural Data: Interpretive Feature Extraction and Signal Processing for Affective and Expressive Content | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Pottier, Laurent and Stalla, Olivier | Interpretation and Space | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Rovan, Joseph and Hayward, Vincent | Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Tarabella, Luca | Gestural and Visual Approaches to Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Ungvary, Tamas and Vertegaal, Roel | Cognition and Physicality in Musical CyberInstruments | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | O’Modhrain, M. Sile and Srafin, Stefania and Chafe, Chris and Smith, Julius O. | Qualitative and quantitative assessment of a virtual bowed string instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Winkler, Todd | Participation and response in movement-sensing installations | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Choi, Insook and Zheng, Geoffrey and Cheng, Ken | Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | O’Modhrain, M. Sile and Chafe, Chris | The performer-instrument interaction : a sensory motor perspective | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Wanderley, Marcelo M. and Isart, Jean-Philippe Viollet Fabrice and Rodet, Xavier | On the choice of transducer technologies for specific musical functions | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Trueman, Dan and Bahn, Curtis and Cook, Perry R. | Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs) | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Camurri, Antonio and Coletta, Paolo and Peri, Massimiliano and Ricchetti, Matteo and Ricci, Andrea and Trocca, Riccardo and Volpe, Gualtiero | A real-time platform for interactive dance and music systems | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Nichols, Charles | The vBow : a haptic musical controller human-computer interface | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Paradiso, Joseph A. and Hsio, Kai-Yuh and Strickon, Joshua and Rice, Peter | New sensor and music systems for large interactive surfaces | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Ng, Kia and Popat, Sita and Ong, Bee and Stefani, Ewan and Ppat, Kris and Cooper, David | Trans- domain mapping : areal-time interactive system for motion acquisition and musical mapping | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Smirnov, Andrei | Music and gesture : sensor technologies in interactive music and the Theremin based space control systems | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Freed, Adrian and Avizienis, Rimas | A new music Keyboard with continous key-position sensing and high-speed communication | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Cook, Perry R. and Leider, Colby N. | SqueezeVox : a new controller for vocal synthesis models | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Suzuki, Kenji and Tabe, Keishiro and Hashimoto, Shuji | A mobile robot platform for music and dance performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Freed, Adrian and Isvan, Osman | Musical applications of new, multi-axis guitar string sensors | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Yonezawa, Tomoko and Mase, Kenji | Tangible sound : musical instrument using fluid media | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Boulanger, R. and Choi, Y. J. and Castelli, L. | Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Hunt, A. and Wanderley, M. M. and Kirk, R. | Towards a Model for Instrumental Mapping for Expert Musical Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Kuivila, R. | Forests and Trees: Distinguishing Many from Few with a Video Camera | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Wasserman, K. C. and Blanchard, M. and Bernardet, U. and Manzolli, J. and Verschure, P. | Roboser - An Autonomous Interactive Musical Composition System | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2000 | Cerana, C. | Gesture Control of Musical processes: A MAX Environment for Buchla’s Lightning | Article | Organised Sound | ||
| 2000 | Cronkite, D. | Mediating Gesture: An Interactive Approach to Computer-Assisted Music | Article | Musicworks: Explorations in Sound | ||
| 2000 | Fléty, E. | 3D Gesture Acquisition Using Ultrasonic Sensors | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Mulder, A. | Toward a choice of gestural constraints for instrumental performers | Book Section/Chapter | Trends in Gestural Control of Music | ||
| 2000 | Tanaka, A. | Musical Performance Practice on Sensor-Based Instruments | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Ungvary, T. and Vertegaal, R. | Designing Musical Cyberinstruments with body and soul in mind | Article | Journal of New Music Research | ||
| 2000 | Bongers, B. | Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Vecchi, F. and Freschi, C. and Micera, S. and Sabatini, A. M. and Dario, P. and Sacchetti, R. | Experimental Evaluation of Two Commercial Force Sensors for Applications in Biomechanics and Motor Control | Conference Proceedings | Proceedings of the 5th Annual Conference of the International Functional Electrical Stimulation Society | ||
| 2000 | Blaine, T. and Perkis, T. | The Jam-O-Drum Interactive Music System: A Study in Interaction Design | Conference Proceedings | Proceedings of the ACM Symposium on Designing Interactive Systems | ||
| 2000 | Buchla, D. and Buxton, W. and Chafe, C. and Machover, T. and Matthews, M. V. and Moog, R. and Risset, J.-C. and Sonami, L. and Waisvisz, M. | Round Table | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Hunt, A. and Kirk, R. | Mapping Strategies for Musical Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Wanderley, M. M. and Battier, M. | Trends in Gestural Control of Music | Book | Ircam - Centre Pompidou | ||
| 2000 | Choi, I. | A Manifold Interface for Kinesthetic Notation for High-Dimensional Systems | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Modler, P. | Neural Networks for Mapping Gestures to Sound Synthesis Parameters | Book Section/Chapter | Trends in Gestural Control of Music | Link | |
| 2000 | Rovan, J. and Wechsler, R. | The Multi-Dimensional Mapping of Movement-to-Sound within an Integrated Eyecon and Max Environment. Performance of "Seine Hohle Form..." | Conference Proceedings | Proc. of the 10e Symposium International des Arts Electroniques, ISEA 2000 | ||
| 2000 | Bouwer, J. | Machine Times | Book | V2_ and NAI Publishers | ||
| 2000 | Brandstetter, G. and Voelkers, H. | ReMembering the Body | Book | Cantz | ||
| 2000 | Goldberg, K. | The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet | Book | MIT Press | ||
| 2000 | Menache, A. | Understanding Motion Capture for Computer Animation and Video Games | Book | Academic Press | ||
| 2000 | Paradiso, J. and others | Design and Implementation of Expressive Footwear | Article | IBM Systems Journal | ||
| 2000 | Suzuki, R. and Iwadate, Y. and Inoue, M. and Woo, W. | MIDAS: MIC Interactive Dance System | Conference Proceedings | Proc. IEEE Int’l Conf. Systems, Man, and Cybernetics | ||
| 2000 | Tanzi, Dante | Time, proximity and meaning on the net | Article | CTheory | ||
| 2000 | Arfib, D. and Kessous, L. | From ’Music V’ to ’creative gestures in computer music’ | Conference Proceedings | Proceedings of the VII Brazilian Symposium on Computer Music (SBCM 2000), Curitiba, Brazil | Link | |
| 2000 | Marrin (Nakra), T. A. | Inside the Conductor’s Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gesture | PhD Thesis | Massachusetts Institute of Technology | ||
| 2000 | Vergez, C. | Trompette et trompettiste: un systeme dynamique non lineaire analyse, modelise et simule dans un contexte musical | PhD Thesis | Université de Paris VI | ||
| 2001 | Ystad, Sølvi and Voinier, Thierry | A Virtually Real Flute | Article | Computer Music Journal | Link | |
| 2001 | Morales-Manzanares, Roberto and Morales, Eduardo F. and Dannenberg, Roger and Berger, Jonathan | SICIB: An Interactive Music Composition System Using Body Movements | Article | Computer Music Journal | Link | |
| 2001 | Weinberg, Gil and Gan, Seum-Lim | The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument | Article | Computer Music Journal | Link | |
| 2001 | Laurson, Mikael and Erkut, Cumhur and Välimäki, Vesa and Kuuskankare, Mika | Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis | Article | Computer Music Journal | Link | |
| 2001 | Clozier, Christian | The Gmebaphone Concept and the Cybernéphone Instrument | Article | Computer Music Journal | Link | |
| 2001 | Bahn, C. and Hahn, T. and Trueman, D. | Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Florens, J.-L. and Henry, C. | Bowed String Synthesis with Force Feedback Gesture Interaction | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Gurevich, M. and von Muehlen, S. | The Accordiatron: A Gestural Interface for Interactive Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Jorda, S. | Improvising with Computers: A Personal Survey (1989-2001) | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Misdariis, N. and Nicolas, F. and Warusfel, O. and Causse, R. | Radiation Control on Multi-Loudspeaker Device: La Timee | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Overholt, D. | The MATRIX: A New Musical Instrument for Interactive Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Schloss, W. A. and Driessen, P. | Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Vergez, C. and Rodet, X. | Trumpet and Trumpet Player: Model and Simulation in a Musical Context | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Wright, M. and Freed, A. and Lee, A. and Madden, T. and Momeni, A. | Managing Complexity with Explicit Mapping of Gestures to Sound Control in OSC | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2001 | Garnett, G. E. | The Aesthetics of Interactive Computer Music | Article | Computer Music Journal | ||
| 2001 | Pallàs-Areny, R. and Webster, J. G. | Sensors and Signal Conditioning | Book | Wiley Interscience | ||
| 2001 | Accot, J. and Zhai, S. | Scale Effects in Steering Law Tasks | Conference Proceedings | Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems | ||
| 2001 | Guiard, Y. | Disentangling Relative from Absolute Amplitude in Fitts’ Law Experiments | Conference Proceedings | Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems | ||
| 2001 | Lyons, M. J. and Tetsutani, N. | Facing the Music. A Facial Action Controlled Musical Interface | Conference Proceedings | Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems | ||
| 2001 | Rowe, R. | Machine Musicianship | Book | MIT Press | ||
| 2001 | Baumgärtel, T. | net.art 2.0. new materials towards net art | Book | Verlag für moderne Kunst | ||
| 2001 | Bevilacqua, F. and Naugle, L. and Valverde, I. | Virtual dance and music environment using motion capture | Conference Proceedings | IEEE Multimedia Technology and Applications Conference Proceedings | ||
| 2001 | Birringer, J. | Dance and New Environments | Article | Newsletter, Congress of Research in Dance | ||
| 2001 | Birringer, J. | The intelligent stage | Article | Performance Research | ||
| 2001 | Dreyfus, H. | On the Internet | Book | Routledge | ||
| 2001 | Gendolla, P. and Schmitz, N. and Schneider, I. and Spangenberg, P. | Formen interaktiver Medienkunst | Book | Suhrkamp | ||
| 2001 | LaBelle, B. and Migone, C. | Writing Aloud: The Sonics of Language | Book | Errant Bodies Press | ||
| 2001 | Leeker, M. | Medien, Maschinen, Performances. Theater an der Schnittstelle zu digitalen Welten | Book | Alexander Verlag | ||
| 2001 | Manovich, L. | The Language of New Media | Book | MIT Press | ||
| 2001 | Menicacci, A. and Quinz, E. | La scena digital: Nuovi media per la danza | Book | Marsilio | ||
| 2001 | Oosterling, H. | Hypo-critical Theatre: Holandia’s Intermedial Multiverse | Article | Performance Research | ||
| 2001 | Paraguai, D. and Prado, L. Gilberto | Artistic Environments of Telepresence on the World Wide Web | Article | Leonardo | ||
| 2001 | Saltz, D. | The Collaborative Subject: Telerobotic Performance and Identity | Article | Performance Research | ||
| 2001 | Scholder, A. and Crandall, J. | Interaction: Artistic Practice in the Network | Book | D.A.P. | ||
| 2001 | Tholen, G. | In Between: Time, Space and Image in Cross-Media Performance | Article | Performance Research | ||
| 2001 | Valverde, I. and Naugle, L. and Bevilacqua, F. | Embodied Shifts: Towards an experiential approach to dance-technology interfaces | Conference Proceedings | MTAC Proceeding | ||
| 2001 | Wanderley, M. M. | Performer-instrument interaction: Applications to gestural control of sound synthesis | PhD Thesis | Université Pierre et Marie Curie—Paris VI | ||
| 2001 | Goudeseune, C. | Composing with Parameters for Synthetic Instruments | PhD Thesis | University of Illinois at Urbana-Champaign | ||
| 2001 | Piringer, J. | Elektronische Musik und Interaktivität. Prinzipien, Konzepte, Anwendungen | Master's Thesis | Technische Universität Wien | ||
| 2002 | Wessel, David and Wright, Matthew | Problems and Prospects for Intimate Musical Control of Computers | Article | Computer Music Journal | Link | |
| 2002 | Jorda, Sergi | FMOL: Toward User-Friendly, Sophisticated New Musical Instruments | Article | Computer Music Journal | Link | |
| 2002 | Ulyate, Ryan and Bianciardi, David | The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment | Article | Computer Music Journal | Link | |
| 2002 | Robson, Dominic | PLAY!: Sound Toys for Non-Musicians | Article | Computer Music Journal | Link | |
| 2002 | Wanderley, Marcelo Mortensen and Orio, Nicola | Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI | Article | Computer Music Journal | Link | |
| 2002 | Barbosa, A. and Kaltenbrunner, M. | Public sound objects: A shared musical space on the web | Conference Proceedings | Second International Conference on Web Delivering of Music, Proceedings | ||
| 2002 | Goudeseune, C. | Interpolated Mappings for Musical Instruments | Article | Organised Sound | ||
| 2002 | Hunt, A. and Wanderley, M. | Mapping performer parameters to synthesis engines | Article | Organised Sound | ||
| 2002 | Sapir, S. | Gestural Control of Digital Audio Environments | Article | Journal of New Music Research | ||
| 2002 | Paradiso, J. and Leo, C. K. and Checka, N. and Hsiao, K. | Passive Acoustic Knock Tracking for Interactive Windows | Conference Proceedings | Proceedings of the CHI’02 Conference on Human Factors in Computing Systems | ||
| 2002 | Arfib, D. and Couturier, J. M. and Kessous, L. and Verfaille, V. | Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces | Article | Organised Sound | ||
| 2002 | Burtner, M. | The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument | Article | Organised Sound | ||
| 2002 | Doornbusch, P. | Composers’ Views on Mapping in Algorithmic Composition | Article | Organised Sound | ||
| 2002 | Fels, S. and Gadd, A. and Mulder, A. | Mapping Transparency through Metaphor: towards more expressive musical instruments | Article | Organised Sound | ||
| 2002 | Levitin, D. and McAdams, S. and Adams, R. | Control Parameters for Musical Instruments: a foundation for new mappings of gesture to sound | Article | Organised Sound | ||
| 2002 | Myatt, T. | Strategies for Interaction in Construction 3 | Article | Organised Sound | ||
| 2002 | Ng, K. | Sensing and Mapping for Interactive Performance | Article | Organised Sound | ||
| 2002 | Nichols, C. | The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback | Article | Organised Sound | ||
| 2002 | Cook, P. R. | Real Sound Synthesis for Interactive Applications | Book | A K Peters | ||
| 2002 | Huron, D. | Music Information Processing Using the Humdrum Toolkit: Concepts, Examples, and Lessons | Article | Computer Music Journal | ||
| 2002 | Barabási, A. | Linked: The New Science of Networks | Book | Perseus Publ. | ||
| 2002 | Birringer, J. | Dance and Digital Media | Article | Performing Arts Journal | ||
| 2002 | Birringer, J. | Experimentelle Tanzmedien, Interaktive Systeme | Book Section/Chapter | Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung 2002 | ||
| 2002 | Bromberg, E. and Birringer, J. | ADAPT: Telepresent Artistic Collaborations | Article | Center for High Performance Computing Newsletter | ||
| 2002 | De, M. and Beatriz, M. | Arte e tecnologia na cultura contemporânea | Book | Universidade de Brasilia | ||
| 2002 | Evers, F. and der Velden, L. and van der Wenden, J. P. | The Art of Programming (Sonic Acts 2001 conference on digital art) | Book | Sonic Arts | ||
| 2002 | Glesner, J. | Web Dance: Konvergenzen zwischen Tanz und Internet? | Book Section/Chapter | Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung | ||
| 2002 | Grzinic, M. | Stelarc: Political Prosthesis and Knowledge of the Body | Book | Maska/MKC | ||
| 2002 | Lovink, G. | Dark Fibre: Tracking Critical Internet Culture | Book | MIT Press | ||
| 2002 | Lovink, G. | Uncanny Networks: Dialogues with the Virtual Intelligentsia | Book | MIT Press | ||
| 2002 | Mackenzie, A. | Transductions: Bodies and Machines at Speed | Book | Continuum | ||
| 2002 | Naugle, L. | Distributed Choreography in a Video-Conference Environment | Article | Performance Art Journal | ||
| 2002 | Popat, S. and Smith-Autard, J. | Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the User-Participant? | Article | Leonardo | ||
| 2002 | Preece, J. and Rogers, Y. and Sharp, H. | Interaction Design: Beyond Human-Computer Interaction | Book | John Wiley & Sons, Inc. | ||
| 2002 | Rieser, M. and Andrea, Z. | New Screen Media/Cinema/Art/Narrative | Book | BFI | ||
| 2002 | Santana, I. | Corpo Aberto: Cunningham, dança e novas tecnologias | Book | EDUC/FAPESC | ||
| 2002 | Seaman, B. | Recombinant Poetics: Emergent Explorations of Digital Video in Virtual Space | Book Section/Chapter | New Screen Media/Cinema/Art/Narrative | ||
| 2002 | Wilson, S. | Information Arts: A Survey of Art and Research at the Intersection of Art, Science, and Technology | Book | MIT Press | ||
| 2002 | Naugle, L. | A Study of On-line Collaborative Choreography Using Life Forms and Internet Communication | PhD Thesis | New York University, Department of Music and Performing Arts Professions, Dance Education Program | ||
| 2003 | Giomi, Francesco and Meacci, Damiano and Schwoon, Kilian | Live Electronics in Luciano Berio’s Music | Article | Computer Music Journal | Link | |
| 2003 | Miranda, Eduardo Reck and Sharman, Ken and Kilborn, Kerry and Duncan, Alexander | On Harnessing the Electroencephalogram for the Musical Braincap | Article | Computer Music Journal | Link | |
| 2003 | Wang, G. and Cook, P. R. | ChucK: A Concurrent, On-the-fly Audio Programming Language | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2003 | Belet, B. | Live performance interaction for humans and machines in the early twenty-first century: One composer’s aesthetics for composition and performance practice | Article | Organised sound: An international journal of music technology | ||
| 2003 | Canazza, S. and others | An abstract control space for communication of sensory expressive intentions in music performance | Article | Journal of New Music Research | ||
| 2003 | Paradiso, J. and Ó Modhrain, M. | Current Trends in Electronic Music Interfaces | Article | Journal of New Music Research | ||
| 2003 | Burdea, G. and Coiffet, P. | Virtual Reality Technology | Book | John Wiley and Sons | ||
| 2003 | Arnold, A. | Deanimated | Book | Springer | ||
| 2003 | Ascott, R. | Telematic Embrace: Visionary Theories of Art, Technology and Consciousness | Book | Univ. of California | ||
| 2003 | Birringer, J. | Dance and Interactivity | Article | Dance Research Journal | ||
| 2003 | Birringer, J. | Performance Systems | Article | South African Theatre Journal | ||
| 2003 | Brouwer, J. and Mulder, A. and Charlton, S. | Information is Alive - Art and Theory on Archiving and Retrieving Data | Book | V2_Publishing/NAI Publishers | ||
| 2003 | Copier, M. and Raessens, J. | Level Up: Digital Games Research Conference | Book | Diagra/University of Utrecht | ||
| 2003 | Davcev, D. and Trajkovic, V. and Kalajdziski, S. and Celakoski, S. | Augmented Reality Environment for Dance Learning | Conference Proceedings | Proc. Int’l Conf. Information Technology: Research and Education | ||
| 2003 | Dinkla, S. and Leeker, M. | Dance and Technology / Tanz und Technologie: Moving towards Media Productions - Auf dem Weg zu medialen Inszenierungen | Book | Alexander Verlag | ||
| 2003 | Grau | Virtual Art: From Illusion to Immersion | Book | MIT Press | ||
| 2003 | Hromin, D. and Chladil, M. and Vanatta, N. and Naumann, D. and Wetzel, S. and Anjum, F. and Jain, R. | CodeBLUE: a bluetooth interactive dance club system | Conference Proceedings | GLOBECOM ’03. IEEE Global Telecommunications Conference | ||
| 2003 | Liestøl, G. and Morrison, A. and Rasmussen, T. | Digital Media Revisited | Book | MIT Press | ||
| 2003 | Malloy, J. | Women, Art & Technology | Book | MIT Press | ||
| 2003 | Sundén, J. | Material Virtualities: Approaching Online Textual Embodiment | Book | Peter Lang | ||
| 2003 | Wardrip-Fruin, N. and Montfort, N. | The New Media Reader | Book | MIT Press | ||
| 2003 | Isaacs, D. | Evaluating input devices for musical expression | Master's Thesis | University of Queensland | ||
| 2004 | Schmeder, A. | Mapping Spectral Frames to Pitch with Support Vector Machine | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2004 | Katayose, H. and Okudaira, K. | iFP: A Music Interface Using an Expressive Performance Template | Conference Proceedings | Entertainment Computing - ICEC 2004 | ||
| 2004 | Kirlik, A. and Maruyama, S. | Human-technology Interaction and Music Perception and Performance: Toward the Robust Design of Sociotechnical Systems | Article | Proceedings of the IEEE | ||
| 2004 | Ng, K. C. | Music via Motion: Transdomain Mapping of Motion and Sound for Interactive Performances | Article | Proceedings of the IEEE | ||
| 2004 | Suzuki, K. and Hashimoto, S. | Robotic Interface for Embodied Interaction Via Dance and Musical Performance | Article | Proceedings of the IEEE | ||
| 2004 | Fraden, J. | Handbook of Modern Sensors. Physics, Design and Applications | Book | Springer-Verlag | ||
| 2004 | Janocha, H. | Actuators: basics and applications | Book | Springer | ||
| 2004 | Nyce, D. S. | Linear Position Sensors: Theory and Application | Book | John Wiley and Sons | ||
| 2004 | O’Sullivan, D. and Igoe, T. | Physical computing: sensing and controlling the physical world with computers | Book | Thomson Course Technology | ||
| 2004 | Wanderley, M. and Depalle, P. | Gestural Control of Sound Synthesis | Article | Proceedings of the IEEE | ||
| 2004 | Boulanger, R. | The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming | Book | MIT Press | ||
| 2004 | Camurri, A. and Mazzarino, B. and Volpe, G. | Analysis of Expressive Gesture: The Eyesweb Expressive Gesture Processing Library | Conference Proceedings | Gesture-based Communication in Human-Computer Interaction, LNAI 2915 | ||
| 2004 | Birringer, J. | Der transmediale Tanz | Book Section/Chapter | Tanz Anders Wo: Tanz intra- und interkulturell. Jahrbuch der Gesellschaft für Tanzforschung | ||
| 2004 | Birringer, J. | Wechselwirkung: Internationales Interaktionslabor | Book | SDV | ||
| 2004 | Birringer, J. | Transspacial Light and Virtual Choreography | Article | ballettanz | ||
| 2004 | Bromberg, E. and Birringer, J. | ADaPT: Telepresent Artistic Collaborations | Article | Interdisciplinary Humanities | ||
| 2004 | Buck, B. and Miller, G. and Niehaus, A. J. and Seech, A. | ADAPT (The Association for Dance and Performance Telematics): Multiple definitions of distributed performance | Conference Proceedings | Hawaii International Conference on Arts and Humanities | ||
| 2004 | Camurri, A. and Mazzarino, B. and Ricchetti, M. and Timmers, R. and Volpe, G. | Multimodal analysis of expressive gesture in music and dance performances | Book Section/Chapter | Gesture-based Communication in Human-Computer Interaction | ||
| 2004 | Feldmeier, M. and Paradiso, J. | Giveaway wireless sensors for large-group interaction | Conference Proceedings | Proceedings of CHI 2004, CHI Extended Abstracts | ||
| 2004 | Hachimura, K. and Kato, H. and Tamura, H. | A Prototype Dance Training Support System with Motion Capture and Mixed Reality Technologies | Conference Proceedings | Proc. IEEE Int’l Workshop Robot and Human Interactive Comm. | ||
| 2004 | Hansen, M. | New Philosophy for New Media | Book | MIT Press | ||
| 2004 | Mitchell, R. and Phillip, T. | Data made Flesh: Embodying Information | Book | Routledge | ||
| 2004 | Newman, J. | Videogames | Book | Routledge | ||
| 2004 | Qian, G. and Guo, F. and Ingalls, T. and Olson, L. and James, J. and Rikakis, T. | A Gesture-Driven Multimodal Interactive Dance System | Conference Proceedings | Proc. IEEE Int’l Conf. Multimedia and Expo (ICME ’04) | ||
| 2004 | Smith, J. | I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games | Article | Journal of Popular Music Studies | ||
| 2004 | Weschler, R. and Weiß, F. and Dowling, P. | EyeCon – A motion sensing tool for creating interactive dance, music and video projections | Conference Proceedings | Proceedings of the Society for the Study of Artificial Intelligence and the Simulation of Behavior (SSAISB)’s convention: Motion, Emotion and Cognition | ||
| 2004 | Wechsler, R. and Weiss, F. | Motion Sensing for Interactive Dance | Article | IEEE-Pervasive Computing, Mobile and Ubiquitous Systems | ||
| 2004 | Whitelaw, M. | Metacreation: Art and Artificial Life | Book | MIT Press | ||
| 2005 | Weinberg, Gil | Interconnected Musical Networks: Toward a Theoretical Framework | Article | Computer Music Journal | Link | |
| 2005 | Manzolli, Jonatas and Verschure, Paul F. M. J. | Roboser: A Real-World Composition System | Article | Computer Music Journal | Link | |
| 2005 | Dannenberg, Roger B. | Interactive Visual Music: A Personal Perspective | Article | Computer Music Journal | Link | |
| 2005 | Magnusson, T. | ixi software: Open Controllers for Open Source Audio Software | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 2005 | Gluck, R. J. | Sounds of a community: Cultural identity and interactive art | Article | Leonardo Music Journal | ||
| 2005 | Hashimoto, S. and Sawada, H. | A Grasping Device to Sense Hand Gesture for Expressive Sound Generation | Article | Journal of New Music Research | ||
| 2005 | Kapur, A. and others | Wearable sensors for real-time musical signal processing | Conference Proceedings | 2005 IEEE Pacific Rim Conference on Communications, Computers and Signal Processing | ||
| 2005 | Leman, M. and Camurri, A. | Understanding Musical Expressiveness using Interactive Multimedia Platforms | Article | Journal of Musicae Scientiae | ||
| 2005 | Obrenovic, Z. | A flexible system for creating music while interacting with the computer | Conference Proceedings | 13th Annual ACM International Conference on Multimedia | ||
| 2005 | Tindale, A. R. and Kapur, A. and Tzanetakis, G. and Schloss, W. A. | Indirect Acquisition of Percussion Gestures Using Timbre Recognition | Conference Proceedings | Proceedings of the Conference on Interdisciplinary Musicology | ||
| 2005 | Weinberg, G. | Voice Networks: The Human Voice as a Creative Medium for Musical Collaboration | Article | Leonardo Music Journal | ||
| 2005 | Wilson, J. S. | Sensor Technology Handbook | Book | Newnes (Elsevier) | ||
| 2005 | Sorensen, A. | Impromptu: An Interactive Programming Environment for Composition and Performance | Conference Proceedings | Proceedings of the Australasian Computer Music Conference | ||
| 2005 | Alankus, G. and Bayazit, A. A. and Bayazit, O. B. | Automated Motion Synthesis for Dancing Characters: Motion Capture and Retrieval | Article | Computer Animation and Virtual Worlds | ||
| 2005 | Bayliss, A. and Sheridan, J. and Villar, N. | New shapes on the dance floor: influencing ambient sound and vision with computationally augmented poi | Article | International Journal of Performance Arts and Digital Media | ||
| 2005 | Ebeweuter, N. | Dance movement: a focus on the technology | Article | Computer Graphics and Applications, IEEE | ||
| 2005 | Hachimura, K. and Takashina, K. and Yoshimura, M. | Analysis and Evaluation of Dancing Movement Based on LMA | Conference Proceedings | Proc. IEEE Int’l Workshop Robots and Human Interactive Comm. | ||
| 2005 | Kwon, D. Y. and Cross, M. | Combining Body Sensors and Visual Sensors for Motion Training | Conference Proceedings | Proc. ACM SIGCHI | ||
| 2005 | Nakamura, A. and Tabata, S. and Ueda, T. and Kiyofuji, S. and Kuno, Y. | Dance Training System with Active Vibro-Devices and a Mobile Image Display | Conference Proceedings | Proc. IEEE/RSJ Int’l Conf. Intelligent Robots and Systems (IROS ’05) | ||
| 2005 | Srinivasan, P. and Birchfield, D. and Qian, G. and Kidane, A. | A pressure sensing floor for interactive media applications | Conference Proceedings | ACE ’05: Proceedings of the 2005 ACM SIGCHI International Conference on Advances in computer entertainment technology | ||
| 2005 | Birringer, Johannes | New environments for interactive dance | Technical Report | Nottingham Trent University | ||
| 2006 | Lee, Eric and Karrer, Thorsten and Borchers, Jan | Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams | Article | Computer Music Journal | Link | |
| 2006 | Momeni, Ali and Henry, Cyrille | Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis | Article | Computer Music Journal | Link | |
| 2006 | Oboe, Roberto | A Multi-Instrument, Force-Feedback Keyboard | Article | Computer Music Journal | Link | |
| 2006 | Solis, Jorge and Chida, Keisuke and Taniguchi, Koichi and Hashimoto, Shinichiro Michael and Suefuji, Kei and Takanishi, Atsuo | The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist | Article | Computer Music Journal | Link | |
| 2006 | Weinberg, Gil and Driscoll, Scott | Toward Robotic Musicianship | Article | Computer Music Journal | Link | |
| 2006 | Overholt, D. | Musical Interaction Design with the CREATE USB Interface: Teaching HCI with CUIs instead of GUIs | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2006 | Zadel, M. and Scavone, G. | Laptop Performance: Techniques, Tools, and a New Interface Design | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2006 | Karjalainen, M. and Maki-patola, T. and Kanerva, A. and Huovilainen, A. | Virtual Air Guitar | Article | Journal of Audio Engineering Society | ||
| 2006 | Malloch, J. and Birnbaum, D. and Sinyor, E. and Wanerley, M. M. | Towards a New Conceptual Framework for Digital Musical Instruments | Conference Proceedings | Proceedings of the 9th International Conference on Digital Audio Effects | ||
| 2006 | Weinberg, G. and Thatcher, T. | Interactive Sonification: Aesthetics, Functionality and Performance | Article | Leonardo Music Journal | ||
| 2006 | Marshall, M. T. and Wanderley, M. M. | Evaluation of Sensors as Input Devices for Computer Music Interfaces | Book Section/Chapter | Computer Music Modeling and Retrieval | ||
| 2006 | Miranda, E. R. and Wanderley, M. M. | New digital musical instruments: control and interaction beyond the keyboard | Book | A-R Editions Inc. | ||
| 2006 | Pendharkar, C. and Gurevich, M. and Wyse, L. | Parameterized Morphing as a Mapping Technique for Sound Synthesis | Conference Proceedings | Proceedings of the 9th International Conference on Digital Audio Effects - DAFx-06 | ||
| 2006 | Guedes, C. | Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch Tracking Techniques to a Video Signal | Conference Proceedings | Proceedings of the 2006 Sound and Music Computing Conference | ||
| 2006 | Shiratori, T. and Nakazawa, A. and Ikeuchi, K. | Dancing-To-Music Character Animation | Article | Computer Graphics Forum | ||
| 2006 | Yang, Z. and Yu, B. and Diankov, R. and Wu, W. and Bajscy, R. | Collaborative Dancing in Tele-Immersive Environment | Conference Proceedings | Proc. Ann. ACM Int’l Conf. Multimedia | ||
| 2006 | Zadel, M. | A Software System for Laptop Performance and Improvisation | Master's Thesis | McGill University | ||
| 2006 | Enke, U. | DanSense: Rhythmic Analysis of Dance Movements Using Acceleration-Onset Times | Master's Thesis | RWTH Aachen University | ||
| 2007 | Feldmeier, Mark and Paradiso, Joseph A. | An Interactive Music Environment for Large Groups with Giveaway Wireless Motion Sensors | Article | Computer Music Journal | Link | |
| 2007 | Gorman, Mikhail and Lahav, Amir and Saltzman, Elliot and Betke, Margrit | A Camera-Based Music-Making Tool for Physical Rehabilitation | Article | Computer Music Journal | Link | |
| 2007 | Milne, Andrew and Sethares, William and Plamondon, James | Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum | Article | Computer Music Journal | Link | |
| 2007 | Maestre, E. and others | Acquisition of Violin Instrumental Gestures Using a Commercial EMF Tracking Device | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 2007 | Malloch, J. and Sinclair, S. and Wanderley, M. M. | From controller to sound: Tools for collaborative development of digital musical instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | ||
| 2007 | Bayreuther, R. | Contemporary composition as musical disciplina - The example of sound installations of Robin Minard | Article | Musiktheorie | ||
| 2007 | Lovischach, J. | Music at Your Fingertips: An Electrotactile Fader | Conference Proceedings | Proceedings of the 123rd Audio Engineering Society Convention | ||
| 2007 | Hayward, V. and MacLean, K. E. | Do it yourself haptics: Part I | Article | IEEE Robotics & Automation Magazine | ||
| 2007 | Vlasic, D. and Adelsberger, R. and Vannucci, G. and Barnwell, J. and G., Markus | Practical Motion Capture in Everyday Surroundings | Conference Proceedings | Proceedings of the International Conference and Exhibition on Computer Graphics and Interactive Technologies (SIGGRAPH) | ||
| 2007 | Amatriain, X. | CLAM: A Framework for Audio and Music Application Development | Article | Software, IEEE | ||
| 2007 | Kaltenbrunner, M. and Bencina, R. | reacTIVision: a computer-vision framework for table-based tangible interaction | Conference Proceedings | Proceedings of the 1st International Conference on Tangible and Embedded Interaction (TEI ’07) | ||
| 2007 | Sànchez, A. and Pantrigo, J. J. and Virseda, J. and Pérez, G. | Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks | Conference Proceedings | Proceedings of the 2nd International work-conference on The Interplay Between Natural and Artificial Computation (IWINAC-2007) | ||
| 2007 | Sinclair, S. and Wanderley, M. | Using PureData to Control a Haptically-enabled Virtual Environment | Conference Proceedings | PureData Convention 2007 | ||
| 2007 | Sinclair, S. and Wanderley, M. | Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound | Conference Proceedings | Proceedings of the the 4th International Conference on Enactive Interfaces (ENACTIVE’07) | ||
| 2007 | Aylward, R. and Paradiso, J. | A compact, high-speed, wearable sensor network for biomotion capture and interactive media | Conference Proceedings | Proceedings of the 6th international conference on Information processing in sensor networks | ||
| 2007 | Bakogianni, J. S. and Kavakli, E. and Karkou, V. and Tsakogianni, M. | Teaching Traditional Dance Using E-Learning Tools: Experience from the WebDANCE Project | Conference Proceedings | Proc. 21st World Congress on Dance Research: Dancers without Frontiers | ||
| 2007 | Crampton, N. and Fox, K. and Johnston, H. and Whitehead, A. | Dance, Dance Evolution: Accelerometer Sensor Networks as Input to Video Games | Conference Proceedings | 2007 IEEE International Workshop on Haptic, Audio and Visual Environments and Games | ||
| 2007 | Dixon, S. | Digital Performance – A History of New Media in Theater, Dance, Performance, Art, and Installation | Book | The MIT Press | ||
| 2007 | Magnenat-Thalmann, N. and Joslin, C. | Learning How to Dance on the Internet | Conference Proceedings | Proc. Sixth Int’l Conf. Web-Based Learning (ICWL ’07) | ||
| 2007 | Magnenat-Thalmann, N. and Protopsaltou, D. and Kavakli, E. | Learning How to Dance Using a Web 3D Platform | Conference Proceedings | Proc. Sixth Int’l Conf. Web-Based Learning | ||
| 2007 | Birnbaum, D. | Musical vibrotactile feedback | Master's Thesis | McGill University | ||
| 2008 | Smallwood, Scott and Trueman, Dan and Cook, Perry R. and Wang, Ge | Composing for Laptop Orchestra | Article | Computer Music Journal | Link | |
| 2008 | Wang, Ge and Trueman, Dan and Smallwood, Scott and Cook, Perry R. | The Laptop Orchestra as Classroom | Article | Computer Music Journal | Link | |
| 2008 | Pakarinen, Jyri and Puputti, Tapio and Valimaki, Vesa | Virtual Slide Guitar | Article | Computer Music Journal | Link | |
| 2008 | Kvifte, Tellef | What is a Musical Instrument? | Article | Swedish Journal of Music Research | Link | |
| 2008 | Kvifte, Tellef | On the Description of Mapping Structures | Article | Journal of New Music Research | Link | |
| 2008 | Anderson, S. | Microsound in public space: compositional methods to enhance site-specific sound | Article | Organised Sound | ||
| 2008 | Cascella, D. | Carl Michael von Hausswolff | Article | Organised Sound | ||
| 2008 | Grossmann, R. | The tip of the iceberg: laptop music and the information-technological transformation of music | Article | Organised Sound | ||
| 2008 | Jean, F. and Albu, A. B. | The Visual Keyboard: Real-Time Feet Tracking for the Control of Musical Meta-Instruments | Article | Signal Processing: Image Communication | ||
| 2008 | Johnston, A. and Candy, L. and Edmonds, E. | Designing and evaluating virtual musical instruments: facilitating conversational user interaction | Article | Design Studies | ||
| 2008 | Merrill, D. and Raffle, H. and Aimi, R. | The Sound of Touch: Physical Manipulation of Digital Sound | Conference Proceedings | Proceedings of CHI (2008) | ||
| 2008 | Petersen, K. and Solis, J. and Takanishi, A. | Development of a Real-Time Instrument Tracking System for Enabling the Musical Interaction with the Waseda Flutist Robot | Conference Proceedings | IEEE/RSJ International Conference on Intelligent Robots and Systems | ||
| 2008 | Richards, J. | Getting the Hands Dirty | Article | Leonardo Music Journal | ||
| 2008 | Grunwald, Martin and Verlag, Birkhauser | Human haptic perception: Basics and applications | Book | Birkhauser Basel | ||
| 2008 | Hayward, V. and MacLean, K. E. | Do it yourself haptics: Part II [Tutorial] | Article | IEEE Robotics & Automation Magazine | ||
| 2008 | Dahlstedt, P. | Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation | Conference Proceedings | Proceedings of the 2008 Computer Music Modeling and Retrieval conference - CMMR08 | ||
| 2008 | Malloch, J. and Sinclair, S. and Wanderley, M. M. | A Network-based Framework for Collaborative Development and Performance of Digital Musical Instruments | Conference Proceedings | Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Revised Papers | ||
| 2008 | Fujimoto, M. and Fujita, N. and Takegawa, Y. and Terada, T. and Tsukamoto, M. | Musical B-boying: A Wearable Musical Instrument by Dancing | Article | Lecture Notes In Computer Science | ||
| 2008 | Kim, Y. and Jung, D. and Park, S. and Chi, J. and Kim, T. and Lee, S. | The Shadow Dancer: A New Dance Interface with Interactive Shoes | Conference Proceedings | International Conference on Cyberworlds | ||
| 2008 | Latulipe, C. and Huskey, S. | Dance. Draw: exquisite interaction | Conference Proceedings | Proceedings of the 22nd British CHI Group Annual Conferenc on HCI 2008: People and Computers XXII: Culture, Creativity, Interaction | ||
| 2008 | Naveda, L. and Leman, M. | Representation of Samba dance gestures, using a multi-modal analysis approach | Conference Proceedings | 5th International Conference on Enactive Interfaces | ||
| 2008 | Marshall, M. T. | Physical Interface Design for Digital Musical Instruments | PhD Thesis | McGill University | ||
| 2008 | Sinnott, Laura | Mapping Strategies for the Augmented Tango Shoe | Master's Thesis | New York University, USA | ||
| 2008 | Gutknecht, J. and Kulka, I. and Lukowicz, P. and Strieker, T. | Advances in Expressive Animation in the Interactive Performance of a Butoh Dance | Conference Proceedings | Transdisciplinary Digital Art. Sound, Vision and the New Screen. Communications in Computer and Information Science | Link | |
| 2009 | Park, Tae Hong | An Interview with Max Mathews | Article | Computer Music Journal | Link | |
| 2009 | Overholt, Dan and Thompson, John and Putnam, Lance and Bell, Bo and Kleban, Jim and Sturm, Bob and Kuchera-Morin, JoAnn | A Multimodal System for Gesture Recognition in Interactive Music Performance | Article | Computer Music Journal | Link | |
| 2009 | Fiebrink, Rebecca and Cook, Perry and Trueman, Dan | Play-Along Mapping of Musical Controllers | Article | Proceedings of the International Computer Music Conference | Link | |
| 2009 | Boltz, M. G. and Ebendorf, B. and Field, B. | Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory | Article | Music Perception | ||
| 2009 | Bown, O. and Eldridge, A. and McCormack, J. | Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects | Article | Organised Sound | ||
| 2009 | Brown, A. R. and Sorensen, A. | Interacting with Generative Music through Live Coding | Article | Contemporary Music Review | ||
| 2009 | Cseres, J. | In Between as a Permanent Status: Milan Adamciak’s Version of Intermedia | Article | Leonardo Music Journal | ||
| 2009 | Dipper, G. | Interactive Interfaces: Installations produced at the ZKMIMA | Article | Organised Sound | ||
| 2009 | Drummond, J. | Understanding Interactive Systems | Article | Organised Sound | ||
| 2009 | Essl, G. and Rohs, M. | Interactivity for Mobile Music-Making | Article | Organised Sound | ||
| 2009 | Jordanous, A. and Smaill, A. | Investigating the Role of Score Following in Automatic Musical Accompaniment | Article | Journal of New Music Research | ||
| 2009 | Kim-Boyle, D. | Network Musics: Play, Engagement and the Democratization of Performance | Article | Contemporary Music Review | ||
| 2009 | Lehrman, P. D. | The Wii Remote as a Musical Instrument: Technology and Case Studies | Conference Proceedings | Proceedings of the 127th Audio Engineering Society Convention | ||
| 2009 | Magnusson, T. | Of Epistemic Tools: Musical Instruments as Cognitive Extensions | Article | Jounal of Organised Sound | ||
| 2009 | McAlpine, K. and Bett, M. and Scanlan, J. | Approaches to Creating Real-Time Adaptive Music in Interactive Entertainment: A Musical Perspective | Conference Proceedings | Proceedings of the AES 35th International Conference: Audio for Games | ||
| 2009 | Paine, G. | Gesture and Morphology in Laptop Music Performance | Book Section/Chapter | The Oxford Handbook of Computer Music and Digital Sound Culture | ||
| 2009 | Petersen, K. and Solis, J. and Takanishi, A. | Development of a Aural Real-Time Rhythmical and Harmonic Tracking to Enable the Musical Interaction with the Waseda Flutist Robot | Conference Proceedings | IEEE/RSJ International Conference on Intelligent Robots and Systems | ||
| 2009 | Shedel, M. and Rootberg, A. | Generative Techniques in Hypermedia Performance | Article | Contemporary Music Review | ||
| 2009 | Whalley, I. | Software Agents in Music and Sound Art Research/Creative Work: Current State adn a Possible Direction | Article | Journal of Organised Sound | ||
| 2009 | Yamaguchi, T. and Hashimoto, S. | Grasping Interface with Photo Sensor for a Musical Instrument | Conference Proceedings | Proceedings of the 13th International Conference on Human-Computer Interaction. Part II: Novel Interaction Methods and Techniques | ||
| 2009 | Marshall, M. T. and Hartshorn, M. and Wanderley, M. M. and Levitin, D. J. | Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation | Article | Journal of New Music Research | ||
| 2009 | Overholt, D. | The Musical Interface Technology Design Space | Article | Organised Sound | ||
| 2009 | Assayag, G. and Gerzso, A. | New Computational Paradigms for Computer Music | Book | Delatour | ||
| 2009 | Fujimoto, M. and Fujita, N. and Takegawa, Y. and Terada, T. and Tsukamoto, M. | A Motion Recognition Method for a Wearable Dancing Musical Instrument | Conference Proceedings | 2009 International Symposium on Wearable Computers | ||
| 2009 | Liang, X. and Li, Q. and Zhang, X. and Zhang, S. and Geng, W. | Performance-driven motion choreographing with accelerometers | Article | Computer Animation and Virtual Worlds | ||
| 2009 | Majoe, D. and Kulka, I. and Schacher, J. C. | Towards An Interactive Multimedia Experience For Club Music And Dance | Conference Proceedings | Proceedings, International Conference on Mobile Computing and Multimedia MOMM | ||
| 2009 | Siegel, W. | Dancing the Music: Interactive Dance and Music | Book Section/Chapter | The Oxford Handbook of Computer Music | ||
| 2009 | Soga, A. and Umino, B. and Hirayama, M. | Automatic Composition for Contemporary Dance Using 3D Motion Clips: Experiment on Dance Training and System Evaluation | Conference Proceedings | Proc. Int’l Conf. CyberWorlds | ||
| 2010 | Hansen, Kjetil Falkenberg and Bresin, Roberto | The Skipproof Virtual Turntable for High-Level Control of Scratching | Article | Computer Music Journal | Link | |
| 2010 | Gelineck, Steven and Serafin, Stefania | A Practical Approach towards an Exploratory Framework for Physical Modeling | Article | Computer Music Journal | Link | |
| 2010 | Caceres, Juan-Pablo and Chafe, Chris | JackTrip/SoundWIRE Meets Server Farm | Article | Computer Music Journal | Link | |
| 2010 | Duignan, Matthew and Noble, James and Biddle, Robert | Abstraction and Activity in Computer-Mediated Music Production | Article | Computer Music Journal | Link | |
| 2010 | Wilkie, Katie and Holland, Simon and Mulholland, Paul | What Can the Language of Musicians Tell Us about Music Interaction Design? | Article | Computer Music Journal | Link | |
| 2010 | Benford, Steve | Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances | Article | Computer Music Journal | Link | |
| 2010 | Magnusson, Thor | Designing Constraints: Composing and Performing with Digital Musical Systems | Article | Computer Music Journal | Link | |
| 2010 | Alexandraki, C. and Akoumanakis, D. | Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework | Article | Computer Music Journal | ||
| 2010 | Black, D. and Gohlke, K. and Lovischach, J. | Foley Sonic: Placing Sounds on a Timeline Through Gestures | Conference Proceedings | Proceedings of the 128th Audio Engineering Society Convention | ||
| 2010 | Coulter, J. | Electroacoustic Music with Moving Images: the art of media pairing | Article | Organised Sound | ||
| 2010 | Frank, M. and Mehr, L. and Sontacchi, A. and Zotter, F. | Flexible and Intuitive Pointing Method for 3D Auditory Localization Experiments | Conference Proceedings | Proceedings of the AES 38th International Conference: Sound Quality Evaluation | ||
| 2010 | Frengel, M. | A Multidimensional Approach to Relationships between Live and Non-live Sound Sources in Mixed Works | Article | Organised Sound | ||
| 2010 | Hoadley, R. | Implementation and Developments of Interfaces for Music Performance Through Analysis of Improvised Dance Movements | Conference Proceedings | Proceedings of the 128th Audio Engineering Society Convention | ||
| 2010 | Mion, L. and D’Inca, G. and de Gotzen, A. and Rapana, E. | Modeling Expression with Perceptual Audio Features to Enhance User Interaction | Article | Computer Music Journal | ||
| 2010 | Murray-Browne, T. and others | The Serendiptichord: A Wearable Instrument for Contemporary Dance Performance | Conference Proceedings | Proceedings of the 128th Audio Engineering Society Convention | ||
| 2010 | Petersen, K. and Solis, J. and Takanishi, A. | Musical-based interaction system for the Waseda Flutist Robot | Article | Autonomous Robots | ||
| 2010 | Dunn, P. F. | Measurement and Data Analysis for Engineering and Science | Book | CRC Press, Taylor & Francis Group | ||
| 2010 | Baalman, M. A. and d Belleval, V. and Salter, C. L. and Malloch, J. and Thibodeau, J. and Wanderley, M. | Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure for Liver Performance and Interactive, Real-Time Environments | Conference Proceedings | Proceedings of Linux Audio Conference (LAC 2010) | ||
| 2010 | Bresson, J. and Agon, C. and Schumacher, M. | Représentation des données de contrôle pour la spatialisation dans OpenMusic | Conference Proceedings | Actes des Journées d’Informatique Musicale | ||
| 2010 | Schumacher, M. and Bresson, J. | Compositional Control of Periphonic Sound Spatialization | Conference Proceedings | Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics | ||
| 2010 | Schumacher, M. and Bresson, J. | Spatial Sound Synthesis in Computer-Aided Composition | Article | Organised Sound | ||
| 2010 | Henning, Pohl | Motion Pattern Recognition For Interactive Dance | Master's Thesis | Darmstadt, Germany | ||
| 2011 | Peters, Nils and Marentakis, Georgios and McAdams, Stephen | Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis | Article | Computer Music Journal | Link | |
| 2011 | O’Modhrain, Sile | A Framework for the Evaluation of Digital Musical Instruments | Article | Computer Music Journal | Link | |
| 2011 | Gillespie, R. Brent and Yu, Bo and Grijalva, Robert and Awtar, Shorya | Characterizing the Feel of the Piano Action | Article | Computer Music Journal | Link | |
| 2011 | Freeman, Jason and Van Troyer, Akito | Collaborative Textual Improvisation in a Laptop Ensemble | Article | Computer Music Journal | Link | |
| 2011 | Maes, Pieter-Jan and Leman, Marc and Kochman, Katty and Lesaffre, Micheline and Demey, Michiel | The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human–Computer Interface | Article | Computer Music Journal | Link | |
| 2011 | Jylha, Antti and Ekman, Inger and Erkut, Cumhur and Tahirouglu, Koray | Design and Evaluation of Human–Computer Rhythmic Interaction in a Tutoring System | Article | Computer Music Journal | Link | |
| 2011 | Bouenard, Alexandre and Wanderley, Marcelo M. and Gibet, Sylvie and Marandola, Fabrice | Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises | Article | Computer Music Journal | Link | |
| 2011 | Bown, Oliver | Experiments in Modular Design for the Creative Composition of Live Algorithms | Article | Computer Music Journal | Link | |
| 2011 | Leitman, Sasha | Trimpin: An Interview | Article | Computer Music Journal | Link | |
| 2011 | Maes, Laura and Raes, Godfried-Willem and Rogers, Troy | The Man and Machine Robot Orchestra at Logos | Article | Computer Music Journal | Link | |
| 2011 | Kapur, Ajay and Darling, Michael and Diakopoulos, Dimitri and Murphy, Jim W. and Hochenbaum, Jordan and Vallis, Owen and Bahn, Curtis | The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments | Article | Computer Music Journal | Link | |
| 2011 | Magnusson, T. | ixi lang: A SuperCollider Parasite for Live Coding | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | |
| 2011 | Andean, J. | Ecological Psychology and the Electroacoustic Concert Context | Article | Organised Sound | ||
| 2011 | Balin, W. and Lovischach, J. | Gestures to Operate DAW software | Conference Proceedings | Proceeding of the 130th Audio Engineering Society Convention | ||
| 2011 | Brown, N. G. | Being Among the Living: On the interrelations between performers, witnesses and environment in As I Have Now Memoyre | Article | Organised Sound | ||
| 2011 | Eigenfeldt, A. | Real-time Composition as Performance Ecosystem | Article | Organised Sound | ||
| 2011 | Green, O. | Agility and Playfulness: Technology and skill in the performance ecosystem | Article | Organised Sound | ||
| 2011 | Grollmisch, S. and Cano Ceron, E. and Dittmar, C. | Songs 2 See: Learn to Play by Playing | Conference Proceedings | Proceedings of the AES 41st International Conference: Audio for Games | ||
| 2011 | Gurevich, M. and Fyans, A. C. | Digital Musical Interactions: Performer-system relationships and their perception by spectators | Article | Organised Sound | ||
| 2011 | Iaird, I. and Murphy, D. and Capman, R. and Jouan, S. | Development of a Virtual Performance Studio with Application of Virtual Acoustic Recording Methods | Conference Proceedings | Proceedings of the 130th Audio Engineering Society Convention | ||
| 2011 | Newton, D. and Marshall, M. T. | The Augmentalist: Enabling Musicians to Develop Augmented Musical Instruments | Conference Proceedings | Proceedings of the 5th International Conference on Tangible, Embedded and Embodied Interaction | ||
| 2011 | O’Sullivan, L. and Boland, F. | Visualizing and Controlling Sound with Graphical Interfaces | Conference Proceedings | Proceedings of the AES 41st International Conference: Audio for Games | ||
| 2011 | Overholt, D. and Berdahl, E. and Hamilton, R. | Advancements in Actuated Musical Instruments | Article | Journal of Organised Sound | ||
| 2011 | Rasamimanana, N. and others | Modular Musical Objects Towards Embodied Control of Digital Music | Conference Proceedings | Proceedings of Tangible and Embedded Interaction | ||
| 2011 | Selfridge, R. and Reiss, J. D. | Interactive Mixing Using Wii Controller | Conference Proceedings | Proceedings of the 130th Audio Engineering Society Convention | ||
| 2011 | Spasov, M. | Music Composition as an Act of Cognition: ENACTIV - Interactive Multi-modal Composing System | Article | Journal of Organised Sound | ||
| 2011 | Brum Medeiros, C. and Wanderley, M. M. | Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument | Conference Proceedings | Proceedings of the Sound and Music Computing Conference (SMC-2011) | ||
| 2011 | Giordano, M. and Wanderley, M. M. | A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation | Conference Proceedings | Proceedings of the Sound and Music Computing Conference (SMC-2011) | ||
| 2011 | McGlynn, P. | Towards for Effective Mapping Strategies for Digital Musical Instruments | Conference Proceedings | Proceedings from the 2011 Linux Audio Conference - LAC11 | ||
| 2011 | Boulanger, R. C. and Lazzarini, V. | The Audio Programming Book | Book | MIT Press | ||
| 2011 | Wilson, S. and Collins, N. and Cottle, D. | The SuperCollider Book | Book | MIT Press | ||
| 2011 | Birringer, J. | Connected Dance: Distributed Performance across Time Zones | Conference Proceedings | Transmigratory Moves/Dance in Global Circulation. Congress On Research in Dance Conference Proceedings | ||
| 2011 | Deng, L. Q. and Leung, H. and Gu, N. J. and Yang, Y. | Real-time mocap dance recognition for an interactive dancing game | Article | Computer Animation and Virtual Worlds | ||
| 2012 | Gurevich, Michael and Marquez-Borbon, Adnan and Stapleton, Paul | Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument | Article | Computer Music Journal | Link | |
| 2012 | Maezawa, Akira and Itoyama, Katsutoshi and Komatani, Kazunori and Ogata, Tetsuya and Okuno, Hiroshi G. | Automated Violin Fingering Transcription Through Analysis of an Audio Recording | Article | Computer Music Journal | Link | |
| 2012 | McPherson, Andrew P. and Kim, Youngmoo E. | The Problem of the Second Performer: Building a Community Around an Augmented Piano | Article | Computer Music Journal | Link | |
| 2012 | Jensenius, Alexander Refsum and Johnson, Victoria | Performing the Electric Violin in a Sonic Space | Article | Computer Music Journal | Link | |
| 2012 | Li, T. and Ogihara, M. and Tzanetakis, G. | Music Data Mining | Book | CRC Press | ||
| 2013 | Peters, Nils and Lossius, Trond and Schacher, Jan C. | The Spatial Sound Description Interchange Format: Principles, Specification, and Examples | Article | Computer Music Journal | Link |